Longlisted for the 2020 Miles Franklin Literary Award. From the winner of the 2018 Victorian Premier’s Literary Award for Fiction, this tender, moving portrait of an improbable friendship and multicultural Australia more broadly, is now available in a new compact paperback edition.
“One of the most addictive new series heroines since Stephanie Plum.”—The Atlanta Journal-Constitution Atlanta private investigator and ex–FBI profiler Keye Street wants nothing more than time alone with her boyfriend, Aaron—but, as usual, murder gets in the way. A.P.D. Lieutenant Aaron Rauser is called to the disturbing scene of the strangling death of a thirteen-year-old boy. Meanwhile, Keye, a recovering alcoholic, must deal with her emotionally fragile cousin, who has her own history of drug abuse and is now convinced that she is being stalked. But all hell breaks loose when another murder—the apparent hanging of an elderly man—hits disturbingly close to home for Keye. Though the two victims have almost nothing in common, there are bizarre similarities between this case and that of Aaron’s strangled teen. With the threat of more deaths to come, Keye works on pure instinct alone—and soon realizes that a killer is circling ever closer to the people she loves the most. Praise for Amanda Kyle Williams and Stranger in the Room “Keye Street remains the most interesting, cynically funny and smart series detective today. . . . The tension buzzes like cicadas on a hot Georgia night and the pace is relentless.”—Seattle Post-Intelligencer “The best fictional female P.I. since Sue Grafton’s Kinsey Millhone.”—The Plain Dealer “Keye Street immediately puts herself in the top echelon of suspense heroes. She’s a mess of fascinating contradictions—effortlessly brilliant on a case, totally inept in managing her own life. She is brutally funny and powerfully human—one of the most realistic protagonists in crime fiction that I’ve had the thrill to read.”—Tess Gerritsen, New York Times bestselling author of Last to Die “There’s a new voice in Atlanta, and her name is Amanda Kyle Williams—captivating, powerful and compelling.”—Julia Spencer-Fleming, New York Times bestselling author of One Was a Soldier “Readers of this fast-paced thriller will be eager for the next Street tale.”—Publishers Weekly
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.
From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.
“The plot twists ingeniously...an engaging, often chilling book.”—The New York Times Book Review A writer in California. A doctor in Boston. A motel owner and his employee in Nevada. A priest in Chicago. A robber in New York. A little girl in Las Vegas. They’re a handful of people from across the country, living through eerie variations of the same nightmare. A dark memory is calling out to them. And soon they will be drawn together, deep in the heart of a sprawling desert, where the terrifying truth awaits...
Bridge has always been a bit of an oddball, but since she recovered from a serious accident, she's found fitting in with her friends increasingly hard. Tab and Em are getting cooler and better and they don't get why she insists on wearing novelty cat ears every day. Bridge just thinks they look good. It's getting harder to keep their promise of no fights, especially when they start keeping secrets from each other. Sherm wants to get to know Bridge better. But he’s hiding the anger he feels at his grandfather for walking out. And then there is another girl, who is struggling with an altogether more serious set of friendship troubles... Told from interlinked points of view, this is a bittersweet story about the trials of friendship and growing up.
Winner, Prize for Fiction, The 2018 Victorian Premier’s Literary Awards ‘Melanie Cheng is an astonishingly deft and incisive writer. With economy and elegance, she creates a dazzling mosaic of contemporary life, of how we live now. Hers is a compelling new voice in Australian literature.’ Christos Tsiolkas Australia Day is a collection of stories by debut author Melanie Cheng. The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world. Melanie Cheng is a writer and general practitioner. She was born in Adelaide, grew up in Hong Kong and now lives in Melbourne. Her debut collection of short stories, Australia Day, won the Victorian Premier’s Literary Award for an Unpublished Manuscript in 2016 and the Victorian Premier’s Literary Award for Fiction in 2018. Room for a Stranger is her first novel. ‘A stunning debut that takes its place among Australian short story greats.’ AU Review ‘The book bears witness to the author’s empathetic eye, multicultural characterisation and easy facility with dialogue...This short story collection explores what it means to belong, to be Australian; its insight from different vantage points and its photo-realistic narrative make it an exciting and impressive debut.’ Judges’ Report, Victorian Premier’s Literary Awards, 2018 ‘All of her characters—a diverse cast of difference races and faiths—are searching for connection or a sense of belonging, and coming up short. Despite its title the focus of this collection is not explicitly on that increasingly controversial public holiday. Rather, it is on the struggles, internal and external, that occur when people from different backgrounds meet by chance or are brought together...Australia Day is a bittersweet, beautifully crafted collection that will be much admired by fans of Cate Kennedy and Tony Birch.’ Books+Publishing ‘What a wonderful book, a book with bite. These stories have a real edge to them. They are complex without being contrived, humanising, but never sentimental or cloying—and, ultimately, very moving.’ Alice Pung ‘In each story, Melanie Cheng creates an entire microcosm, peeling back the superficial to expose the raw nerves of contemporary Australian society. Her eye is sharp and sympathetic, her characters flawed and funny and utterly believable.’ Jennifer Down ‘Melanie Cheng’s stories are a deep dive into the diversity of humanity. They lead you into lives, into hearts, into unexplored places, and bring you back transformed.’ Michelle Wright ‘The characters stay in the mind, their lives and experiences mirroring many of our own, challenging us to think how we might respond in their place. An insightful, sometimes uncomfortable portrayal of multicultural Australia from an observant and talented writer.’ Ranjana Srivastava ‘If only the PM might pick up a copy, even by mistake.’ Saturday Paper ‘A wonderful feat of storytelling...Melanie Cheng is an exciting new writer.’ Readings ‘A sumptuous collection of fourteen short stories, which are disparate but with modern Australia or Australians at their heart, exploring issues of racism, infidelity, grief, parenthood, children and ageing...they are heartfelt and Melbourne-based Cheng paints the characters beautifully.’ Herald Sun ‘The happy surprise of Cheng’s work as a collection lies in her resolute grasp of the absolute normalcy of a culture that not so many years ago was divided and dually suspicious. The census gives us the facts but it takes fiction to make reality three-dimensional.’ Sydney Morning Herald ‘The author’s empathetic eye and easy facility with dialogue make the anthology a strong debut, with the longer stories in particular offering breadth and depth...It feels like Cheng has taken a wide sample from the census to craft this inclusive portrait of contemporary Australia.’ Big Issue‘Cheng’s work is polished and affecting. Australia Day is that thing we all chase: a complex, engaging and timely read.’ Lifted Brow ‘Cheng paints a holistic snapshot of Australian life, with the result being a collection of stories that are simultaneously cynical and hopeful...The ambiguity inherent in labelling something “Australian" is also manifest in Cheng’s characters, prompting the reader to interrogate their own definition of what it means to be Australian.’ Kill Your Darlings ‘Wonderful.’ Christos Tsiolkas, Sydney Morning Herald’s Year in Reading ‘Melanie Cheng’s Australia Day brought this prodigal reader of short fiction back into the fold. And what better return than through Cheng’s creation of illuminated characters of colour—young, old, rich, poor, married, widowed, Muslim, Chinese...Cheng’s Australia Day explores the density and difficulty inherent in being culturally and physically different and serves to remind me that when our six families of adopted children from China gather in Queenscliffe on Australia Day each year, raising two flags on the pole instead of one that we, like all of Cheng’s characters, are restoring belonging from our individual and collective loss.’ Wheeler Centre, 2017 Favourites ‘This smart, engaging short story collection offers fresh perspectives on what it means to be Australian today. The stories also explore identity and belonging in a variety of other ways, delving into family, love, class and education. Big themes aside, every story is beautifully written and a total pleasure to read.’ Emily Maguire, Australian Women’s Weekly '[Cheng’s] individual characters suggest the ways in which we might move forward...Australia Day imagines a tomorrow where we can love our communities, our celebrations and our food, without leaving behind critical good taste.’ Sydney Review of Books
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.