Romantic Science

Romantic Science

Author: Noah Heringman

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 297

ISBN-13: 0791486931

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Although "romantic science" may sound like a paradox, much of the romance surrounding modern science—the mad scientist, the intuitive genius, the utopian transformation of nature—originated in the Romantic period. Romantic Science traces the literary and cultural politics surrounding the formation of the modern scientific disciplines emerging from eighteenth-century natural history. Revealing how scientific concerns were literary concerns in the Romantic period, the contributors uncover the vital role that new discoveries in earth, plant, and animal sciences played in the period's literary culture. As Thomas Pennant put it in 1772, "Natural History is, at present, the favourite science over all Europe, and the progress which has been made in it will distinguish and characterise the eighteenth century in the annals of literature." As they examine the social and literary ramifications of a particular branch or object of natural history, the contributors to this volume historicize our present intellectual landscape by reimagining and redrawing the disciplinary boundaries between literature and science. Contributors include Alan Bewell, Rachel Crawford, Noah Heringman, Theresa M. Kelley, Amy Mae King, Lydia H. Liu, Anne K. Mellor, Stuart Peterfreund, and Catherine E. Ross.


The Romantic Machine

The Romantic Machine

Author: John Tresch

Publisher: University of Chicago Press

Published: 2012-06-05

Total Pages: 469

ISBN-13: 0226812200

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Introduction: Mechanical Romanticism -- DEVICES OF COSMIC UNITY -- Ampère's Experiments: Contours of a Cosmic Cubstance -- Humboldt's Instruments: Even the Tools Will Be Free -- Arago's Daguerreotype: The Labor Theory of Knowledge -- SPECTACLES OF CREATION AND METAMORPHOSIS -- The Devil's Opera: Fantastic Physiospiritualism -- Monsters, Machine-Men, Magicians: The Automaton in the Garden -- ENGINEERS OF ARTIFICIAL PARADISES -- Saint-Simonian Engines: Love and Conversions -- Leroux's Pianotype: The Organogenesis of Humanity -- Comte's Calendar: From Infinite Universe to Closed World -- Conclusion: Afterlives of the Romantic Machine.


Sweet Science

Sweet Science

Author: Amanda Jo Goldstein

Publisher: University of Chicago Press

Published: 2017-07-10

Total Pages: 339

ISBN-13: 022645858X

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Today we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry. Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.


The Romantic Conception of Life

The Romantic Conception of Life

Author: Robert J. Richards

Publisher: University of Chicago Press

Published: 2010-04-06

Total Pages: 609

ISBN-13: 0226712184

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"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.


Romantic Science and the Experience of Self

Romantic Science and the Experience of Self

Author: Martin Halliwell

Publisher: Routledge

Published: 2016-03-31

Total Pages: 341

ISBN-13: 1317244044

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First published in 1999, this engaging interdisciplinary study of romantic science focuses on the work of five influential figures in twentieth-century transatlantic intellectual history. In this book, Martin Halliwell constructs an innovative tradition of romantic science by indicating points of theoretical and historical intersection in the thought of William James (American philosopher); Otto Rank (Austrian psychoanalyst); Ludwig Binswanger (Swiss psychiatrist); Erik Erikson (Danish/German psychologist); and Oliver Sacks (British neurologist). Beginning with the ferment of intellectual activity in late eighteenth-century German Romanticism, Halliwell argues that only with William James’ theory of pragmatism early in the twentieth century did romantic science become a viable counter-tradition to strictly empirical science. Stimulated by debates over rival models of consciousness and renewed interest in theories of the self, Halliwell reveals that in their challenge to Freud’s adoption of ideas from nineteenth-century natural science, these thinkers have enlarged the possibilities of romantic science for bridging the perceived gulf between the arts and sciences.


Love Sense

Love Sense

Author: Dr. Sue Johnson

Publisher: Little, Brown Spark

Published: 2013-12-31

Total Pages: 0

ISBN-13: 9780316133760

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The bestselling author of Hold Me Tight presents a revolutionary new understanding of why and how we love, based on cutting-edge research. Every day, we hear of relationships failing and questions of whether humans are meant to be monogamous. LOVE SENSE presents new scientific evidence that tells us that humans are meant to mate for life. Dr. Johnson explains that romantic love is an attachment bond, just like that between mother and child, and shows us how to develop our "love sense"--our ability to develop long-lasting relationships. Love is not the least bit illogical or random, but actually an ordered and wise recipe for survival. LOVE SENSE covers the three stages of a relationship and how to best weather them; the intelligence of emotions and the logic of love; the physical and psychological benefits of secure love; and much more. Based on groundbreaking research, LOVE SENSE will change the way we think about love.


Hans Christian Ørsted and the Romantic Legacy in Science

Hans Christian Ørsted and the Romantic Legacy in Science

Author: Robert M. Brain

Publisher: Springer Science & Business Media

Published: 2007-10-16

Total Pages: 454

ISBN-13: 1402029799

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This fascinating text is an exploration of the relationship between science and philosophy in the early nineteenth century. This subject remains one of the most misunderstood topics in modern European intellectual history. By taking the brilliant career of Danish physicist-philosopher Hans Christian Ørsted as their organizing theme, leading international philosophers and historians of science reveal illuminating new perspectives on the intellectual map of Europe in the age of revolution and romanticism.


The Cambridge Handbook of Cultural-Historical Psychology

The Cambridge Handbook of Cultural-Historical Psychology

Author: Anton Yasnitsky

Publisher: Cambridge University Press

Published: 2014-09-30

Total Pages: 1060

ISBN-13: 1316060454

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The field of cultural-historical psychology originated in the work of Lev Vygotsky and the Vygotsky Circle in the Soviet Union more than eighty years ago, and has now established a powerful research tradition in Russia and the West. The Cambridge Handbook of Cultural-Historical Psychology is the first volume to systematically present cultural-historical psychology as an integrative/holistic developmental science of mind, brain, and culture. Its main focus is the inseparable unity of the historically evolving human mind, brain, and culture, and the ways to understand it. The contributors are major international experts in the field, and include authors of major works on Lev Vygotsky, direct collaborators and associates of Alexander Luria, and renowned neurologist Oliver Sacks. The Handbook will be of interest to students and scholars in the fields of psychology, education, humanities and neuroscience.


Art, Science, and the Body in Early Romanticism

Art, Science, and the Body in Early Romanticism

Author: Stephanie O'Rourke

Publisher: Cambridge University Press

Published: 2021-11-04

Total Pages: 273

ISBN-13: 1316519023

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Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.