Romanesque Sculpture in Italy
Author: George Henderson Crichton
Publisher: London : Routledge and Kegan Paul
Published: 1954
Total Pages: 306
ISBN-13:
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Author: George Henderson Crichton
Publisher: London : Routledge and Kegan Paul
Published: 1954
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKAuthor: Dorothy F. Glass
Publisher: Penn State University Press
Published: 1991
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKThis first comprehensive study in English of Romanesque sculpture in Campania places the material in the context of South Italian medieval culture. Although medieval Campania was part of the Norman kingdom, which at its zenith included almost all of South Italy, it has distinguishable characteristics that set it apart from its neighbors: the emphatic imprint of the Roman past, a long-lived Lombard settlement, the authoritative conservatism of the abbey of Monte Cassino, the lack of Byzantine dominance, and close political and cultural ties with Sicily. In this sense, Romanesque sculpture in Campania is very much a local phenomenon, for it evolved from a close study of local antiquity and the selective adaptation of elements from neighboring provinces. From its beginning, Romanesque sculpture in Campania is characterized by attention to small scale decorative motifs seen on both portals and capitals. By the latter part of the twelfth century, an avid interest in stone pulpits and paschal candelabra fostered both internal consistency in local workshops and specifically Campanian content in part inspired by the local liturgy. Dorothy Glass's study urges that the definition of Romanesque be both expanded and extended chronologically to include the southern Mediterranean.
Author: Millard Fillmore Hearn
Publisher: Cornell University Press
Published: 1985
Total Pages: 244
ISBN-13: 9780801493041
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2010
Total Pages: 370
ISBN-13: 1588393968
DOWNLOAD EBOOK"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.
Author: Dorothy F. Glass
Publisher: Hall Reference Books
Published: 1983
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKAuthor: G. H. Crichton
Publisher:
Published: 1952
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOKAuthor: C. Edson Armi
Publisher: Cambridge University Press
Published: 2012-09-13
Total Pages: 0
ISBN-13: 9781107407268
DOWNLOAD EBOOKEdson Armi offers an original interpretation of Romanesque architecture by focusing on buildings in northern Italy, Switzerland, southern France, and Catalonia, the regions where Romanesque architecture first appeared around 1000 AD. He integrates the study of medieval structure with a knowledge of construction, decoration and articulation to determine the origins of medieval architecture and the High Romanesque style. Armi's in depth study reveals new knowledge about design decisions in the early Middle Ages.
Author: Conrad Rudolph
Publisher: John Wiley & Sons
Published: 2019-05-07
Total Pages: 1040
ISBN-13: 1119077729
DOWNLOAD EBOOKA fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Author: Rolf Toman
Publisher: H.F.Ullmann Publishing
Published: 2015-04-30
Total Pages: 0
ISBN-13: 9783848008407
DOWNLOAD EBOOKThis volume helps us understand and even experience the manifold aspects of Romanesque artistic composition.
Author: Konrad Adriaan Ottenheym
Publisher: BRILL
Published: 2021-01-11
Total Pages: 456
ISBN-13: 9004446621
DOWNLOAD EBOOKIn the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.