'Romancing the Margins'?: Lesbian Writing in the 1990s explores the range of critical responses to lesbian writing on issues of gender, sexuality, and lesbian identity, in the final decade of the 20th century. Discussing contemporary texts such as Sarah Schulman's novel Empathy, Native American lesbian writing, biographies and autobiographies, and other texts by and about lesbians, this volume stresses the diversity of gender and sexual identity in the 1990s and raises questions about the politics of those positions.
You’ve Got Mail meets The Proposal—this romance is one for the books. Savannah Cade’s dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance publishing company in the country, has requested to see the manuscript Savannah’s been secretly writing. The only problem: she’s an editor for a different company, and their philosophy is only highbrow works are worth printing and romance should be reserved for the lowest level of Dante’s inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, the new boss and son of the romance-despising CEO herself—she has no choice but to hide the manuscript in a hidden room. When she returns, she’s dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire’s own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There’s no doubt about it: she’s falling for her mystery editor. If she only knew who he was. “Meet Me in the Margins is a delightfully charming jewel of a book that fans of romantic comedy won’t be able to put down!” — Kristy Woodson Harvey, New York Times bestselling author of Under the Southern Sky
Jaya’s 17, a transgender Gujarati outsider who detests wealth, secrets, and privilege, though he has them all. Only thing 16-year-old Rasa has is siblings, plus a mother who controls men like a black-widow spider. Neither one of them has ever known real love or family. Not until their chance meeting one sunny day on a mountain in Hau’ula.
The plot thickens for American gothic writer Penelope Parish when a murder near her quaint British bookshop reveals a novel's worth of killer characters. Penelope Parish has hit a streak of bad luck, including a severe case of writer's block that is threatening her sophomore book. Hoping a writer in residence position at The Open Book bookstore in Upper Chumley-on-Stoke, England, will shake the cobwebs loose, Pen, as she's affectionately known, packs her typewriter and heads across the pond. Unfortunately, life in Chumley is far from quiet and when the chairwoman of the local Worthington Fest is found dead, fingers are pointed at Charlotte Davenport, an American romance novelist and the future Duchess of Worthington. Charlotte turns to the one person who might be her ally for help: fellow American Pen. Teaming up with bookstore owner Mabel Morris and her new friend Figgy, Pen sets out to learn the truth and find the tricks that will help her finish her novel.
In her singular voice—both humble and brave, touching and humorous—Maxine Hong Kingston gives us a poignant and beautiful memoir-in-verse that captures the wisdom that comes with age. As she reflects on her sixty-five years, she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage to her arrest at a peace march in Washington. On her journeys as writer, peace activist, teacher, and mother, she revisits her most beloved characters—Wittman Ah-Sing, the Tripmaster Monkey, and Fa Mook Lan, the Woman Warrior—and presents us with a beautiful meditation on China then and now. The result is a marvelous account of an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.
The third book in Lisanne Norman's Sholan Alliance long-running science fiction series of alien contact and interspecies conflict Carrie and Kusac—she a human telepath, he a Sholan one—have together found a love stronger than all the differences between their two races. But now they have become the center of a power struggle between their peoples, as well as of one between the various guilds and clans on the Sholan homeworld. And they have discovered, too, that their situation is not unique. Other humans and Sholans are bonding as well. With the Sholan homeworld about to bear witness to the birth of a new hybridized race with powers beyond any of the Guilds, the current unstable political climate may soon explode into something far more violent. Approached by the Telepaths, the Warriors, and the secret organization known as the Brotherhood, Kusac realizes that he and Carrie have no choice but to strike out on their own, forming a new group outside of all the Clans and Guilds, and owing loyalty only to the most ancient of their gods. For only through exploring the Sholans’ long-buried and purposefully forgotten past, can they hope to find the answers they seek—and the path to survival not only for their own new people, but for the Sholans and humans as well....
Margin is the space that once existed between ourselves and our limits. Today we use margin just to get by. This book is for anyone who yearns for relief from the pressure of overload. Reevaluate your priorities, determine the value of rest and simplicity in your life, and see where your identity really comes from. The benefits can be good health, financial stability, fulfilling relationships, and availability for God’s purpose.
SHORTLISTED FOR THE BOOKS ARE MY BAG READERS AWARDS! We lead increasingly time-poor lifestyles, bombarded 24/7 by petrifying news bulletins, internet trolls and endless noises. Where has the joy and relaxation gone from our daily lives? Scribbles in the Margins offers a glorious antidote to that relentless modern-day information churn. It is here to remind you that books and bookshops can still sing to your heart. Warm, heartfelt and witty, here are fifty short essays of prose poetry dedicated to the simple joy to be found in reading and the rituals around it. These are not wallowing nostalgia; they are things that remain pleasurable and right, that warm our hearts and connect us to books, to reading and to other readers: smells of books, old or new; losing an afternoon organising bookshelves; libraries; watching a child learn to read; reading in bed; impromptu bookmarks; visiting someone's home and inspecting the bookshelves; stains and other reminders of where and when you read a book. An attempt to fondly weigh up what makes a book so much more than paper and ink – and reading so much more than a hobby, a way of passing time or a learning process – these declarations of love demonstrate what books and reading mean to us as individuals, and the cherished part they play in our lives, from the vivid greens and purples of childhood books to the dusty comfort novels we turn to in times of adult flux. Scribbles in the Margins is a love-letter to books and bookshops, rejoicing in the many universal and sometimes odd little ways that reading and the rituals around reading make us happy.
This is what we found: editing is hard work, friends. Setting out with the intention to support and publish less-experienced poets, we somehow never anticipated that poets who did have pages of publication credits would also want to be a part of this new endeavor. We received submissions not only from our critique group colleagues, but also poets with full books under their belts, Virginia Poets Laureate Emeriti, poets with resumes we admired and envied.
