A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches Focuses on the socio-historical aspects of Roman art, covering several topics that have not been presented in any detail in English Includes both close readings of individual art works and general discussions Provides an overview of main aspects of the subject and an introduction to current debates in the field
"This volume is a groundbreaking discussion of the role of digital media in research on ancient painting, and a deep reflection on the effect of digital media in opening the field to new audiences. The study of classical art always oscillates between archaeology and classics, between the study of ancient texts and archaeological material. For this reason, it is often difficult to collect all the data, to have access to both types of information on an equal basis. The increasing development of digital collections and databases dedicated both to archaeological material and ancient texts is a direct response to this problem. The book's central theme is the role of the digital humanities, especially digital collections such as the "Digital Milliet", in the study of ancient Greek and Roman painting. Part one focuses on the transition between the original book version of the Recueil Milliet and its digital incarnation. Part two addresses the application of digital tools to the analysis of ancient art. Part three focuses on ancient wall painting. The book will be of interest to scholars working in art history, classics, archaeology, and digital humanities"--
"Extensively documented with well-chosen, good quality photographs, Clarke's book effectively surveys these representative examples from the Late Republic to the Late Empire, illustrating the shift in the agendas of decoration as well as in the patterns of the lives played out behind closed doors within these highly charged domestic interiors."—Richard Brilliant, author of Visual Narratives: Storytelling in Etruscan & Roman Art "An enlightening and engaging walk through Roman cultural history. . . .This book will be essential to anyone interested in the classical past, in artistic ensembles, or in the experience of architecture."—Diane Favro, University of California, Los Angeles "Real experts in Roman painting are few. This book should be very welcome to Roman art historians and social historians wanting to present this material to their students."—Eleanor Winsor Leach, author of The Rhetoric of Space