Ireland on Show

Ireland on Show

Author: Fintan Cullen

Publisher: Routledge

Published: 2017-07-05

Total Pages: 253

ISBN-13: 1351562126

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Looking past the apparent lack of a sustainable Irish display culture, this book demonstrates that there is a very full story to tell of the way Ireland displayed its art from the late eighteenth to the early twentieth century. Ireland on Show analyzes the impact of the display of art as a significant political and cultural feature in the make-up of nineteenth-century Ireland - and in how Ireland was viewed beyond its own shores, in particular in Great Britain and the United States. Fintan Cullen directs much-needed critical attention and analysis to a subject that has been largely overlooked from an Irish perspective. This study moves beyond museums, to address the range of art institutions in Irish cities that displayed art, from the Royal Hibernian Academy, founded in the 1820s, to Hugh Lane's Municipal Art Gallery, opened in Dublin in 1908. Throughout, the book explores the battle between the display of a unionist ethos and a nationalist point of view, a constant that resurfaces over the period. By highlighting the tension between unionist and nationalist viewpoints, Cullen uses the display of art to investigate the complexities of Irish cultural life before the founding of the Free State.


The Cesnola Collection of Cypriot Art

The Cesnola Collection of Cypriot Art

Author: Christopher S. Lightfoot

Publisher: Metropolitan Museum of Art

Published: 2017-12-22

Total Pages: 355

ISBN-13: 1588396576

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The Cesnola Collection of antiquities from Cyprus preserves the island’s artistic traditions from prehistoric through Roman times and represents the first large group of ancient Mediterranean works to enter the museum’s collection. This publication which focuses on Ancient Glass and is the third volume in a series aimed at publishing the collection in its entirety. This catalogue contains descriptions and illustrations of 520 glass vessels and objects. Although the majority of the glass is Roman, the scope of the collection extends from the Late Bronze Age through the end of antiquity (ca. 1500 B.C.– A.D. 600). It is the first attempt in over a century to provide a detailed account of the ancient glass found on Cyprus by Cesnola.


The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps

The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps

Author: Christopher S. Lightfoot

Publisher: Metropolitan Museum of Art

Published: 2021-05-21

Total Pages: 368

ISBN-13: 1588397246

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The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.


Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries

Author: Annetta Alexandridis

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-09-06

Total Pages: 667

ISBN-13: 3110757990

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Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.


Recent Research on the Late Antique Countryside

Recent Research on the Late Antique Countryside

Author: William Bowden

Publisher: BRILL

Published: 2004

Total Pages: 624

ISBN-13: 900413607X

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A complex picture of differing regional trajectories emerges, whilst cultural change is everywhere apparent, in phenomena such as Christianisation, settlement nucleation and fortification."--BOOK JACKET.


The Lamps of Late Antiquity from Rhodes

The Lamps of Late Antiquity from Rhodes

Author: Angeliki Katsioti

Publisher: Archaeopress Publishing Ltd

Published: 2017-12-31

Total Pages: 678

ISBN-13: 1784917478

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This study focuses on the recording, study and publication of the corpus of the Late Antique lamps dating from the 3rd to the 7th centuries as found in rescue excavations in the town of Rhodes. The aim here is to present the diachronic changes in the artistic sensibility and preferences of this particular market.


A Corpus of Late Celtic Hanging-bowls with an Account of the Bowls Found in Scandinavia

A Corpus of Late Celtic Hanging-bowls with an Account of the Bowls Found in Scandinavia

Author: Rupert Leo Scott Bruce-Mitford

Publisher:

Published: 2005

Total Pages: 570

ISBN-13: 9780198134107

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Celtic hanging-bowls were produced from the fifth to the eleventh century and range from simple functional vessels to great masterpieces of the period. The first part of the publication sets the bowls in their historical and cultural background and discusses all key aspects of hanging-bowlresearch, including the much-disputed topics of origin, use, and chronology. The second part is a comprehensive and highly detailed catalogue, dealing with the whole series from Britain and Europe. The publication is lavishly illustrated with over a thousand black and white illustrations and eightcolour plates. This long-awaited book by the leading authority on the subject will become the definitive work on this distinctive class of Celtic artefact.