In 1960, feeling that his work was unappreciated in America, Rockwell Kent gave the collection of his life's work to the people of the Soviet Union. For nearly forty years, the more than 700 paintings, drawings, prints, and manuscripts have been virtually unseen by western eyes, until now.
his admiration for the heroic virtues of their inhabitants, and the mystical strain in his nature, his sense of wonder before the elemental and infinite. These early Monhegan paintings, with their uncompromising clarity, their concentration on the stark forms of the island, and their romantic delight in great expanses of sea, cold northern sky, and brilliant light, were among his most moving works."--Lloyd Goodrich "[We see] Kent's fascination with the wild and remote places of the earth, his admiration for the heroic virtues of their inhabitants, and the mystical strain in his nature, his sense of wonder before the elemental and infinite. These early Monhegan paintings, with their uncompromising clarity, their concentration on the stark forms of the island, and their romantic delight in great expanses of sea, cold northern sky, and brilliant light, were among his most moving works."--Lloyd Goodrich
National Book Award Finalist A heartstrong story of family and romance, tribulation and tenacity, set on the High Plains east of Denver. In the small town of Holt, Colorado, a high school teacher is confronted with raising his two boys alone after their mother retreats first to the bedroom, then altogether. A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known. From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.
"In keeping with a renewed interest in the artist Rockwell Kent (1882-1971), 'The view from Asgaard: Rockwell Kent's Adirondack legacy' for the first time in the literature focuses solely on Kent's Adirondack art. Two essays, by Caroline M. Welsh and Scott R. Ferris, define the man and his art, emphasizing his forty-three years in northern New York and the effect of the Adirondack culture and landscape on all his work. Generously illustrated, this volume also contains a checklist of Kent's Adirondack paintings, prints and commercial work of interest to art and social historians"--Back cover.
“Douglas Brinkley has written a sweeping, blow-by-blow account of the struggle to preserve the last great remnants of American wilderness. An engaging appraisal of the crucial skirmishes in the battle over wild Alaska, The Quiet World is populated not only by the requisite luminaries like John Muir and Ansel Adams, but also by a cast of quirky, unexpected characters. The Quiet World is a fascinating and important read.” — Jon Krakauer In this follow-up to his New York Times bestseller Wilderness Warrior, acclaimed historian Douglas Brinkley offers a riveting, expansive look at the past and present battle to preserve Alaska’s wilderness. Brinkley explores the colorful diversity of Alaska’s wildlife, arrays the forces that have wreaked havoc on its primeval arctic refuge—from Klondike Gold Rush prospectors to environmental disasters like the Exxon-Valdez oil spill—and documents environmental heroes from Theodore Roosevelt to Dwight Eisenhower and beyond. Not merely a record of Alaska’s past, The Quiet World is a compelling call-to-arms for sustainability, conservationism, and conscientious environmental stewardship—a warning that the land once called Seward’s Folly may go down in history as America’s Greatest Mistake.
A classic tale of seafaring, shipwreck, and survival, reprinted from Wesleyan University Press's 1978 facsimile of the original. When artist, illustrator, writer, and adventurer Rockwell Kent first published N by E in a limited edition in 1930, his account of a voyage on a 33-foot cutter from New York Harbor to the rugged shores of Greenland quickly became a collectors' item. Little wonder, for readers are immediately drawn to Kent's vivid descriptions of the experience; we share "the feeling of wind and wet and cold, of lifting seas and steep descents, of rolling over as the wind gusts hit," and the sound "of wind in the shrouds, of hard spray flung on a drum-tight canvas, of rushing water at the scuppers, of the gale shearing a tormented sea." When the ship sinks in a storm-swept fjord within 50 miles of its destination, the story turns to the stranding and subsequent rescue of the three-man crew, salvage of the vessel, and life among native Greenlanders. Magnificently illustrated by Kent's wood-block prints and narrated in his poetic and highly entertaining style, this tale of the perils of killer nor'easters, treacherous icebergs, and impenetrable fog—and the joys of sperm whales breaching or dawn unmasking a longed-for landfall—is a rare treat for old salts and landlubbers alike.
This work by Kent is an absorbing account of a trip that he made in a small sail boat along the bleak coasts of Tierra del Fuego to Cape Horn in the 1920s. Kent called Tierra del Fuego "the worst frontier in the world" and the characters that inhabited this land "the very dregs of humankind".