(Piano/Vocal/Guitar Artist Songbook). Bob Seger's hits have sped up the charts faster than a silver bullet. Here are 26 of his very best, assembled in one must-have collection! Includes: Against the Wind * Hollywood Nights * Katmandu * Like a Rock * Mainstreet * Night Moves * Old Time Rock & Roll * Rock and Roll Never Forgets * Shame on the Moon * Still the Same * We've Got Tonight * You'll Accomp'ny Me * and more!
The best, most provocative reviews, interviews, columns, and essays written by the entertaining, idiosyncratic, and influential music writer Chuck Eddy over the past twenty-five years.
The last thing the members of Hall of Fame rock & roll band Blacklight need to hear is that ruthless tabloid biographer Perry Dillon is planning a tell-all history of their group. The issue hits hardest for English ex-pat guitarist JP Kinkaid; with his history of heroin addiction and deportation, his estranged wife, and his long-term relationship with a girl he met when she was a teenager, JP has the most to lose. Dealing with his multiple sclerosis doesn't make things any easier. When he sits down with Dillon, JP's main concern is to preserve both his own privacy and that of Bree Godwin, his fiercely protective longtime girlfriend. But it's obvious from the first question that Dillon is digging deep. And he's not planning to stop until he hits rock bottom. Dillon's looking for trouble, the kind of trouble that garners publicity and sells books. What he finds is the kind of trouble someone will go to any length to cover up, and that includes murder.
(Easy Guitar). 18 Seger songs arranged for easy guitar with tab: Against the Wind * Beautiful Loser * Betty Lou's Gettin' Out Tonight * Even Now * The Fire Down Below * Hollywood Nights * Katmandu * Like a Rock * Mainstreet * Night Moves * Old Time Rock and Roll * The Real Love * Rock and Roll Never Forgets * Roll Me Away * Still the Same * Turn the Page * We've Got Tonight * You'll Accomp'ny Me.
Called by "Entertainment Weekly" "The best book on Hendrix", "Crosstown Traffic" rode their A-list for over two months and won the prestigious Ralph J. Gleason Music Book Award. Roots-savvy British critic Charles Shaar Murray assesses the lifework of guitarist Jimi Hendrix in the context of black musical tradition, social history, and the upheaval of the 1960s.
A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
“At last, I finally understand the alphabet! I also love this book: secret Beatles knowledge from one of the closest insiders.” —Steve Martin Peter Asher met the Beatles in the spring of 1963, the start of a lifelong association with the band and its members. He had a front-row seat as they elevated pop music into an art form, and he was present at the creation of some of the most iconic music of our times. Asher is also a talented musician in his own right, with a great ear for what was new and fresh. He was asked by Paul McCartney to help start Apple Records; the first artist Asher discovered and signed up was a young American singer-songwriter named James Taylor. Before long he would be not only managing and producing Taylor but also working with Linda Ronstadt, Neil Diamond, Robin Williams, Joni Mitchell, and Cher, among others. The Beatles from A to Zed grows out of his popular radio program “From Me to You” on SiriusXM’s The Beatles Channel, where he shares memories and insights about the Fab Four and their music. Here he weaves his reflections into a whimsical alphabetical journey that focuses not only on songs whose titles start with each letter, but also on recurrent themes in the Beatles’ music, the instruments they played, the innovations they pioneered, the artists who influenced them, the key people in their lives, and the cultural events of the time. Few can match Peter Asher for his fresh and personal perspective on the Beatles. And no one is a more congenial and entertaining guide to their music.
When we hear a favorite song, the memories unfold; who we knew, where we were, our age, best friends, lovers, good memories and bad. Even if the memories pour sadness into our hearts, still we listen, remember and slot the events from the past into a song. Alto Reed plays the first soulful notes on “Turn the Page” and Seger grips our hearts with his rich voice. 13 songs written by Seger are in short story form. Each story starts with a problem for at least one character and the song is woven into the story. Enjoy the read!
Tom Weschler spent more than ten years from the late 1960s through the 1970s in the Bob Seger camp, working as tour manager and photographer during Seger's hard-gigging, heavy-traveling, reputation-making early days. Weschler's behind-the-scenes photographs document the frustrations and triumphs of recording, performing, songwriting, and building the Seger empire before the breakthroughs of Live Bullet and Night Moves. Travelin' Man collects Weschler's early photos with additional images leading into the present. Weschler and award-winning music journalist Gary Graff annotate the images with Weschler's recollections of the events and Graff provides additional background on Seger's career in an introduction, timeline, and cast of characters section. Weschler's photographs and stories pull back the curtain on seldom-seen aspects of Seger's career, including time in the studio recording Mongrel, early struggles to get radio airplay, and small shows at schools and shopping malls. Weschler captures Seger's personality on stage and at home and reveals the colorful personalities of those people he worked and performed with, including Alice Cooper, Bruce Springsteen, Glenn Frey, and KISS. He takes readers inside Seger headquarters in Birmingham, Michigan, and practice space in Rochester, Michigan, introducing them to renowned manager Punch Andrews and the various members of Seger's bands. Weschler's photos feature highlights like Seger's show at the Pontiac Silverdome in 1976, his first gold record in 1977, the first meeting between Seger and Bruce Springsteen in 1978, and Seger's induction to the Rock and Roll Hall of Fame in 2004. Travelin' Man also contains art from eight Seger album covers that Weschler designed, a foreword by John Mellencamp, an afterword by Kid Rock, and a comprehensive discography. Seger fans and readers interested in music and biography will enjoy the one of a kind story in Travelin' Man.
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