Robert Vickrey
Robert Vickrey

Author: Philip Eliasoph

Publisher: Hudson Hills

Published: 2008

Total Pages: 236

ISBN-13: 9781555952921

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Robert Vickrey's unique vision and meticulous, painstaking technique have sustained him throughout a sixty-year career. He is widely considered to be a living master of using egg tempera, the same labor-intensive medium used by Renaissance painters, including Giotto and Cennini. But Vickrey's concerns are distinctly twentieth-century in the subjects and themes he has chosen, from childhood innocence to the dichotomy of urban versus country living. "A quintessential Realist, Vickrey endeavoured to explore the human condition within a distinctively American environment," writes author Philip Eliasoph, whose essay argues that Vickrey's work builds a bridge from Surrealism and New Objectivity to Magic Realism. Described by the New York Times as the "world's most proficient craftsman in tempera painting, [and] an immaculate technician," Vickrey's oeuvre is the "fiercely independent work of one of its most unorthodox and even most daring inventors," according to Eliasoph. AUTHOR: Philip Eliasoph is a professor of art history at Fairfield University. Virginia M.Mecklenburg is Senior Curator of the Smithsonian American Art Museum in Washington, D.C. SELLING POINTS: A comprehensive survey of the 60 year career of a master of tempera painting, an artist who has been included in nine Whitney Museum of American Art Annual Exhibitions 80 color plates show off the brilliant light-infused compositions of Vickrey's paintings Includes scholarly essays placing Vickrey in the context of the twentieth-century American art 128 colour & 43 b/w illustrations

The Practice of Tempera Painting
The Practice of Tempera Painting

Author: Daniel V. Thompson

Publisher: Courier Corporation

Published: 2012-06-22

Total Pages: 175

ISBN-13: 0486141640

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Tempera painting, the method in which colors are mixed with some binding material other than oil (primarily egg yolk), is the earliest type of painting known to man. The wall paintings of ancient Egypt and Babylon are tempera, as are many of the paintings of Giotto, Lippi, Botticelli, Raphael, Titian, Tintoretto, and many other masters. But in spite of the time-proven excellence of this technique — which boasts many clear advantages over oil paint — it does not receive the degree of attention from modern painters that it deserves. Part of the explanation for this neglect, surely, is the absence of sufficient information about the materials and procedures involved in tempera painting. The present volume, in fact, is virtually the only complete, authoritative, step-by-step treatment of the subject in the English language, D.V. Thompson wrote this book after an exhaustive study, over many years, of countless medieval and Renaissance manuscripts in the British Museum and elsewhere, and is unquestionably the world's leading authority on tempera materials and processes. Beginning with an introductory chapter on the uses and limitations of tempera, the author covers such topics as the choice of material for the panel; propensities of various woods; preparing the panel for gilding; making the gesso mixture; methods of applying the gesso; planning the design of a tempera painting; use of tinted papers; application of metals to the panel; tools for gliding; handling and laying gold; combination gold and silver leafing; pigments and brushes; choice of palette; mixing the tempera; tempering and handling the colors; techniques of the actual painting; mordant gilding; permanence of tempera painting; varnishing; and artificial emulsion painting. The drawings and diagrams, illustrating the various materials and techniques, infinitely increase the clarity of the discussions. As a careful exposition of all aspects of authentic tempera painting, including many of the possible modern uses for this ancient method, this book actually stands alone. No one who is interested in tempera painting as a serious pursuit can afford to be without it.

Putting Auction Theory to Work
Putting Auction Theory to Work

Author: Paul Milgrom

Publisher: Cambridge University Press

Published: 2004-01-12

Total Pages: 378

ISBN-13: 1139449168

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This book provides a comprehensive introduction to modern auction theory and its important new applications. It is written by a leading economic theorist whose suggestions guided the creation of the new spectrum auction designs. Aimed at graduate students and professionals in economics, the book gives the most up-to-date treatments of both traditional theories of 'optimal auctions' and newer theories of multi-unit auctions and package auctions, and shows by example how these theories are used. The analysis explores the limitations of prominent older designs, such as the Vickrey auction design, and evaluates the practical responses to those limitations. It explores the tension between the traditional theory of auctions with a fixed set of bidders, in which the seller seeks to squeeze as much revenue as possible from the fixed set, and the theory of auctions with endogenous entry, in which bidder profits must be respected to encourage participation.

Milk and Eggs
Milk and Eggs

Author: Richard J. Boyle

Publisher: University of Washington Press

Published: 2002

Total Pages: 234

ISBN-13:

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Tempera was a primary medium for artistic expression in Europe in the 14th and 15th centuries. Milk and Eggs examines the American re-emergence of tempera painting in the mid-20th century. It experienced a renaissance in the work of a large number of mostly unconnected American artists, including Thomas Hart Benton, Paul Cadmus, Jacob Lawrence, and Andrew Wyeth among others.Milk and Eggs focuses on four centers where tempera painting was revived--Yale University School of Art, the Art Students League of New York, the studio of N. C. Wyeth in Chadds Ford, Pennsylvania, and the Kansas City Art Institute--and the historical, cultural, and philosophical factors that drove the revival, including the Great Depression and the Works Progress Administration. It also examines the medium in great detail, its materials and preparation, and arrives at a definition of tempera. Moreover, the results of extensive analysis of certain works of art is included..

'Echoes' of Robert E. Lee High School
'Echoes' of Robert E. Lee High School

Author: Clinton Carter

Publisher: NewSouth Books

Published: 2015-01-01

Total Pages: 226

ISBN-13: 1603063803

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This book is an anthology about the first decade of Robert E. Lee High School in Montgomery, Alabama, written and compiled by persons who supplemented their unique personal experiences at the school with research on the same. The "echoes" of the title refers to how life experiences reverberate back to us. Thus, from the beginning, its editors and writers thought of this little book of big memories and lessons of life as a compendium of the strong, positive echoes they recall from Lee and the few negative ones they cannot forget, which seem still to be informing and inspiring the lives of the school's graduates. The audience for Echoes is, of course, all past Lee High alumni, faculty, and staff and all present and prospective Lee students, faculty, and staff, along with any who support or have supported them and/or the school, and any others with sufficient connections to Lee or Lee people to enjoy reading others' recollections of their time there. The book might also be useful to anyone with a general interest in public secondary education in Montgomery County.

Great British Watercolors
Great British Watercolors

Author: Matthew Hargraves

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 244

ISBN-13: 0300116586

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Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

Planning for a Material World
Planning for a Material World

Author: Laura Lieto

Publisher: Routledge

Published: 2015-11-06

Total Pages: 180

ISBN-13: 1317564464

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Today, urban scholars think of cities and regions as evolving through networks of human associations, technologies, and natural ecologies. This being the case, planners are faced with the task of navigating a profoundly material world. Planning with and for humans alone is unacceptable: in the unfolding of urban processes, non-human things cannot be ignored. This inclusive vision has consequences for how planners envision the connections among norms, technologies and life-worlds as well as how they design and implement their plans. The contributors to this volume utilize a variety of examples – ecologically-sensitive, regional planning in Naples (Italy); congestion pricing in New York City; and public participation in Europe, among others – to explore how planners engage a heterogeneous and restless world. Inspired by assemblage thinking and actor-network theory, each chapter draws on this "new materialism" to acknowledge, in quite pragmatic ways, that spatial politics is a process of becoming that is inseparable from the materiality of urban practices.