This book recreates the night naval action of the struggle for eventual victory in the Naval Battle of Guadalcanal and includes scenes of American, Australian, and Japanese ships lying together on the ocean floor.
Dr Robert Ballard's challenge for this work was to discover and photograph the ships sunk in the Battle of Midway, one of the most dramatic engagements of the Pacific War. After the bombing of Pearl Harbour in 1941, the Imperial Japanese Navy seemed almost unstoppable, and a final strike in Midway Island was planned by Admiral Yamamoto for June 1942. But the Americans, aware of the plan, were prepared for the attack and in a great victory sank three of the four Japanese carriers, losing only one of their own. The battle was a turning point in the Pacific War and never again would Japan take the offensive. The story of this battle is illustrated using Ballard's underwater photographs of the ships' remains, and Ken Marschall's evocative paintings.
Beautifully presented, this volume gives a guided tour of some of the most historic and famous shipwrecks of the 20th century, including "Andrea Doria," "Bismarck," "Britannic," "Empress of Ireland," the Ghost Fleet of Guadalcanal, "Lusitania," and "Titanic." The detailed illustrations accompany an astounding collection of underwater photography, archival images, and memorabilia that recalls each ship s former glory. Gripping stories unlock the mysteries of the ships ghostly remains, and an epilogue speaks to the essential need for preserving ships. Equal parts scientific and historical study, this adventurous exploration into the lives of these ships and those who discovered them will thrill naval and transportation buffs, as well as any fan of nautical history."
JFKUs heroic efforts to save the 11-man crew of "PT 109" are brought to vivid life, interwoven with a comprehensive history of PT boats and the World War II campaign in the Solomon Islands.
Thayer Soule couldn't believe his orders. As a junior officer with no military training or indoctrination and less than ten weeks of active duty behind him, he had been assigned to be photographic officer for the First Marine Division. The Corps had never had a photographic division before, much less a field photographic unit. But Soule accepted the challenge, created the unit from scratch, established policies for photography, and led his men into combat. Soule and his unit produced films and photos of training, combat action pictures, and later, terrain studies and photographs for intelligence purposes. Though he had never heard of a photo-litho set, he was in charge of using it for map production, which would prove vital to the division. Shooting the Pacific War is based on Soule's detailed wartime journals. Soule was in the unique position to interact with men at all levels of the military, and he provides intriguing closeups of generals, admirals, sergeants, and privates -everyone he met and worked with along the way. Though he witnessed the horror of war firsthand, he also writes of the vitality and intense comradeship that he and his fellow Marines experienced. Soule recounts the heat of battle as well as the intense training before and rebuilding after each campaign. He saw New Zealand in the desperate days of 1942. His division was rebuilt in Australia following Guadalcanal. After a stint back in Quantico training more combat photographers, he went to Guam and then to the crucible of Iwo Jima. At war's end he was serving as Photographic Officer, Fleet Marine Force Pacific, at Pearl Harbor.
Depicts five famous ships that have been lost at sea in modern times, the Empress of Ireland, the Lusitania, the Andrea Doria, the Brittanic, and the Titanic.