This book examines Maya sacrifice and related posthumous body manipulation. The editors bring together an international group of contributors from the area studied: archaeologists as well as anthropologists, forensic anthropologists, art historians and bioarchaeologists. This interdisciplinary approach provides a comprehensive perspective on these sites as well as the material culture and biological evidence found there
In Sacrifice in Modernity: Community, Ritual, Identity it is demonstrated how sacrificial themes remain an essential element in our post-modern society.
Welcome to the terrifying world of ritual sacrifice. Around the world, humans are being trafficked, kidnapped, sold, and enslaved for the specific purpose of sacrifice. Mass-scale migration has seen these gruesome techniques exported from the land of the Aztecs and finding their way to the United States, Britain, and many other locations worldwide. Voodoo priests in London have been linked to ritual murders, and not long ago a Palo Mayombe priestess’s New York City apartment yielded its grisly secrets. One New Jersey investigator says that sacrificial rites are not only going on today, but can be traced back ninety years in the States alone. Jimmy Lee Shreeve takes us on a nightmare journey, following the initial investigations of Scotland Yard into the murder of a five-year-old boy whose torso was found floating in the Thames in 2001, and traveling to Africa to unveil a grim trade of exporting humans for sacrifice. He uncovers the dark side of voodoo and muti magic, linked with a score of sacrifices and murders, and in Mexico, finds a devotee of Palo Mayombe responsible for torturing his victims and boiling them in a cauldron. Along the way, Shreeve brings his own brand of offbeat detective skills to the fore, providing startling conclusions to some of the world’s most horrific murders. Brutal and disturbing, Human Sacrifice takes us into the dark world of twenty-first-century ritual murder.
The principle of sacrifice is as old as human life itself. This book provides an overview of sacrificial practices around the world since prehistoric times. It also examines the reasons behind these rituals, and in the case of human sacrifice an attempt is made to understand the mentality of the 'victims' who often willingly went to their deaths.
In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.
The sacrificial instructions and purity laws in Leviticus have often been seen as later or secondary additions to an originally sparse Priestly narrative. In this volume, Liane M. Feldman argues that the ritual and narrative elements of the Pentateuchal Priestly source are mutually dependent, and that the internal logic and structure of the Priestly narrative makes sense only when they are read together. Bringing together insights from the fields of ritual theory and narratology, the author argues that the ritual materials in Leviticus should be understood and analyzed as literature. At the core of her study is the assertion that these sacrificial instructions and purity laws form the backbone of the Priestly story world, and that when these materials are read within their broader narrative context, the Priestly narrative is first and foremost a story about the origins and purpose of sacrifice.
What is sacrifice? How can we identify it in the archaeological record? And what does it tell us about the societies that practice it? Sacred Killing: The Archaeology of Sacrifice in the Ancient Near East investigates these and other questions through the evidence for human and animal sacrifice in the Near East from the Neolithic to the Hellenistic periods. Drawing on sociocultural anthropology and history in addition to archaeology, the book also includes evidence from ancient China and a riveting eyewitness account and analysis of sacrifice in contemporary India, which engage some of the key issues at stake. Sacred Killing vividly presents a variety of methods and theories in the study of one of the most profound and disturbing ritual activities humans have ever practiced.
Propitiating the supernatural forces that could grant bountiful crops or wipe out whole villages through natural disasters was a sacred duty in ancient Peruvian societies, as in many premodern cultures. Ritual sacrifices were considered necessary for this propitiation and for maintaining a proper reciprocal relationship between humans and the supernatural world. The essays in this book examine the archaeological evidence for ancient Peruvian sacrificial offerings of human beings, animals, and objects, as well as the cultural contexts in which the offerings occurred, from around 2500 B.C. until Inca times just before the Spanish Conquest. Major contributions come from the recent archaeological fieldwork of Steve Bourget, Anita Cook, and Alana Cordy-Collins, as well as from John Verano's laboratory work on skeletal material from recent excavations. Mary Frame, who is a weaver as well as a scholar, offers rich new interpretations of Paracas burial garments, and Donald Proulx presents a fresh view of the nature of Nasca warfare. Elizabeth Benson's essay provides a summary of sacrificial practices.
This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture is depicted as ritually structured by a fertile center and sacrificial borders of death. Violence plays a key part in its identity. In essence, nationalism is neither quaint historical residue nor atavistic extremism, but a living tradition which defines American life.
