Ribbon Loudspeakers
Author: Justus V. Verhagen
Publisher:
Published: 2003
Total Pages: 96
ISBN-13:
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Loudspeakers
Author: Philip Newell
Publisher: Taylor & Francis
Published: 2006-10-05
Total Pages: 424
ISBN-13: 1136124373
DOWNLOAD EBOOKNeed advice on which type of speaker to use and where? Very often the choice and positioning of loudspeakers is down to intuition, hearsay and chance. This practical guide explores the link between experience and the technology, giving you a better understanding of the tools you are using and why, leading to greatly improved results. Newell and Holland share years of experience in the design, application and use of loudspeakers for recording and reproducing music. Get practical advice on the applications of different loudspeakers to the different phases of the music recording and reproduction chain. If you are using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post production facility, home or musician's studio, or you inspire to improve your music reproduction system this book will help you make the right decisions.
High Performance Loudspeakers
Author: Martin Colloms
Publisher: John Wiley & Sons
Published: 2013-05-29
Total Pages: 560
ISBN-13: 1118691121
DOWNLOAD EBOOKHigh Performance Loudspeakers, Sixth Edition is a fully revised and updated version of the highly successful guide to the design and specifications of high quality loudspeakers and loudspeaker systems. Each chapter has been substantially revised reflecting the many changes in the technology of loudspeakers. These revisions take the form of much new research and accompanying illustrations, with a radically new theoretical section, allied to in-depth coverage of the most important advances in the art of loudspeaker design. By clearly and practically analysing these many developments the authors have produced an authoritative loudspeaker designer's bible. Key features of the Sixth Edition include: Radically new chapter on acoustic theory, developments in home theatre and surround systems, in speaker system design. Also crossover networks with new digital synthesis methods, and extensive reporting on CAD software New measurement systems and techniques are complemented by recent psychoacoustic research data. Expanded material on sub-sat design, 2pi and boundary speaker design, further work on optimum low frequency synthesis for improved group delay. New materials technology including ceramic and diamond diaphragms, plus first publication of the theory of the BMR, a fascinating hybrid driver technology employing a synthesis of bending wave and pistonic action and which can approach the directivity of a point source. Glossary; a valuable view of electroacoustic terms and definitions to guide all readers. Acknowledged industry-wide as the definitive work on speaker design and analysis, this book is essential reading for audio engineers, speaker designers, equipment designers and students of acoustic engineering, electronics and electro-acoustics. It will also prove invaluable to students of electronics, broadcasting and recording techniques, and be of interest to amateur loudspeaker builders, authors and journalists in audio.
The Design of Active Crossovers
Author: Douglas Self
Publisher: Taylor & Francis
Published: 2018-03-28
Total Pages: 739
ISBN-13: 1351741462
DOWNLOAD EBOOKActive crossovers are used by almost every sound reinforcement system and every recording studio monitoring set-up; but the use of active crossovers is rapidly expanding. This new edition, presents all the updates to loudspeaker technology and crossover design. The edition expands on loudspeaker configurations and design issues, sound reinforcement issues, more on lowpass and highpass filters, and may other filters. This new edition is a must read for anyone wanting comprehensive practical knowledge.
The Art of Sound Reproduction
Author: John Watkinson
Publisher: CRC Press
Published: 2012-11-12
Total Pages: 576
ISBN-13: 1136118543
DOWNLOAD EBOOKDesigned to make life a little easier by providing all the theoretical background necessary to understand sound reproduction, backed up with practical examples. Specialist terms - both musical and physical - are defined as they occur and plain English is used throughout. Analog and digital audio are considered as alternatives, and the advantages of both are stressed. Audio is only as good as the transducers employed, and consequently microphone and loudspeaker technology also feature heavily - making this the most comprehensive, up-to-date text currently available on all aspects of sound reproduction.
Living Electronic Music
Author: Simon Emmerson
Publisher: Routledge
Published: 2017-09-29
Total Pages: 337
ISBN-13: 1351217844
DOWNLOAD EBOOKDrawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
The Audio Expert
Author: Ethan Winer
Publisher: Taylor & Francis
Published: 2012-11-12
Total Pages: 673
ISBN-13: 1136126139
DOWNLOAD EBOOKThe Audio Expert is a comprehensive reference that covers all aspects of audio, with many practical, as well as theoretical, explanations. Providing in-depth descriptions of how audio really works, using common sense plain-English explanations and mechanical analogies with minimal math, the book is written for people who want to understand audio at the deepest, most technical level, without needing an engineering degree. It's presented in an easy-to-read, conversational tone, and includes more than 400 figures and photos augmenting the text. The Audio Expert takes the intermediate to advanced recording engineer or audiophile and makes you an expert. The book goes far beyond merely explaining how audio "works." It brings together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics, showing how they're intimately related. Describing in great detail many of the practices and techniques used by recording and mixing engineers, the topics include video production and computers. Rather than merely showing how to use audio devices such as equalizers and compressors, Ethan Winer explains how they work internally, and how they are spec'd and tested. Most explanations are platform-agnostic, applying equally to Windows and Mac operating systems, and to most software and hardware. TheAudioExpertbook.com, the companion website, has audio and video examples to better present complex topics such as vibration and resonance. There are also videos demonstrating editing techniques and audio processing, as well as interviews with skilled musicians demonstrating their instruments and playing techniques.
Electroacoustic Devices: Microphones and Loudspeakers
Author: Glen Ballou
Publisher: Taylor & Francis
Published: 2012-09-10
Total Pages: 330
ISBN-13: 113612117X
DOWNLOAD EBOOKThis is the definitive reference for microphones and loudspeakers, your one-stop reference covering in great detail all you could want and need to know about electroacoustics devises (microphones and loudspeakers). Covering both the technology and the practical set up and placement this guide explores and bridges the link between experience and the technology, giving you a better understanding of the tools to use and why, leading to greatly improved results.
Sound and Recording
Author: Francis Rumsey
Publisher: CRC Press
Published: 2012-11-12
Total Pages: 591
ISBN-13: 1136125108
DOWNLOAD EBOOKThis best-selling book introduces you to the principles of sound, perception, audio technology and systems. Whilst offering vital reading for audio students and trainee engineers, this guide is ideal for anyone concerned with audio, sound and recording, beginners and professionals alike. Comprehensive and easy to understand, this fifth edition is bang up to date, with expanded information on digital audio principles, systems and applications, as well as an extensively updated chapter on MIDI and synthetic audio control.
Recording Studio Design
Author: Philip Newell
Publisher: Taylor & Francis
Published: 2017-02-10
Total Pages: 1676
ISBN-13: 1317381947
DOWNLOAD EBOOKRecording Studio Design, Fourth Edition explains the key principles of successful studio design and construction using straightforward language and the use of practical examples appreciated by readers of previous editions. Updated to reflect new industry standards, this fourth edition addresses improvements in cinema sound, with specific attention paid to B-chain electroacoustic response and calibration. Using over 50 years’ experience, author Philip Newell provides detail on the practical aspects of recording in various environments, not only exploring the complex issues relating to the acoustics but also providing real-world solutions. While the book contains detailed discussions about performing rooms, control rooms, and mobile studios, concepts of the infrastructures are also discussed, because no studio can perform optimally unless the technical and human requirements are adequately provided for. In this new edition, sound for cinema provides a platform for highlighting many, wider electroacoustic topics in a way that is relatively easy to visualise. The way in which sound and vision interact is an important aspect of many modern multimedia formats. The new edition includes: A new Chapter 22 that will thoroughly reflect recently published SMPTE investigations which will drastically impact standards for cinema sound; The inclusion of new academic research and its practical applications; An entire new illustrated chapter on room construction principles; and The consolidation of ideas which were only emerging when the earlier editions were published.
