Beckett, Lacan and the Gaze

Beckett, Lacan and the Gaze

Author: Llewellyn Brown

Publisher: BoD – Books on Demand

Published: 2019-04-30

Total Pages: 628

ISBN-13: 3838212398

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Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.


Claude Simon

Claude Simon

Author: Jean Duffy

Publisher: Liverpool University Press

Published: 2002-06-01

Total Pages: 240

ISBN-13: 184631285X

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This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars from France, Germany, the United States and the United Kingdom reconsider the fifty years of Simon’s fiction in the light of his large-scale autobiographical novel Le Jardin des Plantes (1997). From a variety of perspectives – postmodernist, psychoanalytic, aesthetic – contributors reflect on the central paradox of Simon’s work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it. The layers of artifice in Le Jardin des Plantes and the nature of Simon’s aesthetic are analysed in essays which explore intertextual resonances between Simon and Proust, Flaubert, Borges and Poussin. A complementary view of Simon’s Photographies 1937–1970 shows that it too can be seen as form of indirect autobiography.


Calligrammes

Calligrammes

Author: Guillaume Apollinaire

Publisher: Univ of California Press

Published: 1980-01-01

Total Pages: 530

ISBN-13: 9780520019683

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François Mauriac

François Mauriac

Author: Edward Welch

Publisher: BRILL

Published: 2006-01-01

Total Pages: 202

ISBN-13: 9401203652

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While François Mauriac’s reputation as a novelist is well established, it is often forgotten that fiction forms only part of his output, and that in the post-war years especially, it was principally his activities as a journalist which kept him in the public eye. His interventions in the key debates of the period helped to consolidate his position as a major intellectual alongside Jean-Paul Sartre and Albert Camus. This book examines the evolution of François Mauriac’s career during the twentieth century, and his gradual transformation from novelist to intellectual. Situating Mauriac and his activities firmly in their socio-cultural context, it draws in particular on the insights provided by Bourdieusian sociology to explore the mechanisms and social processes which allow Mauriac to emerge as an authoritative voice of moral conscience. In doing so, it offers new perspective on key moments in his career, from his changing fortunes as a novelist in the 1930s, examined here for the first time through the prism of his reception by the influential Nouvelle Revue française, to his unlikely collaboration with the then-radical L’Express in the 1950s. At the same time, it argues that tracing Mauriac’s trajectory helps to crystallise the broader changes affecting the literary and cultural landscape in France during the twentieth century.


Georges Bernanos

Georges Bernanos

Author: Michael R. Tobin

Publisher: McGill-Queen's Press - MQUP

Published: 2007

Total Pages: 230

ISBN-13: 0773560459

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"French journalist, polemicist, and novelist Georges Bernanos (1888-1948) is perhaps best known through Robert Bresson's film adaptation of Journal d'un cure de campagne (winner of the Grand prix du roman de l'Academie francaise published in English as Diary of a Country priest), Francis Poulenc's operatic adaptation of Dialogues des Carmelites, his first novel Sous le soleil de Satan, and the essay Grands cimetieres sous la lune." "Michael Tobin's study is part literary criticism, part biography. Tobin follows Bernanos and his family from France to Spain during the Civil War and then to Brazil and North Africa. He also provides a thematic synthesis of Bernanos's novels and his extensive body of non-fiction, demonstrating that one fundamental theological truth - the Incarnation of God in Jesus Christ - was the unifying factor in Bernanos's entangled political and social criticism and the engine of his creative imagination." "Recent English translations of some of Bernanos's novels have sparked renewed interest in his work in North America. Georges Bernanos includes Tobin's translation of essential texts that have never before appeared in English." --Résumé de l'éditeur.


Beckett’s Voices / Voicing Beckett

Beckett’s Voices / Voicing Beckett

Author:

Publisher: BRILL

Published: 2021-08-16

Total Pages: 361

ISBN-13: 9004468382

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Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.


French XX Bibliography

French XX Bibliography

Author: Susquehanna University Press

Publisher: Susquehanna University Press

Published: 1991-09

Total Pages: 276

ISBN-13: 9780945636106

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This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.