Translated from Italian into English, The Life of Caesar, by the noted Italian historian Guglielmo Ferrero, is, as the title would suggest, a biography of the great Roman Dictator Julius Caesar. Ferrero's book, however, cannot be described just as a biography. His work, in fact, can be more accurately defined as a complete history not only of Julius Caesar's life, but also of his times, the time of the fall of the Roman Republic.
Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power. The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history. A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition. Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
This is a bold reassessment of one of the pivotal points in British history. PJ O’Gorman analyses the sources for the period from Julius Caesar’s first forays into these islands to the invasion under the Emperor Claudius and the conclusions he reaches are nothing short of radical and call into question much of the accepted narrative of Roman invasion and conquest. The author starts by showing that Caesar’s initial cross-Channel adventures were motivated not so much by seeking the glory of taming primitive savages but to gain control of an economic powerhouse. His treatment of the period leading up to the Claudian invasion and the invasion itself is even more shocking. Most significantly he argues convincingly that two of the most important Roman sources underpinning the conventional narrative are in fact Renaissance fakes and that their acceptance has distorted the interpretation of modern archaeological evidence. Meanwhile he reinstates a discounted British source. The result is a startlingly different version of Britain’s early history.
Less than two years before his murder, Cicero created a catalogue of his philosophical writings that included dialogues he had written years before, numerous recently completed works, and even one he had not yet begun to write, all arranged in the order he intended them to be read, beginning with the introductory Hortensius, rather than in accordance with order of composition. Following the order of the De divinatione catalogue, William H. F. Altman considers each of Cicero’s late works as part of a coherent philosophical project determined throughout by its author’s Platonism. Locating the parallel between Plato’s Allegory of the Cave and Cicero’s “Dream of Scipio” at the center of Cicero’s life and thought as both philosopher and orator, Altman argues that Cicero is not only “Plato’s rival” (it was Quintilian who called him Platonis aemulus) but also a peerless guide to what it means to be a Platonist, especially since Plato’s legacy was as hotly debated in his own time as it still is in ours. Distinctive of Cicero’s late dialogues is the invention of a character named “Cicero,” an amiable if incompetent adherent of the New Academy whose primary concern is only with what is truth-like (veri simile); following Augustine’s lead, Altman shows the deliberate inadequacy of this pose, and that Cicero himself, the writer of dialogues who used “Cicero” as one of many philosophical personae, must always be sought elsewhere: in direct dialogue with the dialogues of Plato, the teacher he revered and whose Platonism he revived.
This book focuses on some new issues associated with British appeasement policy in the 1930s. It looks particularly at how the artificial split between international history and military history has led to the over-simplification of the factors involved in formulating the appeasement policy. It argues that, contrary to anti-appeasement mythology, Britain was not left defenceless in 1939, having in fact a highly sophisticated aerial defence system for which Baldwin and Chamberlain have received little credit. Conversely, the disaster of 1940 was not a consequence of the sins of the British appeasers, but the result of a seriously misconceived French strategy, and brilliant German planning. The book further argues that Anglo-Czech relations between 1935 and 1938 showed that both the Foreign Office and anti-appeasers had deep rooted anti-Slav prejudices. However, new Czech research shows a more sympathetic understanding of how, and why, Britain adopted the appeasement policy. Important new Soviet sources are also considered, such as notably the Maisky Diaries (2016), for their relevance to British policy.
Abortion has remained one of the most volatile and polarizing issues in the United States for over four decades. Americans are more divided today than ever over abortion, and this debate colors the political, economic, and social dynamics of the country. This book provides a balanced, clear-eyed overview of the abortion debate, including the perspectives of both the pro-life and pro-choice movements. It covers the history of the debate from colonial times to the present, the mobilization of mass movements around the issue, the ways it is understood by ordinary Americans, the impact it has had on US political development, and the differences between the abortion conflict in the US and the rest of the world. Throughout these discussions, Ziad Munson demonstrates how the meaning of abortion has shifted to reflect the changing anxieties and cultural divides which it has come to represent. Abortion Politics is an invaluable companion for exploring the abortion issue and what it has to say about American society, as well as the dramatic changes in public understanding of women’s rights, medicine, religion, and partisanship.
New York City's Broadway district is by far the most prestigious and lucrative venue for American performers, playwrights, entertainers and technicians. While there are many reference works and critical studies of selected Broadway plays or musicals and even more works about the highlights of the American theater, this is the first single-volume book to cover all of the activities on Broadway between 1919 and 2007. More than 14,000 productions are briefly described, including hundreds of plays, musicals, revivals, and specialty programs. Entries include famous and forgotten works, designed to give a complete picture of Broadway's history and development, its evolution since the early twentieth century, and its rise to unparalleled prominence in the world of American theater. The productions are identified in terms of plot, cast, personnel, critical reaction, and significance in the history of New York theater and culture. In addition to a chronological list of all Broadway productions between 1919 and 2007, the book also includes approximately 600 important productions performed on Broadway before 1919.
