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Publisher: BRILL
Published: 2020-11-04
Total Pages: 452
ISBN-13: 900444307X
DOWNLOAD EBOOKColonial Adventures:Commercial Law and Practice in the Making proposes a lung run exploration of the influence of colonisation and overseas trade on commercial law and the adaptation of transplanted law to colonial constraints in a comparative perspective.
Author: James L. Newman
Publisher: Potomac Books, Inc.
Published: 2004
Total Pages: 583
ISBN-13: 1612342450
DOWNLOAD EBOOK“Dr. Livingstone, I presume?” The man who uttered those famous words was compared with Christopher Columbus in his day and became one of the late nineteenth century’s most newsworthy figures. Yet, one hundred years after Henry Morton Stanley’s death, his accomplishments in Africa have largely receded from public memory or have been discredited as epitomizing the wrongs inflicted by the scourge of European colonialism and its “scramble for Africa.” While numerous writers have attempted to describe the man, sometimes through highly speculative means, our understanding of the most notable aspect of Stanley’s life, his relationship to the continent, isn’t much more advanced than it was one hundred years ago. To fill this void, James L. Newman re-creates Stanley’s seven epic African journeys, explaining why he made them, what transpired en route, and what resulted. He highlights Stanley’s determination to succeed despite incredible odds and his various relationships with the people who enabled him to accomplish his objectives. And while he acknowledges Stanley’s less admirable traits, such as his penchant for stretching the truth, his capacity to be ruthless, and his tendency to demean others, Newman refuses to engage in facile speculation. Instead, he focuses on the words and deeds of a man who played a major role in shaping today’s Africa. James L. Newman’s in-depth research, detailed descriptions, and vivid prose make Stanley and Africa both a fascinating read and a notable contribution to the study of Africa, exploration, and the age of empire.
Author: Sharla M. Fett
Publisher: UNC Press Books
Published: 2016-11-23
Total Pages: 307
ISBN-13: 1469630036
DOWNLOAD EBOOKIn the years just before the Civil War, during the most intensive phase of American slave-trade suppression, the U.S. Navy seized roughly 2,000 enslaved Africans from illegal slave ships and brought them into temporary camps at Key West and Charleston. In this study, Sharla Fett reconstructs the social world of these "recaptives" and recounts the relationships they built to survive the holds of slave ships, American detention camps, and, ultimately, a second transatlantic voyage to Liberia. Fett also demonstrates how the presence of slave-trade refugees in southern ports accelerated heated arguments between divergent antebellum political movements--from abolitionist human rights campaigns to slave-trade revivalism--that used recaptives to support their claims about slavery, slave trading, and race. By focusing on shipmate relations rather than naval exploits or legal trials, and by analyzing the experiences of both children and adults of varying African origins, Fett provides the first history of U.S. slave-trade suppression centered on recaptive Africans themselves. In so doing, she examines the state of "recaptivity" as a distinctive variant of slave-trade captivity and situates the recaptives' story within the broader diaspora of "Liberated Africans" throughout the Atlantic world.
Author: Felix Lösing
Publisher: transcript Verlag
Published: 2021-01-31
Total Pages: 397
ISBN-13: 3839454980
DOWNLOAD EBOOKThe British and American Congo Reform Movement (ca. 1890-1913) has been praised extensively for its ›heroic‹ confrontation of colonial atrocities in the Congo Free State. Its commitment to white supremacy and colonial domination, however, continues to be overlooked, denied, or trivialised. This historical-sociological study argues that racism was the ideological cornerstone and formed the main agenda of this first major human rights campaign of the 20th century. Through a thorough analysis of contemporary sources, Felix Lösing unmasks the colonial and racist formation of the modern human rights discourse and investigates the ›historical work‹ of racism at a crossroads between imperial power and ›white crisis‹.
Author: Lewis H. Gann
Publisher: Princeton University Press
Published: 2015-03-08
Total Pages: 284
ISBN-13: 1400869099
DOWNLOAD EBOOKIn this comprehensive picture of Belgian colonialism in the Congo, Lewis Gann and Peter Duignan trace the formation of the colonial state that became Zaire, considering it in the light of colonial experience in other African territories. Whereas most studies have focused on the conquest and subjugation of the African population, this study probes the colonial apparatus itself, investigating the attitudes and behavior of the civil servants and soldiers who built the empire. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Dierk Walter
Publisher: Oxford University Press
Published: 2017-11-15
Total Pages: 449
ISBN-13: 0190911522
DOWNLOAD EBOOKWestern interventions today have much in common with the countless violent conflicts that have occurred on Europe's periphery since the conquest of the Americas in the sixteenth century. Like their predecessors, modern imperial wars are shaped especially by spatial features and by pronounced asymmetries of military organisation, resources, modes of warfare and cultures of violence between the respective parties. Today's imperial wars are essentially civil wars, in which Western powers are only one player among many. As ever, the Western military machine is proving incapable of resolving political strife through force, or of engaging opponents with no reason to offer conventional combat, who instead rely on guerrilla warfare and terrorism. And, as they always have, local populations pay the price for these shortcomings. Colonial Violence aims to offer, for the first time, a coherent explanation of the logic of violent hostilities within the context of European expansion. Walter's analysis reveals parallels between different empires and continuities spanning historical epochs. He concludes that recent Western military interventions, from Afghanistan to Mali, are not new wars, but stand in the 500-year-old tradition of transcultural violent conflict, under the specific conditions of colonialism.
Author: Hoover Institution on War, Revolution, and Peace
Publisher:
Published: 1980
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: Patricia Leighten
Publisher: University of Chicago Press
Published: 2013-11-08
Total Pages: 269
ISBN-13: 0226471381
DOWNLOAD EBOOKThe years before World War I were a time of social and political ferment in Europe, which profoundly affected the art world. A major center of this creative tumult was Paris, where many avant-garde artists sought to transform modern art through their engagement with radical politics. In this provocative study of art and anarchism in prewar France, Patricia Leighten argues that anarchist aesthetics and a related politics of form played crucial roles in the development of modern art, only to be suppressed by war fever and then forgotten. Leighten examines the circle of artists—Pablo Picasso, Juan Gris, František Kupka, Maurice de Vlaminck, Kees Van Dongen, and others—for whom anarchist politics drove the idea of avant-garde art, exploring how their aesthetic choices negotiated the myriad artistic languages operating in the decade before World War I. Whether they worked on large-scale salon paintings, political cartoons, or avant-garde abstractions, these artists, she shows, were preoccupied with social criticism. Each sought an appropriate subject, medium, style, and audience based on different conceptions of how art influences society—and their choices constantly shifted as they responded to the dilemmas posed by contradictory anarchist ideas. According to anarchist theorists, art should expose the follies and iniquities of the present to the masses, but it should also be the untrammeled expression of the emancipated individual and open a path to a new social order. Revealing how these ideas generated some of modernism’s most telling contradictions among the prewar Parisian avant-garde, The Liberation of Painting restores revolutionary activism to the broader history of modern art.
