Din cuprins: „Pariul“ eliadian. Romanul conştiinţei nefericite. Mitic şi epic în proza fantastică. Nae Ionescu, Pater et Magister. Itinerariu spiritual, 1927-1949. Istoria religiilor, filozofia istoriei, hermeneutică şi ieşirea din nihilism. Jurnale, memorialistică, confesiuni. Proză autoscopică şi simbolism al experienţei personale
THE INTERNATIONAL BESTSELLER The complete history of the world, from the beginning of time to the present day, based on the beliefs and writings of the secret societies. Jonathan Black examines the end of the world and the coming of the Antichrist. Or is the Antichrist already here? How will he make himself known and what will become of the world when he does? Willl it be the end of Time? Having studied theology and learnt from initiates of all the great secret societies of the world, Jonathan Black has learned that it is possible to reach an altered state of consciousness in which we can see things about the way the world works that hidden from our everyday commonsensical consciousness. This history shows that by using secret techniques, people such as Leonardo da Vinci, Isaac Newton and George Washington have worked themselves into this altered state - and have been able to access supernatural levels of intelligence. This book will leave you questioning every aspect of your life and spotting hidden messages in the very fabric of society and in life itself. It will open your mind to a new way of living and leave you questioning everything you have been taught - and everything you've taught your children.
In this eerie, compelling, and playful novel, a young man tormented by his feeble memory meets an elderly man, Robert, endowed with the recall of an elephant. Soon, in exchange for becoming his live-in servant, Robert agrees to allow his young protégé to inherit his prodigious memory upon his death. While this might seem a fair if absurd exchange, Robert's demands become progressively more macabre, until the narrator is forced to decide what he is truly willing to sacrifice for the ability to remember. The debut novel of Bernard Comment, acclaimed author and editor, now available in English for the first time, The Shadow of Memory brings a fairy-tale premise into the modern world, where information—and its loss—can be a matter of life and death.
At the center of The Hooligan’s Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea’s book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the twentieth century and of the emergence afterward of a global, competitive, and sometimes cynical modern society. Both a harrowing memoir and an ambitious epic project, The Hooligan’s Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.
A collection of short stories stemming from the Romanian author's detention in a Nazi concentration camp as a child evokes a sense of the horror and absurdity of war and Romanian politics.
Survivor of the Nazi camps and Ceausescu's Romania, winner of the National Book Award, recipient of a MacArthur Award and a Guggenheim Fellowship, Norman Manea, an extraordinary man of letters, "gives us a taste of something beyond the scope of even our twentieth-century imagination. . . . Manea is too profound a witness to place his gift for observation in the service of another sensualist account. . . . What matters for him is the phenomenon of an entire nation's life under this simultaneously grotesque and terrifying rule." -- The New Republic
A rich and significant collection of more than one hundred poems, drawn from a lifetime of “wild gratitude” in poetry. In poems chronicling insomnia (“the blue-rimmed edge / of outer dark, those crossroads / where we meet the dead”), art and culture (poems on Edward Hopper and Paul Celan, love poems in the voices of Baudelaire and Gertrude Stein, a meditation on two suitcases of children’s drawings that came out of the Terezin concentration camp), and his own experience, including the powerful, frank self-examinations in his more recent work, Edward Hirsch displays stunning range and quality. Repeatedly confronting the darkness, his own sense of godlessness (“Forgive me, faith, for never having any”), he also struggles with the unlikely presence of the divine, the power of art to redeem human transience, and the complexity of relationships. Throughout the collection, his own life trajectory enriches the poems; he is the “skinny, long-beaked boy / who perched in the branches of the old branch library,” as well as the passionate middle-aged man who tells his lover, “I wish I could paint you— / . . . / I need a brush for your hard angles / and ferocious blues and reds. / . . . / I wish I could paint you / from the waist down.” Grieving for the losses occasioned by our mortality, Hirsch’s ultimate impulse as a poet is to praise—to wreathe himself, as he writes, in “the living fire” that burns with a ferocious intensity.
Translation: Theory and Practice: A Historical Reader responds to the need for a collection of primary texts on translation, in the English tradition, from the earliest times to the present day. Based on an exhaustive survey of the wealth of available materials, the Reader demonstrates throughout the link between theory and practice, with excerpts not only of significant theoretical writings but of actual translations, as well as excerpts on translation from letters, interviews, autobiographies, and fiction. The collection is intended as a teaching tool, but also as an encyclopaedia for the use of translators and writers on translation. It presents the full panoply of approaches to translation, without necessarily judging between them, but showing clearly what is to be gained or lost in each case. Translations of key texts, such as the Bible and the Homeric epic, are traced through the ages, with the same passages excerpted, making it possible for readers to construct their own map of the evolution of translation and to evaluate, in their historical contexts, the variety of approaches. The passages in question are also accompanied by ad verbum versions, to facilitate comparison. The bibliographies are likewise comprehensive. The editors have drawn on the expertise of leading scholars in the field, including the late James S. Holmes, Louis Kelly, Jonathan Wilcox, Jane Stevenson, David Hopkins, and many others. In addition, significant non-English texts, such as Martin Luther's "Circular Letter on Translation," which may be said to have inaugurated the Reformation, are included, helping to set the English tradition in a wider context. Related items, such as the introductions to their work by Tudor and Jacobean translators or the work of women translators from the sixteenth to eighteenth centuries have been brought together in "collages," marking particularly important moments or developments in the history of translation. This comprehensive reader provides an invaluable and illuminating resource for scholars and students of translation and English literature, as well as poets, cultural historians, and professional translators.
A rapturous novel of love, longing and exile, The Silent Woman depicts a woman's life against a backdrop of war and political turmoil. Sylva, half Czech and half German, is born into an aristocratic family and lives outside Prague. She marries a man she doesn't love and is seduced by the joyful madness of Paris in the 1920s. When the Nazis force her to state her loyalty, she yields, not realising how this decision will haunt the rest of her life. Later in communist Prague, Sylva is destitute. When she learns a long lost love was sent to the Gulags, she goes searching for him.
'Sparky, mischievous, witty, dazzlingly clever' Ali Smith 'A cause for celebration. Here we have a heroine to love, a story we can't let go of' Ann Patchett It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. 1930s New York is filling with Europe's ousted dreamers, turned overnight into refugees. Rose Meadows, book-loving and orphaned at eighteen, takes a job as assistant to the eccentric Professor Mitwisser. Cast out from Berlin's elite, the Mitwisser family's household is chaotic and Rosie's fate there hangs on the arrival of the Mitwissers' mysterious benefactor, James A'Bair. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author. Running from his own fame, James was boy adored by the world but has grown into a bitter man. It falls to Rosie to help them all resist James's reckless orbit.
