“With this charming, sardonic debut, stand up comedian and actor Todd Barry makes readers laugh as hard as the audiences at his shows” (Publishers Weekly) in this hilarious book of travel essays from his time on tour in the US, Canada, and Israel. Hello. It’s Todd Barry. Yes, the massively famous comedian. I have billions of fans all over the world, so I do my fair share of touring. While I love doing shows in the big cities (New York, Philadelphia), I also enjoy a good secondary market (Ithaca, Bethlehem). Performing in these smaller places can be great because not all entertainers stop there on tour; they don’t expect to see you. They’re appreciative. They say things like “Thank you for coming to Hattiesburg” as much as they say “Nice show.” And almost every town has their version of a hipster coffee shop, so I can get in my comfort zone. My original plan was to book one secondary market show in all fifty states, in about a year, but that idea was funnier than anything in my act. So, instead of all fifty states in a year, my agent booked multiple shows in a lot of states, plus Israel and Canada. Thank You for Coming to Hattiesburg is part tour diary, part travel guide, and part memoir (Yes, memoir. Just like the thing presidents and former child stars get to write). Follow me on my journey of small clubs, and the occasional big amphitheater. Watch me make a promoter clean the dressing room toilet in Connecticut, see me stare at beached turtles in Maui, and see how I react when Lars from Metallica shows up to see me at a rec center in Northern California. I’d love to tell you more, but I need to go book a flight to Evansville, Indiana.
Both the Genteel Tradition and Calvinistic Puritanism exhibited a sense of possessing inside information about the workings of the universe and the intentions of the Almighty. In Humor and Revelation in American Literature, Pascal Covici, Jr., traces this perspective from its early presence to the humorous tradition in America that has been related to the Old Southwest, showing how American Puritan thought was instrumental in the formative stages of American humor. Covici argues that much of American literature works as humor does, surprising readers into sudden enlightenment. The humor from which Mark Twain derived his early models had the same sort of arrogance as American Puritan thought, especially in regard to social and political truths. Twain transcended the roots of that humor, which run from works of nineteenth-century Americans back to British forms of the eighteenth century. In doing so, he helped shape American literature. In addition to reexamining Twain's art, Humor and Revelation in American Literature considers some of the writers long regarded as among the usual suspects in any consideration of cultural hegemony, including Emerson, Thoreau, Hawthorne, and Melville. Covici explores not so much the hypocrisy as the ambivalence repeatedly displayed in American literature. He demonstrates that even though our writers have always had a strong desire to avoid the influences of the past, their independence from its cultural, theological, and psychological effects has been much slower in coming than previously thought. Original and well-written, Humor and Revelation in American Literature will be welcomed by all scholars and critics of American literature, especially those interested in Puritanism, major nineteenth-century writers, Southwestern humor, and Mark Twain.
Slipknot and Stone Sour singer Corey Taylor's New York Times bestselling journey into the world of ghosts and the supernatural Corey Taylor has seen a lot of unbelievable things. However, many of his most incredible experiences might just shock you. For much of his life, the Grammy Award-winning singer of Slipknot and Stone Sour and New York Times bestselling author of Seven Deadly Sins has brushed up against the supernatural world. Those encounters impacted his own personal evolution just as much as headlining at Castle Donington in front of 100,000 people at Download Festival or debuting at #1 on the Billboard Top 200. Since growing up in Iowa, his own curiosity drew him into situations that would've sent most people screaming scared and running for the hills. He's ballsy enough to go into the darkness and deal with the consequences, though. As a result, he's seen ghosts up close and personal, whether while combing through an abandoned house in his native Iowa as a child or recording an album in the fabled Houdini Hollywood Hills mansion. He's also got the memories (and scars) to prove it. For some reason, he can't seem to shake these spectral stories, and that brings us to this little tome right here... At the same time, being an erudite, tattooed, modern Renaissance Man, he was never one for Sunday Service. Simply put, he's seen ghosts, but he hasn't seen Jesus. Taylor especially can't find a reason why people do the insane things they do in HIS name. That's where everything gets really interesting. His second book, A Funny Thing Happened on the Way to Heaven, compiles Taylor's most intimate, incredible, and insane moments with the supernatural. His memories are as vivid as they are vicious. As he recounts these stories, he questions the validity of religious belief systems and two-thousand-year-old dogma. As always, his rapid-fire writing, razor sharp sense of humor, unbridled honesty, and cozy anecdotes make quite the case for his point. You might end up believing him or not. That's up to you, of course. Either way, you're in for a hell of a ride.
W. G. Sebald’s celebrated masterpiece, “one of the supreme works of art of our time” (The Guardian), follows a man’s search for the answer to his life’s central riddle. “Haunting . . . a powerful and resonant work of the historical imagination . . . Reminiscent at once of Ingmar Bergman’s Wild Strawberries, Kafka’s troubled fables of guilt and apprehension, and, of course, Proust’s Remembrance of Things Past.”—Michiko Kakutani, The New York Times One of The New York Times’s 10 Best Books of the 21st Century • A Los Angeles Times, Entertainment Weekly, and New York Magazine Best Book of the Year Winner of the National Book Critics Circle Award, Koret Jewish Book Award, Independent Foreign Fiction Prize, and Jewish Quarterly Wingate Literary Prize A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion. Over the course of a thirty-year conversation unfolding in train stations and travelers’ stops across England and Europe, W. G. Sebald’s unnamed narrator and Jacques Austerlitz discuss Austerlitz’s ongoing efforts to understand who he is—a struggle to impose coherence on memory that embodies the universal human search for identity.
Ever since the exposure of the Kitten Killer of Hangshou captured the imagination of online communities world-wide, vigilantism and digilantism has come to the fore as an emerging and poignant issue. In their book Introducing Vigilant Audiences Daniel Trottier and colleagues (and contributors) have produced an excellent and throughtful ‘must read’ for all who are studying vigilantism, or just interested in it. Prof. David Wall, University of Leeds This is a collection of cutting edge and thoughtful case studies of global digital vigilantism that advances this emerging and increasingly important field in useful and intriguing ways. Prof. Michael Pfeifer, City University of New York This ground-breaking collection of essays examines the scope and consequences of digital vigilantism – a phenomenon emerging on a global scale, which sees digital audiences using social platforms to shape social and political life. Longstanding forms of moral scrutiny and justice seeking are disseminated through our contemporary media landscape, and researchers are increasingly recognising the significance of societal impacts effected by digital media. The authors engage with a range of cross-disciplinary perspectives in order to explore the actions of a vigilant digital audience – denunciation, shaming, doxing – and to consider the role of the press and other public figures in supporting or contesting these activities. In turn, the volume illuminates several tensions underlying these justice seeking activities – from their capacity to reproduce categorical forms of discrimination, to the diverse motivations of the wider audiences who participate in vigilant denunciations. This timely volume presents thoughtful case studies drawn both from high-profile Anglo-American contexts, and from developments in regions that have received less coverage in English-language scholarship. It is distinctive in its focus on the contested boundary between policing and entertainment, and on the various contexts in which the desire to seek retribution converges with the desire to consume entertainment. Introducing Vigilant Audiences will be of great value to researchers and students of sociology, politics, criminology, critical security studies, and media and communication. It will be of further interest to those who wish to understand recent cases of citizen-led justice seeking in their global context.
This meticulously edited G. K. Chesterton collection is formatted for your eReader with a functional and detailed table of contents: The Father Brown Books: The Innocence of Father Brown The Wisdom of Father Brown The Incredulity of Father Brown The Secret of Father Brown The Scandal of Father Brown The Donnington Affair The Mask of Midas Novels: The Napoleon of Notting Hill The Man who was Thursday The Ball and the Cross Manalive The Flying Inn The Return of Don Quixote Short Stories: The Club of Queer Trades The Man Who Knew Too Much The Trees of Pride Tales of the Long Bow The Poet and the Lunatics Four Faultless Felons The Paradoxes of Mr. Pond The White Pillars Murder The Sword of Wood Poetry: Greybeards At Play The Wild Knight and Other Poems Wine, Water, and Song Poems, 1916 The Ballad of St. Barbara and Other Verses The Ballad of the White Horse Gloria in Profundis Ubi Ecclesia Rotarians Plays: Magic – A Fantastic Comedy The Turkey and the Turk Literary Criticism: A Defence of Penny Dreadfuls Appreciations and Criticisms of the Works of Charles Dickens The Victorian Age in Literature Charles Dickens - Critical Study Hilaire Belloc Robert Louis Stevenson Historical Works: A Short History of England The Barbarism of Berlin Letters to an Old Garibaldian The Crimes of England The New Jerusalem Theological Works: Heretics Orthodoxy The Everlasting Man The Catholic Church and Conversion Eugenics and other Evils Essays: The Defendant Varied Types All Things Considered Tremendous Trifles What's Wrong with the World Alarms and Discursions A Miscellany of Men Divorce versus Democracy Utopia of Usurers and Other Essays The Superstition of Divorce The Uses of Diversity Fancies Versus Fads The Outline of Sanity The Thing Come to Think All is Grist Sidelights on New London and Newer York All I Survey The Well and the Shallows As I was Saying Other Essays... Travel Sketches: Irish Impressions What I Saw in America Biographical Works Autobiography by G. K. Chesterton G. K. Chesterton – A Critical Study by Julius West