Ronald Blythe's 1969 book Akenfield - a moving portrait of English country life told in the voices of the farmers and villagers themselves - is a modern classic. In 2004, writer and reporter Craig Taylor returned to the village in Suffolk on which Akenfield was based. Over the course of several months, he sought out locals who had appeared in the original book to see how their lives had changed, he met newcomers to discuss their own views, and he interviewed Ronald Blythe himself, now in his eighties. Young farmers, retired orchardmen and Eastern European migrant workers talk about the nature of farming in an age of computerization and encroaching supermarkets; commuters, weekenders and retirees discuss the realities behind the rural idyll; and the local priest, teacher and more describe the daily pleasures and tribulations of village life. Together, they offer a panoramic and revealing portrait of rural English society at a time of great change.
Colin Elford's A Year in the Woods is an enthralling journey into the heart of the English countryside - with a preamble by Craig Taylor. Colin Elford spends his days alone - alone but for the deer, the squirrels, the rabbits, the birds, and the many other creatures inhabiting the woods. From the crisp cold of January, through the promise of spring and the heat of summer, and then into damp autumn and the chill winds of winter, we accompany the forest-ranger as he goes about his work - stalking in the early morning darkness, putting an injured fallow buck out of its misery, watching stoats kill a hare, observing owls, and simply being a part of the outdoors. Colin Elford immerses himself in the richly diverse and unique landscapes of Britain, existing in rhythm with natural environments. For fans of Robert Macfarlane's Landmarks, Helen Macdonald's H is for Hawk orJames Rebanks' A Shepherd's Life, Colin's rare and uplifiting journey will unveil the true nature and beauty of Britain's countryside. 'This is nature for real . . . Elford describes woodland wonders in short paragraphs of luminous intensity' Daily Mail 'A poetic insight in the world of hidden Nature' Countryman 'Stalking sharpens the senses and there is an almost hallucinatory clarity to Elford's writing' Observer 'Refreshingly unsentimental. Contains some wonderful descriptions and sentences which are so profound they demand a second reading' Sunday Express Colin Elford is a forest ranger on the Dorset/Wiltshire border. Craig Taylor is the author of Return to Akenfield and One Million Tiny Plays About Britain and the editor of the magazine Five Dials.
The Time by the Sea is about Ronald Blythe's life in Aldeburgh during the 1950s. He had originally come to the Suffolk coast as an aspiring young writer, but found himself drawn into Benjamin Britten's circle and began working for the Aldeburgh Festival. Although befriended by Imogen Holst and by E M Forster, part of him remained essentially solitary, alone in the landscape while surrounded by a stormy cultural sea. But this memoir gathers up many early experiences, sights and sounds: with Britten he explored ancient churches; with the botanist Denis Garrett he took delight in the marvellous shingle beaches and marshland plants; he worked alongside the celebrated photo-journalist Kurt Hutton. His muse was Christine Nash, wife of the artist John Nash. Published to coincide with the centenary of Britten's birth, this is a tale of music and painting, unforgettable words and fears. It describes the first steps of an East Anglian journey, an intimate appraisal of a vivid and memorable time.
A Wonder Woman and bride-to-be finds herself worse for wear at the end of a hen night; a funeral director's love of Manchester United proves unhelpful when talking to the bereaved; two overly-vigilant mothers wrestle with their paranoia in the queue for Santa's Grotto; a widow recounts her disastrous return to the world of dating and a father realises that his son is growing away from him as he helps him tie his football boots.In these snippets of overheard conversations from across the length and breadth of the country, Craig Taylor captures the state we're in with humour and pathos and perfect timing. Laugh-out-loud funny, and sometimes heartbreakingly moving, these tiny plays in which every one of us could have a starring role are little windows into other people's lives that reveal the triumphs, disasters, prejudices, horrors and joys of twenty-first-century life.Hugely entertaining and utterly addictive, this is book that can be dipped into or feasted upon in one sitting. It will change the way you listen to the world around you, and train journeys will never be the same again.
Winner of the 2021 Brooklyn Public Library Literary Prize A symphony of contemporary New York through the magnificent words of its people—from the best-selling author of Londoners. In the first twenty years of the twenty-first century, New York City has been convulsed by terrorist attack, blackout, hurricane, recession, social injustice, and pandemic. New Yorkers weaves the voices of some of the city’s best talkers into an indelible portrait of New York in our time—and a powerful hymn to the vitality and resilience of its people. Best-selling author Craig Taylor has been hailed as “a peerless journalist and a beautiful craftsman” (David Rakoff), acclaimed for the way he “fuses the mundane truth of conversation with the higher truth of art” (Michel Faber). In the wake of his celebrated book Londoners, Taylor moved to New York and spent years meeting regularly with hundreds of New Yorkers as diverse as the city itself. New Yorkers features 75 of the most remarkable of them, their fascinating true tales arranged in thematic sections that follow Taylor’s growing engagement with the city. Here are the uncelebrated people who propel New York each day—bodega cashier, hospital nurse, elevator repairman, emergency dispatcher. Here are those who wire the lights at the top of the Empire State Building, clean the windows of Rockefeller Center, and keep the subway running. Here are people whose experiences reflect the city’s fractured realities: the mother of a Latino teenager jailed at Rikers, a BLM activist in the wake of police shootings. And here are those who capture the ineffable feeling of New York, such as a balloon handler in the Macy’s Thanksgiving Day Parade or a security guard at the Statue of Liberty. Vibrant and bursting with life, New Yorkers explores the nonstop hustle to make it; the pressures on new immigrants, people of color, and the poor; the constant battle between loving the city and wanting to leave it; and the question of who gets to be considered a "New Yorker." It captures the strength of an irrepressible city that—no matter what it goes through—dares call itself the greatest in the world.
“A rich and exuberant kaleidoscopic portrait of a great, messy, noisy, daunting, inspiring, maddening, enthralling, constantly shifting Rorschach test of a place. . . . Delightful. . . . In Taylor’s patient and sympathetic hands, regular people become poets, philosophers, orators.” -- New York Times Book Review Londoners is a fresh and compulsively readable view of one of the world's most fascinating cities–a vibrant narrative portrait of the London of our own time, featuring unforgettable stories told by the real people who make the city hum. Acclaimed writer and editor Craig Taylor has spent years traversing every corner of the city, getting to know the most interesting Londoners, including the voice of the London Underground, a West End rickshaw driver, an East End nightclub doorperson, a mounted soldier of the Queen's Life Guard at Buckingham Palace, and a couple who fell in love at the Tower of London—and now live there. With candor and humor, this diverse cast—rich and poor, old and young, native and immigrant, men and women (and even a Sarah who used to be a George)—shares indelible tales that capture the city as never before. Together, these voices paint a vivid, epic, and wholly original portrait of twenty-first-century London in all its breadth, from Notting Hill to Brixton, from Piccadilly Circus to Canary Wharf, from an airliner flying into London Heathrow Airport to Big Ben and Tower Bridge, and down to the deepest tunnels of the London Underground. Londoners is the autobiography of one of the world's greatest cities.
'The View in Winter' is a timeless and moving study of the perplexities of living to a great age, as related by a wide range of men and women: miners, villagers, doctors, teachers, craftsmen, soldiers, priests, the widowed and long-retired. Their voices are set in the context of what literature, art, religion and medicine over the centuries have said about ageing. The result is an acclaimed and compelling reflection on an inevitable aspect of our human experience.
These exquisite mini essays reflect on the natural landscape, the changing seasons, village life, art, poetry, the stories that ancient churches tell, the Christian year. They refresh ones vision of ones own daily routine and surroundings and can be read over and over again, like poetry.
Ryszard Kapuscinski's last book, The Soccer War -a revelation of the contemporary experience of war -- prompted John le Carre to call the author "the conjurer extraordinary of modern reportage." Now, in Imperium, Kapuscinski gives us a work of equal emotional force and evocative power: a personal, brilliantly detailed exploration of the almost unfathomably complex Soviet empire in our time. He begins with his own childhood memories of the postwar Soviet occupation of Pinsk, in what was then Poland's eastern frontier ("something dreadful and incomprehensible...in this world that I enter at seven years of age"), and takes us up to 1967, when, as a journalist just starting out, he traveled across a snow-covered and desolate Siberia, and through the Soviet Union's seven southern and Central Asian republics, territories whose individual histories, cultures, and religions he found thriving even within the "stiff, rigorous corset of Soviet power." Between 1989 and 1991, Kapuscinski made a series of extended journeys through the disintegrating Soviet empire, and his account of these forms the heart of the book. Bypassing official institutions and itineraries, he traversed the Soviet territory alone, from the border of Poland to the site of the most infamous gulags in far-eastern Siberia (where "nature pals it up with the executioner"), from above the Arctic Circle to the edge of Afghanistan, visiting dozens of cities and towns and outposts, traveling more than 40,000 miles, venturing into the individual lives of men, women, and children in order to Understand the collapsing but still various larger life of the empire. Bringing the book to a close is a collection of notes which, Kapuscinski writes, "arose in the margins of my journeys" -- reflections on the state of the ex-USSR and on his experience of having watched its fate unfold "on the screen of a television set...as well as on the screen of the country's ordinary, daily reality, which surrounded me during my travels." It is this "schizophrenic perception in two different dimensions" that enabled Kapuscinski to discover and illuminate the most telling features of a society in dire turmoil. Imperium is a remarkable work from one of the most original and sharply perceptive interpreters of our world -- galvanizing narrative deeply informed by Kapuscinski's limitless curiosity and his passion for truth, and suffused with his vivid sense of the overwhelming importance of history as it is lived, and of our constantly shifting places within it.
