Which everyday practices allowed women to sustain and fulfill individuality and agency under dictatorial rule? This book adds to a rich scholarship on the history of late Francoism and the transition to democracy in Modern Spain through the lens of oral history and life writing. Aurora Morcillo tells the stories of anonymous individuals from both student and working class backgrounds - crucial sites of active resistance against the dictatorship at the time - and provides an interdisciplinary feminist analysis of the inevitable modernization of Spain in the 1960s and 1970s. This study uncovers a Deleuzian rendition of historical unfolding/becoming rather than simply being a collection of oral histories: a historical narration which proposes to be a creative historical ontology.
She discusses the factors that provoked the war and how they affected Spanish women - both the "visible" women who during the turbulent 1920s and 1930s tried to become part of mainstream politics and the "invisible" women who came to the fore during the revolutionary years of the Second Spanish Republic from 1931 to 1936 and became activists in the protest against the military insurrection of 1936.
"Helen Graham highlights the domestic and international context of the Spanish Civil War, and reveals its origins in the political and cultural anxieties provoked by the rapid modernization of Europe. Using personal narratives, she combines a powerfully human account of the war an its aftermath with a disturbing ethical enquiry into its legacy for the 21st century."--BOOK JACKET.
Spanish Republicans and the Second World War tells the stories of the 500,000 Spanish Republicans that fled across the Pyrenees in 1939 as Catalonia fell to Franco’s victorious army in the final weeks of the Civil War. Many of the exiles played an active part in the Second World War. Some joined the French and British armed forces and saw action in various theatres including Africa and Europe (both in 1940 and after D-Day). In August 1944, Spanish Republicans in the La Nueve Company of General Leclerc’s Deuxième Blindée were the first Allied troops into Paris during the liberation of the French capital. Those that had remained in Vichy France were active in the early days of the French Resistance, and Republican Maquis also played a significant part in the liberation of the south-west of France in 1944. Those who fought the Axis troops in Spain during the Civil War and then again in France assumed that once the Allies had defeated the Nazis, they would launch a military campaign to overthrow Franco’s government in Spain. In October 1944, a force of thousands of Spanish Maquis took part in Operación Reconquista, the invasion of the Valley of Aran on the Spanish side of the Pyrenees. Their declared aim was to trigger a popular uprising and force the Allies to intervene against Franco’s dictatorship. Whitehead also examines the role of the Spanish volunteers of the División Azul who swore an oath of allegiance to Hitler and fought with the Wehrmacht on the Eastern Front; the role of the master double-agent Garbo, who played a crucial part in the success of D-Day; the strategic importance of Gibraltar; and the activities of the British diplomatic corps and secret services in resisting Hitler’s plans to invade the Iberian Peninsula.
An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.
Spain Transformed addresses the sweeping social and cultural changes that characterized the late Franco regime. This wide-ranging collection reassesses the dictatorship's latter years by drawing on a wealth of new material and ideas, using an interdisciplinary approach.
