Resemblance and Representation

Resemblance and Representation

Author: Ben Blumson

Publisher: Open Book Publishers

Published: 2014-09-21

Total Pages: 225

ISBN-13: 1783740728

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It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.


A Syncretistic Theory of Depiction

A Syncretistic Theory of Depiction

Author: A. Voltolini

Publisher: Springer

Published: 2015-05-28

Total Pages: 282

ISBN-13: 1137263296

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What is depiction? A new answer is given to this venerable question by providing a syncretistic theory of depiction that tries to combine the merits of the previous theories on the matter while dropping their defects. Thus, not only perceptual, but also both conventional and causal factors contribute in making something a picture of something else.


Resemblance and Representation

Resemblance and Representation

Author: Ben Blumson

Publisher: Saint Philip Street Press

Published: 2020-10-09

Total Pages: 218

ISBN-13: 9781013288074

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It's a platitude - which only a philosopher would dream of denying - that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait's resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It's natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.


Scientific Representation

Scientific Representation

Author: James Nguyen

Publisher: Cambridge University Press

Published: 2022-09-01

Total Pages: 154

ISBN-13: 1009007343

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This Element presents a philosophical exploration of the notion of scientific representation. It does so by focussing on an important class of scientific representations, namely scientific models. Models are important in the scientific process because scientists can study a model to discover features of reality. But what does it mean for something to represent something else? This is the question discussed in this Element. The authors begin by disentangling different aspects of the problem of representation and then discuss the dominant accounts in the philosophical literature: the resemblance view and inferentialism. They find them both wanting and submit that their own preferred option, the so-called DEKI account, not only eschews the problems that beset these conceptions, but further provides a comprehensive answer to the question of how scientific representation works. This title is also available as Open Access on Cambridge Core.


Descartes and the Puzzle of Sensory Representation

Descartes and the Puzzle of Sensory Representation

Author: Raffaella De Rosa

Publisher: OUP Oxford

Published: 2010-01-07

Total Pages: 206

ISBN-13: 0191610062

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While much has been written on Descartes' theory of mind and ideas, no systematic study of his theory of sensory representation and misrepresentation is currently available in the literature. Descartes and the Puzzle of Sensory Misrepresentation is an ambitious attempt to fill this gap. It argues against the established view that Cartesian sensations are mere qualia by defending the view that they are representational; it offers a descriptivist-causal account of their representationality that is critical of, and differs from, all other extant accounts (such as, for example, causal, teleofunctional and purely internalist accounts); and it has the advantage of providing an adequate solution to the problem of sensory misrepresentation within Descartes' internalist theory of ideas. In sum, the book offers a novel account of the representationality of Cartesian sensations; provides a panoramic overview, and critical assessment, of the scholarly literature on this issue; and places Descartes' theory of sensation in the central position it deserves among the philosophical and scientific investigations of the workings of the human mind.


Understanding Representation

Understanding Representation

Author: Jen Webb

Publisher: SAGE

Published: 2008-12-01

Total Pages: 178

ISBN-13: 1446246531

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"This is an extraordinarily lucid book. I am not sure that there is anyone who can do this sort of thing better than Jen Webb. It is a gift to students; extremely accessible yet complex and sophisticated in its treatment of theories and concepts of representation." - Jim McGuigan, Loughborough University Understanding Representation offers a contemporary, coherent and genuinely interdisciplinary introduction to the concept of representation. Drawing together the full range of ideas, practices, techniques and disciplines associated with the subject, this book locates them in a historical context, presents them in a readable fashion, and shows their relevance to everyday life in an engaging and accessible manner. Readers will be shown how to develop a sophisticated attitude to meaning, and understand the relationship to truth and identity that is brought into focus by communicative practices. With chapters on linguistic and political representation, art and media, and philosophical and cognitive approaches, this book: Guides readers through complex theoretical terrain with a highly readable and refreshing writing style. Explains the techniques and perspectives offered by semiotics, discourse analysis, poetics, politics, narratology, visual culture, cognitive theory, performance theory and theories of embodied subjectivity. Covers the new ideas and practices that have emerged since the work of Barthes, Eco and Foucault - especially communication and meaning-making in the digital environment, and the new paradigms of understanding associated with cognitive theories of identity and language. Teaches readers how to interpret and interrogate the world of signs in which they live. Understanding Representation provides students across the social sciences and humanities with an invaluable introduction to what is meant by ′representation′.


Foucault's Philosophy of Art

Foucault's Philosophy of Art

Author: Joseph J. Tanke

Publisher: A&C Black

Published: 2009-08-30

Total Pages: 240

ISBN-13: 184706485X

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Offers the first complete examination of Foucault's reflections on visual art, leading to new readings of his major texts.


Richard Wollheim on the Art of Painting

Richard Wollheim on the Art of Painting

Author: Richard Wollheim

Publisher: Cambridge University Press

Published: 2001-07-30

Total Pages: 310

ISBN-13: 9780521801744

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A collection of essays on Wollheim's philosophy of art; includes a response from Wollheim himself.


Philosophy of Art

Philosophy of Art

Author: Noël Carroll

Publisher: Routledge

Published: 2012-10-02

Total Pages: 290

ISBN-13: 1134722508

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Philosophy of Art is a textbook for undergraduate students interested in the topic of philosophical aesthetics. It introduces the techniques of analytic philosophy as well as key topics such as the representational theory of art, formalism, neo-formalism, aesthetic theories of art, neo-Wittgensteinism, the Institutional Theory of Art. as well as historical approaches to the nature of art. Throughout, abstract philosophical theories are illustrated by examples of both traditional and contemporary art including frequent reference to the avant-garde in this way enriching the readers understanding of art theory as well as the appreciation of art. Unique features of the textbook are: * chapter summaries * summaries of major theories of art and suggested analyses of the important categories used when talking and thinking of art * annotated suggested readings at the ends of chapters. Also available in this series: Epistemology Pb: 0-415-13043-3: £12.99 Ethics Pb: 0-415-15625-4: £11.99 Metaphysics Pb: 0-415-14034-X: £12.99 Philosophy of Mind Pb: 0-415-13060-3: £11.99 Philosophy of Religion Pb: 0-415-13214-2: £12.99