Researching Music Censorship

Researching Music Censorship

Author: Helmi Järviluoma

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 345

ISBN-13: 1443878677

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Freedom of expression and its direct counterpart, censorship and silencing, are increasingly gaining attention in the world of art and culture. Through the growth of social media and its worldwide distribution, arts and cultural products are shared, and the increased visibility and audibility of culture is highlighted through iconic and pivotal clashes, such as the fatwa on The Satanic Verses in 1989, the recurring bans on the music of Wagner, the alleged censorship of playlists following 9/11, and the cartoon crisis in 2006. This volume takes the discussion directly to the field of music studies in a broad frame and insists on examining music censorship in a global perspective. The book addresses the important and increasingly relevant issue of scholarship on music censorship and thus contributes to a detailed understanding of the phenomenon. Often, words and semantic meaning are held to be determining to the restrictions on musicians and singers, but as this collection documents, the reasons for censorship might not always be found in verbal messages. Rather, the positioning of a more broad understanding of why and how music can convey meaning and accordingly trigger censorship and bans is at the heart of this work. The complexity of music censorship includes historical, structural as well as emotional ‘listenings’ and interpretations of sound. The topic, accordingly, is political, as well as scholarly urgent.


Popular Music Censorship in Africa

Popular Music Censorship in Africa

Author: Martin Cloonan

Publisher: Routledge

Published: 2016-03-23

Total Pages: 263

ISBN-13: 1317078063

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In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. Over the last one hundred years popular musicians have not been free to sing about whatever they wish to, and in many countries they are still not free to do so. This volume brings together the latest research on censorship in colonial and post-colonial Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. For Africa, the twentieth century was characterized first and foremost by struggles for independence, as colonizer and colonized struggled for territorial control. Throughout this period culture was an important contested terrain in hegemonic and counter-hegemonic struggles and many musicians who aligned themselves with independence movements viewed music as an important cultural weapon. Musical messages were often political, opposing the injustices of colonial rule. Colonial governments reacted to counter-hegemonic songs through repression, banning songs from distribution and/or broadcast, while often targeting the musicians with acts of intimidation in an attempt to silence them. In the post-independence era a disturbing trend has occurred, in which African governments have regularly continued to practise censorship of musicians. However, not all attempts to silence musicians have emanated from government, nor has all contested music been strictly political. Religious and moral rationale has also featured prominently in censorship struggles. Both Christian and Muslim fundamentalism has led to extreme attempts to silence musicians. In response, musicians have often sought ways of getting their music and message heard, despite censorship and harassment. The book includes a special section on case studies that highlight issues of nationality.


The Oxford Handbook of Music Censorship

The Oxford Handbook of Music Censorship

Author: Patricia Ann Hall

Publisher: Oxford University Press

Published: 2018

Total Pages: 729

ISBN-13: 0199733163

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"Addresses censorship as a worldwide issue from its earliest recorded form to the modern day ; Includes unique case studies of music censorship unfamiliar to Western audiences ; Documents censorship through a necessarily intersectional lens." --Oxford University Press.


Policing Pop

Policing Pop

Author: Martin Cloonan

Publisher: Temple University Press

Published: 2009

Total Pages: 264

ISBN-13: 9781439901380

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Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. Policing Pop looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religious groups to limit expression.The essays collected here focus on the forms of censorship as well as specific instances of how the state and other agencies have attempted to restrict the types of music produced, recorded and performed within a culture. Several show how even unsuccessful attempts to exert the power of the state can cause artists to self-censor. Others point to material that taxes even the most liberal defenders of free speech. Taken together, these essays demonstrate that censoring agents target popular music all over the world, and they raise questions about how artists and the public can resist the narrowing of cultural expression.


Shoot the Singer!

Shoot the Singer!

Author: Marie Korpe

Publisher: Zed Books

Published: 2004-05

Total Pages: 244

ISBN-13: 9781842775059

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This controversial book is the first-ever exploration of music censorship on a worldside level


Parental Advisory

Parental Advisory

Author: Eric D. Nuzum

Publisher: Harper Collins

Published: 2009-10-13

Total Pages: 482

ISBN-13: 0061976733

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Everything You Ever Wanted To Know About The Music Your Parents Never Wanted You To Hear Believe it or not, music censorship in America did not begin with Tipper Gore's horrified reaction to her daughter's Prince album. The vilification of popular music by government and individuals has been going on for decades. Now, for the first time, Parental Advisory offers a thorough and complete chronicle of the music that has been challenged or suppressed -- by the people or the government -- in the United States. From Dean Martin's "Wham, Bam, Thank you Ma'am" to Marilyn Manson's Antichrist Superstar; from freedom fighters such as Frank Zappa and in-your-face rappers such a N.W.A. to crusaders such as Tipper Gore, this intelligent and entertaining book shows how censorship has crossed sexual, class, and ethnic lines, and how many see it as a de facto form of racism. With nearly one hundred fascinating photographs of musicians, record burning, and controversial cover art; illuminating sidebars; and a decade-by-decade timeline of important moments in censorship history, Parental Advisory is by turns frightening and hilarious -- but always revealing.


Music and Manipulation

Music and Manipulation

Author: Steven Brown

Publisher: Berghahn Books

Published: 2006

Total Pages: 398

ISBN-13: 1845450981

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Since the beginning of human civilization, music has been used as a device to control social behavior, where it has operated as much to promote solidarity within groups as hostility between competing groups. Music is an emotive manipulator that influences attitude, motivation and behavior at many levels and in many contexts. This volume is the first to address the social ramifications of music’s behaviorally manipulative effects, its morally questionable uses and control mechanisms, and its economic and artistic regulation through commercialization, thus highlighting not only music’s diverse uses at the social level but also the ever-fragile relationship between aesthetics and morality.


Taboo Tunes

Taboo Tunes

Author: Peter Blecha

Publisher: Hal Leonard Corporation

Published: 2004-04-01

Total Pages: 229

ISBN-13: 1617745111

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In this extensively researched ode to scandal Peter Blecha recounts the travails of musicians who have dared to air unacceptable topics. Filled with several centuries' worth of raunchy sex ditties morbid murder ballads satanic songs paeans to intoxi


'Sing Unto the Lord a New Song--Just Not That One!'

'Sing Unto the Lord a New Song--Just Not That One!'

Author: Jon Edward Bullock

Publisher:

Published: 2015

Total Pages: 0

ISBN-13:

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Like so many of the world's other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church's greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity of Christianity. The following case study highlights the underlying reasons for and effectiveness of music censorship among the current generation of believers. Interviews were conducted with nine individuals who were students at a Free Will Baptist college when it closed its doors in 2013. Eight of the nine students relocated to one of two other Free Will Baptist colleges to continue their education. The purpose of this study is to trace the ways that their views on music and spirituality either changed or stayed the same after they left Gateway and also to provide broader observations about what their experiences say about music censorship in the modern Christian church. As information about the students' experiences with music and spiritual authority is discussed, it becomes apparent that the role of personal experience is just as important as the role of spiritual authority in helping students to forge their own ideas about music and spirituality. It also becomes clear that as the students navigated from one spiritual institution to another, they actually chose to expand their musical preferences far more than they chose to limit them. The research from this case study ultimately suggests that music censorship is not producing the desired effect among Christian young people. Instead of complying with the music standards of those in places of s


Parental Advisory

Parental Advisory

Author: Eric D. Nuzum

Publisher: Turtleback

Published: 2001-04-01

Total Pages:

ISBN-13: 9780613913447

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Discusses the issues that often raise the question of censoring or labeling popular music in the United States, including violence, race, religion, drugs, sex, and political protest, and traces the history of censorship efforts.