A tribute to those 20th Century professional divers who lost their lives whilst playing their part in effecting the extraction of oil and gas from the North Sea, 1971-1999
You can waste a lot of time looking. . . . Or you can pay me to find it for you. Brodie Farrell is a busy woman, what with running her one-woman firm Looking for Something? and raising her daughter. So on her night off, all she wants is to spend a relaxing evening teaching her friend Daniel Hood to drive. But the evening takes a disturbing turn when Daniel hits a young woman who seems to appear out of nowhere. The girl, Alison Barker, is mostly uninjured, but before she runs off she accuses Daniel of trying to kill her. The other man in Brodie's life, Detective Superintendent Jack Deacon, isn't much help; he's too busy investigating a dangerous new drug called Scram. But when Alison Barker turns up at the hospital, not as a result of the car accident but because of the lethal amount of Scram in her system, Jack is forced to get involved. Alison claims that the death of her father, a local purebred horse dealer, was murder---and that unless someone helps her, she'll be next. Brodie once again finds herself torn between the two men in her life---Daniel believes Alison's story, Jack doesn't. It's up to Brodie to infiltrate Alison's world of show jumping and discover the truth herself, before it's too late.
During the summer of 1969-the summer Americans first walked on the moon-musician and poet Patti Smith recalled strolling down the Coney Island Boardwalk to a refreshment stand, where "pictures of Jesus, President Kennedy, and the astronauts were taped to the wall behind the register." Such was the zeitgeist in the year of the moon. Yet this holy trinity of 1960s America would quickly fall apart. Although Jesus and John F. Kennedy remained iconic, by the time the Apollo Program came to a premature end just three years later few Americans mourned its passing. Why did support for the space program decrease so sharply by the early 1970s? Rooted in profound scientific and technological leaps, rational technocratic management, and an ambitious view of the universe as a realm susceptible to human mastery, the Apollo moon landings were the grandest manifestation of postwar American progress and seemed to prove that the United States could accomplish anything to which it committed its energies and resources. To the great dismay of its many proponents, however, NASA found the ground shifting beneath its feet as a fierce wave of anti-rationalism arose throughout American society, fostering a cultural environment in which growing numbers of Americans began to contest rather than embrace the rationalist values and vision of progress that Apollo embodied. Shifting the conversation of Apollo from its Cold War origins to larger trends in American culture and society, and probing an eclectic mix of voices from the era, including intellectuals, religious leaders, rock musicians, politicians, and a variety of everyday Americans, Matthew Tribbe paints an electrifying portrait of a nation in the midst of questioning the very values that had guided it through the postwar years as it began to develop new conceptions of progress that had little to do with blasting ever more men to the moon. No Requiem for the Space Age offers a narrative of the 1960s and 1970s unlike any told before, with the story of Apollo as the story of America itself in a time of dramatic cultural change.
First published in 1981 as the Offshore Information Guide this guide to information sources has been hailed internationally as an indispensable handbook for the oil, gas and marine industries.
Requiem for the Ego recounts Freud's last great attempt to 'save' the autonomy of the ego, which drew philosophical criticism from the most prominent philosophers of the period—Adorno, Heidegger, and Wittgenstein. Despite their divergent orientations, each contested the ego's capacity to represent mental states through word and symbol to an agent surveying its own cognizance. By discarding the subject-object divide as a model of the mind, they dethroned Freud's depiction of the ego as a conceit of a misleading self-consciousness and a faulty metaphysics. Freud's inquisitors, while employing divergent arguments, found unacknowledged consensus in identifying the core philosophical challenges of defining agency and describing subjectivity. In Requiem, Tauber uniquely synthesizes these philosophical attacks against psychoanalysis and, more generally, provides a kaleidoscopic portrait of the major developments in mid-20th century philosophy that prepared the conceptual grounding for postmodernism.
Makine's most ambitious and uncompromising work, "Requiem for a Lost Empire" is a three-generation epic unfolding across 80 years of Russian history, from Czarist times to the fall of Communism. Sweeping readers into a Graham Greene-style thriller that opens up like a sinister Russian doll, this novel rivals the depth and ingenuity of Nabokov and the sweep of Tolstoy.
First published in 2001. The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to 1994. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.