Renaissance Papers 2014

Renaissance Papers 2014

Author: Jim Pearce

Publisher: Boydell & Brewer

Published: 2015-11

Total Pages: 149

ISBN-13: 1571139281

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Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama, particularly Jonson and Marlowe.


Words for Pictures

Words for Pictures

Author: Michael Baxandall

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 216

ISBN-13: 9780300097498

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He offers seven thought-provoking pieces, three of which are new and written specifically for this book. While Baxandall focuses on works of the fifteenth century, his essays transcend this period and show with fresh insight how words match the experience of looking at paintings and sculptures."--BOOK JACKET.


Renaissance Papers 2009

Renaissance Papers 2009

Author: Christopher Cobb

Publisher: Camden House

Published: 2010

Total Pages: 148

ISBN-13: 9781571134271

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'Renaissance Papers' is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The Conference accepts papers on all subjects relating to the Renaissance from scholars all over North America and the world.


Renaissance Papers 2020

Renaissance Papers 2020

Author: Ward J. Risvold

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 155

ISBN-13: 164014112X

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Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.