Longlisted for the PEN/Robert W. Bingham Prize for Debut Short Story Collection Winner of the Raz/Shumaker Prairie Schooner Book Prize in Fiction, the stories in What Isn't Remembered explore the burden, the power, and the nature of love between people who often feel misplaced and estranged from their deepest selves and the world, where they cannot find a home. The characters yearn not only to redefine themselves and rebuild their relationships but also to recover lost loves--a parent, a child, a friend, a spouse, a partner. A young man longs for his mother's love while grieving the loss of his older brother. A mother's affair sabotages her relationship with her daughter, causing a lifelong feud between the two. A divorced man struggles to come to terms with his failed marriage and his family's genocidal past while trying to persuade his father to start cancer treatments. A high school girl feels responsible for the death of her best friend, and the guilt continues to haunt her decades later. Evocative and lyrical, the tales in What Isn't Remembered uncover complex events and emotions, as well as the unpredictable ways in which people adapt to what happens in their lives, finding solace from the most surprising and unexpected sources.
John Barton and Peter Groves present a range of chapters by leading scholarly voices from the worlds of biblical studies and the Church, looking at the study of the New Testament within and around the Church and the impact it has had and can have on Christian theology. The essays in the volume adopt a style of critical engagement with biblical texts, through the prism of a modern and living Church. The focus of the volume is thus not only upon the New Testament itself, but upon how reading the New Testament is important for dialogue within the Church and within Christian denominations. Among the highly distinguished contributors are John Barton, Eric Eve, Mark Goodacre, Christopher Rowland, and Rowan Williams.
Paul Hoover's The Novel is a booklength poem written in response to the author's experience of having his first novel, Saigon, Illinois (Vintage, 1988), published after a mere six months in the making. Hoover examines the privilege of the novelist from the poet's point of view, asking in both astonishment and disappointment: why is the novelist at once the most lordly and common of authors? A mosaic in organization, the poem's thirty parts mix, among others, Shakespeare and deconstructionist "shoptalk" with an account of Graceland when Elvis was alive and a gloss of the mass-market paperback of James M. Cain's The Enchanted Isle, whose heroine Mandy appears in the poem as the fictive author's lover. The Novel presents no dichotomy between pop culture and the intensely literary, resisting closure by replicating the counterpoint speed of obsessive TV channel-changing. "The closer the look one takes at a world/the greater the distance from which it looks back."
This collection of essays, written by a distinguished group of literary critics, explores the Jewish woman's experience in Latin America. It came about as an attempt to define the cultural experience of Jewish Latin American women writers, as well as their relationship with their various countries, included are Ilan Stavans and Magdalena Maiz-Pena writing on Mexico, David William Foster on Argentina, Regina Igel and Nelson Vieira on Brazil, Elizabeth Ross Horan on Chile and Uruguay, Joan Friedman on Venezuela, and Ruth Behar, Ester Shapiro Rok, and Rosa Lowinger on Cuba. As Marjorie Agosin notes, the role of memory for the writers included in this volume is a central theme. The majority of them are daughters of Sephardic or Ashkenazi immigrants, many of whom fled the Holocaust. They write openly about their identity and their hybrid condition as Jews in predominantly Catholic countries, an issue that has not, until recently, been addressed with candor.