From Gainsborough to Constable

From Gainsborough to Constable

Author:

Publisher: Boydell & Brewer

Published: 1991

Total Pages: 102

ISBN-13: 9780851153001

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This is the catalogue to the exhibition held in summer 1991 at Gainsborough House, Sudbury, focusing on Constable and the artists whose work was important to him in his formative years - Gainsborough, Wilson, Beaumont and Farington. This exhibition complements the 1991 Tate Gallery exhibition which omits Constable's early work.


Inquiry Into the Picturesque

Inquiry Into the Picturesque

Author: Sidney K. Robinson

Publisher: University of Chicago Press

Published: 1991-08-13

Total Pages: 212

ISBN-13: 9780226722511

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The aesthetic mode of the picturesque has undergone so many transformations since its initial discussion in eighteenth-century England that it is hard to say just what it is. In these probing essays, Sidney K. Robinson re-examines the picturesque in its late eighteenth-century phase.


The Cries of London

The Cries of London

Author: John Thomas Smith

Publisher: Good Press

Published: 2019-12-06

Total Pages: 122

ISBN-13:

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'The Cries of London' is a compilation of depictions and explanations of town criers, or bellmen, in London, created by John Thomas Smith. Town criers were officials of the royal court or public authority who made public announcements as necessary, and were crucial in communicating news to illiterate townspeople in medieval England before the invention of movable type. They proclaimed everything from royal proclamations and local bylaws to market days, advertisements, and even the sale of sugar loaves. The book provides an insight into the role of town criers in the dissemination of news and information throughout history.


Landscape between Ideology and the Aesthetic

Landscape between Ideology and the Aesthetic

Author: Andrew Hemingway

Publisher: BRILL

Published: 2016-11-28

Total Pages: 515

ISBN-13: 9004269010

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At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.


Painting Out of the Ordinary

Painting Out of the Ordinary

Author: David H. Solkin

Publisher: Paul Mellon Centre for Studies

Published: 2008

Total Pages: 288

ISBN-13:

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With its plethora of illustrations, many of works published here for the first time, 'Painting Out of the Ordinary' will be compulsory reading for anyone interested in British art and society of the Romantic era.


Remarks on Rural Scenery: With Twenty Etchings of Cottages, from Nature: And Some Observations and Precepts Relative to the Pictoresque

Remarks on Rural Scenery: With Twenty Etchings of Cottages, from Nature: And Some Observations and Precepts Relative to the Pictoresque

Author: John Thomas Smith

Publisher: Franklin Classics Trade Press

Published: 2018-11-10

Total Pages: 76

ISBN-13: 9780353150256

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.