Anglo-Saxon Cemeteries
Author: Edmund Southworth
Publisher: Alan Sutton Publishing
Published: 1991
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKGrossbritannien/Irland - Mittelalter - Grab/Gräberfeld - Akten/Kongressbericht.
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The Sutton Hoo Helmet
Author: Sonja Marzinzik
Publisher: British Museum Press
Published: 2007
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOKA warrior's face - the strong brows inlaid with red garnets, the nose and mouth gilded and its surface tinned a silvery colour - this is how the Sutton Hoo helmet once appeared to those who saw it. Beautifully crafted and visually stunning, it would have inspired awe. But it was also fully capable of protecting its wearer in battle. This book explains how it was discovered together with other priceless treasures including a ship in the great mound at Sutton Hoo, Suffolk, by the archaeologist Basil Brown in the late 1930s. He was employed by the owner of the estate, Mrs Edith Pretty, who generously donated the whole find to the British Museum. After painstaking reconstruction, experts were able to compare this very rare helmet to the few others dating to the same period, and also to speculate for whom it might have been created. Today, some 1,400 years after it was buried, it is the centrepiece for the Sutton Hoo burial exhibit in the British Museum - a remarkable testament to Anglo- Saxon power and artistic skill.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
Published: 2005-10-01
Total Pages: 292
ISBN-13: 0892367857
DOWNLOAD EBOOKToday we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Runes and Runic Inscriptions
Author: Raymond Ian Page
Publisher: Boydell & Brewer Ltd
Published: 1998
Total Pages: 370
ISBN-13: 9780851155999
DOWNLOAD EBOOKThe essays that comprise this study range from detailed discussion of the forms of particular runes in the runic alphabet to the wider matters on which runes throw light, such as magic, paganism, literacy and linguistic change.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
Published: 1995-08-24
Total Pages: 241
ISBN-13: 0892363223
DOWNLOAD EBOOKBridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Writing Beyond Pen and Parchment
Author: Ricarda Wagner
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2019-10-21
Total Pages: 348
ISBN-13: 3110645440
DOWNLOAD EBOOKWhat can stories of magical engraved rings or prophetic inscriptions on walls tell us about how writing was perceived before print transformed the world? Writing beyond Pen and Parchment introduces readers to a Middle Ages where writing is not confined to manuscripts but is inscribed in the broader material world, in textiles and tombs, on weapons or human skin. Drawing on the work done at the Collaborative Research Centre “Material Text Cultures,” (SFB 933) this volume presents a comparative overview of how and where text-bearing artefacts appear in medieval German, Old Norse, British, French, Italian and Iberian literary traditions, and also traces the paths inscribed objects chart across multiple linguistic and cultural traditions. The volume’s focus on the raw materials and practices that shaped artefacts both mundane or fantastical in medieval narratives offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture often overlooked.
Margaret of York, Simon Marmion, and The Visions of Tondal
Author: Thomas Kren
Publisher: Getty Publications
Published: 1992-07-16
Total Pages: 273
ISBN-13: 0892362049
DOWNLOAD EBOOKPresented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
A History of Caricature & Grotesque in Literature and Art
Author: Thomas Wright
Publisher:
Published: 1865
Total Pages: 552
ISBN-13:
DOWNLOAD EBOOKThe Early Norman Castles of the British Isles
Author: Ella S. Armitage
Publisher:
Published: 1912
Total Pages: 526
ISBN-13:
DOWNLOAD EBOOKVision, Devotion, and Self-Representation in Late Medieval Art
Author: Alexa Sand
Publisher: Cambridge University Press
Published: 2014-03-31
Total Pages: 433
ISBN-13: 1107032229
DOWNLOAD EBOOKFocuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
