This collection of essays by historians and literary scholars treats English history and culture from the Henrician Reformation to the Glorious Revolution as a single coherent period in which religion is a dominant element in political and cultural life. It seeks to explore the centrality of the religion-politics nexus for this whole period through examining a wide variety of literary and non-literary texts, from plays and poems to devotional treatises, political treatises and histories. It breaks down normal distinctions between Tudor and Stuart, pre- and post-Restoration periods to reveal a coherent (though not all serene and untroubled) post-Reformation culture struggling with major issues of belief, practice, and authority.
These essays by leading historians and literary scholars investigate the role of religion in shaping political, social and literary forms, and their reciprocal role in shaping early modern religion, from the Reformation to the Civil Wars. Reflecting and rethinking the insights of new historicism and cultural studies, individual essays take up various aspects of the productive, if tense, relation between Tudor-Stuart Christianity and culture, and explore how religion informs some of the central texts of English Renaissance literature: the vernacular Bible, Foxe's Acts and Monuments, Hooker's Laws, Shakespeare's plays and sonnets, the poems of John Donne, Amelia Lanyer and John Milton. The collection demonstrates the centrality of religion to sixteenth- and seventeenth-century England, and its influence on early modern constructions of gender, subjectivity and nationhood.
The Oxford History of Protestant Dissenting Traditions, Volume I traces the emergence of Anglophone Protestant Dissent in the post-Reformation era between the Act of Uniformity (1559) and the Act of Toleration (1689). It reassesses the relationship between establishment and Dissent, emphasising that Presbyterians and Congregationalists were serious contenders in the struggle for religious hegemony. Under Elizabeth I and the early Stuarts, separatists were few in number, and Dissent was largely contained within the Church of England, as nonconformists sought to reform the national Church from within. During the English Revolution (1640-60), Puritan reformers seized control of the state but splintered into rival factions with competing programmes of ecclesiastical reform. Only after the Restoration, following the ejection of two thousand Puritan clergy from the Church, did most Puritans become Dissenters, often with great reluctance. Dissent was not the inevitable terminus of Puritanism, but the contingent and unintended consequence of the Puritan drive for further reformation. The story of Dissent is thus bound up with the contest for the established Church, not simply a heroic tale of persecuted minorities contending for religious toleration. Nevertheless, in the half century after 1640, religious pluralism became a fact of English life, as denominations formed and toleration was widely advocated. The volume explores how Presbyterians, Congregationalists, Baptists, and Quakers began to forge distinct identities as the four major denominational traditions of English Dissent. It tracks the proliferation of Anglophone Protestant Dissent beyond England—in Wales, Scotland, Ireland, the Dutch Republic, New England, Pennsylvania, and the Caribbean. And it presents the latest research on the culture of Dissenting congregations, including their relations with the parish, their worship, preaching, gender relations, and lay experience.
The Parish Church was the primary site of religious practice throughout the early modern period. This was particularly so for the silent majority of the English population, who conformed outwardly to the successive religious upheavals of the sixteenth and seventeenth centuries. What such public conformity might have meant has attracted less attention - and, ironically, is sometimes less well documented - than the non-conformity or semi-conformity of recusants, church-papists, Puritan conventiclers or separatists. In this volume, ten leading scholars of early modern religion explore the experience of parish worship in England during the Reformation and the century that followed it. As the contributors argue, parish worship in this period was of critical theological, cultural and even political importance. The volume's key themes are the interlocking importance of liturgy, music, the sermon and the parishioners' own bodies; the ways in which religious change was received, initiated, negotiated, embraced or subverted in local contexts; and the dialectic between practice and belief which helped to make both so contentious. The contributors - historians, historical theologians and literary scholars - through their commitment to an interdisciplinary approach to the subject, provide fruitful and revealing insights into this intersection of private and public worship. This collection is a sister volume to Martin and Ryrie (eds), Private and Domestic Devotion in Early Modern Britain. Together these two volumes focus and drive forward scholarship on the lived experience of early modern religion, as it was practised in the sixteenth and seventeenth centuries.
A study of the representation of reading in early modern Englishwomen's writing, this book exists at the intersection of textual criticism and cultural history. It looks at depictions of reading in devotional works, maternal advice books, poetry, fiction, and manuscripts for evidence of ways in which women conceived of reading in sixteenth- and early seventeenth-century England. Among the texts considered are Katherine Parr, Lamentation of a Sinner; Anne Askew, The Examinations of Anne Askew; Dorothy Leigh, The Mothers Blessing; Elizabeth Grymeston, Miscelanea Meditations Memoratives; Anne Cornwallis's commonplace book (Folger MS V.a.89); Aemelia Lanyer, Salve Deus Rex Judaeorum; The Death and Passion of Our Lord Jesus Christ (Bodleian MS Don.e.17), and Mary Wroth, The First Part of The Countess of Montgomery's Urania.
This original and scholarly work uses three detailed case studies of plays – Shakespeare's Antony and Cleopatra , King Lear and Cymbeline – to cast light on the ways in which early modern writers used metaphor to explore how identities emerge from the interaction of competing regional and spiritual topographies.
The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.
John W. Tweeddale reappraises John Owen's work as a biblical exegete, offering the first analysis of his essays, or “exercitations,” on Hebrews. Owen is frequently acknowledged as a leading figure of the puritan and nonconformist movements of the seventeenth century. However, while his reputation as a statesman, educator, pastor, polemicist, and theologian is widely recognized, he is not remembered as an exegete of Scripture. Yet throughout his life, Owen engaged in the task of biblical interpretation. His massive commentary on Hebrews in particular represents the apex of his career and exemplifies many of the exegetical methods of Protestants in early modern England. Although often overlooked, Owen's writings on Hebrews are an important resource for understanding his life and thought. Beginning with an evaluation of the state of research on Owen's commentary, as well as suggesting reasons for its neglect in current scholarship, Tweeddale then places Owen's work on Hebrews within the context of his life. What follows is a consideration of the function of federal theology in Owen's essays, and how his hermeneutic fits within the broader scope of reformed discussions on the doctrine of covenant. Tweeddale further examines Owen's attempts to resolve the challenge posed by a Christological reading of the Old Testament to a literal interpretation of Scripture. He then explores how Owen's essays represent a refining of the exegetical tradition of the Abrahamic passages in Hebrews, and how his exegesis distinguishes himself from the majority of reformed opinion on the Mosaic covenant. By focusing on the relationship of Christology, covenant theology, and hermeneutics in his commentary, this book argues that neither Owen's biography nor theology can be fully understood apart from his work on Hebrews and efforts in biblical interpretation.
In 1589 the Privy Council encouraged the Archbishop of Canterbury to take steps to control the theatres, which had offended authority by putting on plays which addressed 'certen matters of Divinytie and of State unfitt to be suffred'. How had questions of divinity and state become entangled? The Reformation had invested the English Crown with supremacy over the Church, and religious belief had thus been transformed into a political statement. In the plentiful chronicle literature of the sixteenth-century, questions of monarchical legitimacy and religious orthodoxy became intertwined as a consequence of that demand for a usable national past created by the high political developments of the 1530s. Divinity and State explores the consequences of these events in the English historiography and historical drama of the sixteenth century. It is divided into four parts. In the first, the impact of reformed religion on narratives of the national past is measured and described. Part II examines how the entanglement of the national past and reformed religion was reflected in historical drama from Bale to the early years of James I, and focuses on two paradigmatic characters: the sanctified monarch and the martyred subject. Part III considers Shakespeare's history plays in the light of the preceding discussion, and finds that Shakespeare's career as a historical dramatist shows him eventually re-shaping the history play with great audacity. Part IV corroborates this reading of Shakespeare's later history plays by reference to the dramatic ripostes they provoked.
This collection of fifteen essays looks at the theme of decadence and its recurring manifestations in European literature and literary criticism from medieval times to the present day. Various definitions of the term are explored, including the notion of decadence as physical decay. Some of the essays draw parallels between modernist and postmodernist notions of decadence. Similarities are detected between fin de siècle decadence at the end of the nineteenth century (which reaches its apotheosis in the character of Eugene Wrayburn in Our Mutual Friend) and depictions of decadence in our own age as we enter the new millennium.
