The Mausoleum at Halicarnassus was one of the Seven Wonders of the World. This is the first complete catalogue of its friezes and other decorative reliefs. Detailed descriptions are illustrated by hundreds of previously unpublished photographs. Also discussed are the discovery of the Mausoleum and the controversy about who carved its friezes.
Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people whoused them.
Ancient Cities surveys the cities of the Ancient Near East, Egypt, and the Greek and Roman worlds from the perspectives of archaeology and architectural history, bringing to life the physical world of ancient city dwellers by concentrating on evidence recovered from archaeological excavations. Urban form is the focus: the physical appearance and overall plans of the cities, their architecture and natural topography, and the cultural and historical contexts in which they flourished. Attention is also paid to non-urban features such as religious sanctuaries and burial grounds, places and institutions that were a familiar part of the city dweller's experience. Objects or artifacts that represented the essential furnishings of everyday life are discussed, such as pottery, sculpture, wall paintings, mosaics and coins. Ancient Cities is unusual in presenting this wide range of Old World cultures in such comprehensive detail, giving equal weight to the Preclassical and Classical periods, and in showing the links between these ancient cultures. User-friendly features include: use of clear and accessible language, assuming no previous background knowledge lavishly illustrated with over 300 line drawings, maps, and photos historical summaries, further reading arranged by topic, plus a consolidated bibliography and comprehensive index new to the second edition: a companion website with an interactive timeline, chapter summaries, study questions, illustrations and a glossary of archaeological and historical terms. Visit the website at https://routledgetextbooks.com/textbooks/9780415498647/ In this second edition, Charles Gates has comprehensively revised and updated his original text, and Neslihan Yılmaz has reworked her acclaimed illustrations. Readers and lecturers will be delighted to see a new chapter on Phoenician cities in the first millennium BC, and new sections on Göbekli Tepe, the sensational Neolithic sanctuary; Sinope, a Greek city on the Black Sea coast; and cities of the western Roman Empire. With its comprehensive presentation of ancient Mediterranean and Near Eastern cities, its rich collection of illustrations, and its new companion website, Ancient Cities will remain an essential textbook for university and high school students across a wide range of archaeology, ancient history, and ancient Near Eastern, Biblical, and classical studies courses.
Hellenism and the Local Communities of the Eastern Mediterranean offers a timely re-examination of the relationship between Greek and non-Greek cultures in this region between 400 BCE and 250 CE. The conquests of Alexander the Great and his Successors not only radically reshaped the political landscape, but also significantly accelerated cultural change: in recent decades there has been an important historiographical emphasis on the study of the non-Greek cultures of the Eastern Mediterranean, but less focus on how Greek cultural elements became increasingly visible. Although the process of cross-cultural interaction differed greatly across Asia Minor, Egypt, the Levant, and Mesopotamia, the same overarching questions apply: why did the non-Greek communities of the Eastern Mediterranean engage so closely with Greek cultural forms as well as political practices, and how did this engagement translate into their daily lives? In exploring the versatility and adaptability of Greek political structures, such as the polis, and the ways in which Greek and non-Greek cultures interacted in fields such as medicine, literature, and art, the essays in this volume aim to provide new insight into these questions. At the same time, they prompt a re-interrogation of the process of Hellenization, exploring whether it is still a useful concept for explaining and understanding the dynamics of cultural exchange in the Eastern Mediterranean of this period.
Hellenistic courts were centres of monarchic power, social prestige and high culture in the kingdoms that emerged after the death of Alexander. They were places of refinement, learning and luxury, and also of corruption, rivalry and murder. Surrounded by courtiers of varying loyalty, Hellenistic royal families played roles in a theatre of spectacle and ceremony. Architecture, art, ritual and scholarship were deployed to defend the existence of their dynasties. The present volume, from a team of international experts, examines royal methods and ideologies. It treats the courts of the Ptolemies, Seleucids, Attalids, Antigonids and of lesser dynasties. It also explores the influence, on Greek-speaking courts, of non- Greek culture, of Achaemenid and other Near Eastern royal institutions. It studies the careers of courtesans, concubines and 'friends' of royalty, and the intellectual, ceremonial, and artistic world of the Greek monarchies. The work demonstrates the complexity and motivations of Hellenistic royal civilisation, of courts which governed the transmission of Greek culture to the wider Mediterranean world - and to later ages.
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
