The material which served as the basis for the rhymes in this book came from real-life experiences and observations in an environment which well-represents the stereotype of those we often refer to as rednecks. Their behaviors, interests, beliefs, and accomplishments are not always seen by the general population as typical, but for them, their beliefs and actions are quite reasonable and completely understood and respected by their peers, as it is their way of life.
In this collection of poems, farmers, fathers, poverty-stricken pioneers, and people blackened by the grist of the sugar mills are exposed to the blazing midday sun of Murray's linguistic powers. Richly inventive, tenderly perceptive, and fiercely honest, these poems surprise and bare the human in all of us.
Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic. Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language. A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.
Views of the modern Southern woman which never underestimate the influence of two hundred years of traditions about what it means to be a woman, a Southerner, and, most specially, a Southern woman.
"I can't remember when I've learned as much from something I've read—or laughed as much while doing it." —Jacob Weisberg, Slate This international bestseller is an encyclopedic A-Z masterpiece—the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
These rhymes take the reader along some Country Roads chosen and taken by the Bessie Hardy family and friends in the tiny coal mining town of Squire, West Virginia in the 1930-1960 era. The general intent was to selectively portray people and events from a boyhood perspective with some rhymes featuring fictitious "carbide" to perhaps represent a different person or idea within each of such rhymes.
"In this text, author and editor David Fillingim turns his attention to the West - West Georgia that is. This book examines how the contemporary cowboy poetry revival that sprung up in 1985 in Elko, Nevada, has borne fruit in the Peach State. First, Fillingim traces the history of cowboy poetry and its emergence as a cultural phenomenon. Then he recounts the story of how Georgia became home to a vibrant cowboy poetry scene. But the largest part of the book is an anthology of poems by some of the finest cowboy poets anywhere, and they all happen to be in Georgia." "As celebrated cowboy-poet Doris Daley says in the preface, "everywhere is west of somewhere". So settle in, and travel with Fillingim to someplace west of wherever you are, and enjoy this unique combination of shrewd scholarly analysis and heartwarming cowboy poetry." --Book Jacket.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
