Rediscovering the Harlem Renaissance

Rediscovering the Harlem Renaissance

Author: Eloise E. Johnson

Publisher: Taylor & Francis

Published: 1997

Total Pages: 184

ISBN-13: 9780815322788

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This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.


Lost Plays of the Harlem Renaissance, 1920-1940

Lost Plays of the Harlem Renaissance, 1920-1940

Author: James V. Hatch

Publisher: Wayne State University Press

Published: 1996-10-01

Total Pages: 472

ISBN-13: 081433833X

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A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context.


Double-take

Double-take

Author: Venetria K. Patton

Publisher: Rutgers University Press

Published: 2001

Total Pages: 678

ISBN-13: 9780813529301

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In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay


Black Culture and the Harlem Renaissance

Black Culture and the Harlem Renaissance

Author: Cary D. Wintz

Publisher:

Published: 1996

Total Pages: 296

ISBN-13:

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Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it. First published in 1988, Black Culture and the Harlem Renaissance examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social and intellectual history of early twentieth-century America. He begins with Booker T. Washington, W. E. B. Du Bois, and others whose work broke barriers for the Renaissance writers to come. With an emphasis on social issues--like writers and politics, the role of black women, and the interplay between black writers and the white community--Wintz traces the rise and fall of the movement. Of special interest is material from the Knopf Collection and the papers of several Renaissance figures acquired by the Harry Ransom Humanities Research Center at the University of Texas at Austin. It reveals much of interest about the relationship between the publishing world, its writers, and their patrons--both black and white.


The Harlem Renaissance

The Harlem Renaissance

Author: Steven Watson

Publisher: Pantheon

Published: 1995

Total Pages: 248

ISBN-13:

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The first book in the Circles of the Twentieth Century series which focuses on writers, artists, poets, hostesses and patrons who played a role in moderism as we know it. Watson explores the lively and fascinating people who helped bring about what became known as the Harlem Renaissance of the 1920s.


Encyclopedia of the Harlem Renaissance: A-J

Encyclopedia of the Harlem Renaissance: A-J

Author: Cary D. Wintz

Publisher: Taylor & Francis

Published: 2004

Total Pages: 696

ISBN-13: 9781579584573

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From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedia of Harlem Renaissance website.


The Harlem Renaissance in American History

The Harlem Renaissance in American History

Author: Ann Gaines

Publisher: Enslow Publishing

Published: 2002

Total Pages: 116

ISBN-13: 9780766014589

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Examines the cultural movement that historians today refer to as the Harlem Renaissance. Out of this era emerged such well-known voices as Alain Locke, Langston Hughes, Zora Neale Hurston, Marcus Garvey, W.E.B. Dubois, and Duke Ellington among others.


Shadowed Dreams

Shadowed Dreams

Author: Maureen Honey

Publisher: Rutgers University Press

Published: 2006

Total Pages: 374

ISBN-13: 0813538866

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This revised and expanded version of the collection contains twice the number of poems found in the original, many of them never before reprinted, and adds eighteen new female voices from the Harlem Renaissance, once again striking new ground in African American literary history. Also new to this edition are nine period illustrations and updated biographical introductions for each poet. Shadowed Dreams features new poems by Gwendolyn B. Bennett, Anita Scott Coleman, Mae V. Cowdery, Blanche Taylor Dickinson, Alice Dunbar-Nelson, Jessie Redmon Fauset, Angelina Weld Grimké, Gladys May Casely Hayford (a k a Aquah Laluah), Virginia Houston, Georgia Douglas Johnson, Helene Johnson, Effie Lee Newsome, Esther Popel, and Anne Spencer, as well as writings from rediscovered poets Carrie Williams Clifford, Edythe Mae Gordon, Alvira Hazzard, Gertrude Parthenia McBrown, Beatrice M. Murphy, Lucia Mae Pitts, Grace Vera Postles, Ida Rowland, and Lucy Mae Turner, among others.