Redeeming features is a collection of the author's writings, where he visits Cato Manor (on foot), delves into the crime and emigration situation and interviews key media people.
Nicky Haslam has always been at the centre of things wherever he is - at parties, opening nights, royal weddings - and has stories to tell of crossing paths, and more, with the cultural icons of our time: Cecil Beaton, Francis Bacon, Diana Cooper, Lucian Freud, David Hockney, Andy Warhol, Jack Kennedy and Marilyn Monroe to name but a few. Redeeming Features is an exuberantly told and stunningly crafted memoir: a compelling and wholly singular document of our times.
The first full-length book by and about one of the most important performance artists working today, this collection brings together a 'best of' selection of the myriad articles written about Baker's work by various writers and academics including Marina Warner and Griselda Pollock.
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Actors' and Performers' Yearbook 2024 is fully updated and includes a newly commissioned article by actor Mark Weinman, a new foreword, 4 new interviews by casting director Sam Stevenson, giving timely advice in response to today's fast-changing industry landscape, and an article by Paterson Joseph.
Until recently, philosophers have discussed evil primarily in theodicial contexts in pondering why a perfect God does not abolish evil. Evil, Political Violence, and Forgiveness: Essays in Honor of Claudia Card reflects a burgeoning interest among philosophers in a broader array of ethical and political questions concerning evils. Written in tribute to Claudia Card_whose distinguished academic career has culminated in the development of a new theory of evil_this collection of new essays explores the concept of evil, the multifaceted harms of brutal political violence, and the appropriateness of forgiveness as an ethical response to evils. Evil, Political Violence, and Forgiveness brings together an international cohort of distinguished philosophers who mediate with Card upon an array of twentieth-century atrocities and on the nature of evil actions, persons, and institutions. Contributors explore questions such as 'What distinguishes evil from lesser wrongdoing?' 'Is culpable wrongdoing a necessary component of evil?' 'How are we to understand atrocious political violence?' 'What are the best moral and political responses to atrocities?' 'Are there moral obligations to forgive contrite perpetrators of evils?' and 'Can anyone claim moral innocence amid a climate of evildoing?'
This helpful book for college-bound students presents and defines more than 250 words that appear in the verbal portions of the ACT exam. Also included are real test taker’s anecdotes, memory tips, review exercises, and an alphabetical word index. Lessons provide numerous illustrative sentences using vocabulary relevant to the ACT English, Reading, and Writing tests. College-bound students who successfully complete the book’s exercises and master these words will expand their lifelong vocabulary, enrich their essay writing and speaking, and improve their chances for acceptance at the colleges of their choice.
This collection embodies a debate that explores what could be characterised as the tension between judging and understanding. It seems that after a particular threshold of understanding of the basic facts leading to a given moral transgression, the more we understand the context and motives leading to crime, the more likely we are to abstain from harsh retributive judgement. Martha Nussbaum’s essay ‘Equity and Mercy’, included in this collection, is the philosophical starting point of this debate, and Bernhard Schlink’s novel The Reader - a novel exploring the tension between judging and understanding, among other things - is used as a case study by most contributors. Some contributors, situated at one end of the spectrum of views represented in this collection, argue for the wholesale elimination of our practices of retribution in the light of the tension between judging and understanding, while contributors on the other side of the spectrum argue that the tension does not actually exist. A whole array of intermediate positions, including Nussbaum’s, are represented. This anthology is comprised of nearly all specially commissioned essays bringing together work dealing with the moral, metaphysical, epistemological and phenomenological issues required for properly understanding whether in fact there is a tension between judging and understanding and what the moral and legal implications may be of accepting or rejecting this tension.
Bereavement is often treated as a psychological condition of the individual with both healthy and pathological forms. However, this empirically-grounded study argues that this is not always the best or only way to help the bereaved. In a radical departure, it emphasises normality and social and cultural diversity in grieving. Exploring the significance of the dying person’s final moments for those who are left behind, this book sheds new light on the variety of ways in which bereaved people maintain their relationship with dead loved ones and how the dead retain a significant social presence in the lives of the living. It draws practical conclusions for professionals in relation to the complex and social nature of grief and the value placed on the right to grieve in one’s own way – supporting and encouraging the bereaved person to articulate their own experience and find their own methods of coping. Based on new empirical research, Bereavement Narratives is an innovative and invaluable read for all students and researchers of death, dying and bereavement.