Using material from Hollywood insiders, the authors trace the growth of the Communist Party from the 1920s, when stars like Charlie Chaplin and Groucho Marx toured the Soviet Union and came back converted, through the 1930s and the war years, when the party achieved critical mass in Hollywood.
This engrossing tale of intrigue, passion, betrayal, and violence uncovers the true face of communism in Southern California, and names writers and actresses who were seduced by the party's philosophy.
"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review “In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.” —Andrew Solomon, author of Far from the Tree and The Noonday Demon An eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer. The scenario changed when Nazi Germany invaded the Soviet Union in 1941, making Russia a short-lived ally. The Soviets were quickly glorified in such films as Song of Russia, The North Star, Mission to Moscow, Days of Glory, and Counter-Attack. But once the Iron Curtain fell on Eastern Europe, the scenario changed again. America was now swarming with Soviet agents attempting to steal some crucial piece of microfilm. On screen, the atomic detonations in the Southwest produced mutations in ants, locusts, and spiders, and revived long-dead monsters from their watery tombs. The movies did not blame the atom bomb specifically but showed what horrors might result in addition to the iconic mushroom cloud. Through the lens of Hollywood, a nuclear war might leave a handful of survivors (Five), none (On the Beach, Dr. Strangelove), or cities in ruins (Fail-Safe). Today the threat is no longer the Soviet Union, but international terrorism. Author Bernard F. Dick argues, however, that the Soviet Union has not lost its appeal, as evident from the popular and critically acclaimed television series The Americans. More than eighty years later, the screen is still red.
An international film festival sparks a cross-cultural romance sparks in this novel of cultural history, ethnic tensions, and the power of love. Aisha and Benjamin meet at a film festival in Spain, and the instant attraction hits them both like a lightning bolt. She is a documentary filmmaker, and he is a historian. She is a Muslim, and he is a Jew. And as they get closer, the misunderstanding between them, and the tensions between their two worlds, escalates to dizzying extremes. Red Star, Crescent Moon mixes contemporary and the historical worlds in a bold tale of clashing cultures. It is a tale of new romance and ancient conflicts, where pop culture and political violence exist side by side. The romance of Aisha and Benjamin is set against the backdrop of a Hollywood epic in production, a movie megastar with seductive intentions, and terrorists who wish to reclaim Spain for Islam.
Audrey Hepburn, Humphrey Bogart, Gregory Peck, Rita Hayworth, Marilyn Monroe—the brightest stars of the silver screen couldn't resist curling up with a good book. This unique collection of rare photographs celebrates the joy of reading in classic film style. The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more. Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, here's a real page-turner for booklovers and cinephiles.
If you could get a star on the Hollywood Walk of Fame for anything at all, what would it be? This writing assignment, given out in Ms. Hart's tenth-grade creative writing class, sparks a group of nine students to tell his/her own story. Readers are introduced to Jake and Shante's interracial romance, Carlos' fear of deportation, and Sunday's determination after being sexually assaulted. These teens persevere through hardship and heartache, laughter and love, and in the end, their voices shine through inspiring journal entries that answer the question in unusual and unexpected ways. Once again, Brenda Woods shows a keen understanding of the teenage psyche, as she did in Emako Blue, winner of the 2005 IRA Children?s Choice Young Adult Fiction Award.
This collection of interviews, all conducted by the author, focuses on the children of Hollywood legends. Each child (and, in one case, grandchild) talks about the joys and difficulties of growing up in the shadow of the Hollywood spotlight. While some were significantly influenced by their famous parents and chose a career in entertainment, others felt no attraction toward the glamour of Tinseltown fame. Among the interviewees are the offspring of such major stars as Errol Flynn, Gary Cooper, Ingrid Bergman, Jimmy Stewart and Rosalind Russell, as well as such prominent supporting players as Jack Elam, Gene Lockhart, Billy Barty and Jesse White. The collection also includes a list of books and/or websites published by the children of the actors featured.
How political paranoia shaped cinema for a decade: “One of the most readable and damning accounts of that period.” —The Guardian This is the story of how the politicians took Tinseltown to task in the late 1940s and 1950s. As the Cold War with the Soviet Union began in earnest, the search for “Reds under the bed,” later led by Senator Joseph McCarthy, was felt most keenly in Hollywood, where the investigations were carried out under the full glare of the spotlights. Painstakingly researched and drawing on numerous exclusive interviews, this book charts the generation of actors who found their livelihood ruined by being blacklisted and the writers forced to hire “fronts” to continue to work; it reveals how Arthur Miller was offered the chance to have his hearing dropped in return for a photo opportunity with Marilyn Monroe; and how Kirk Douglas’s naming of Dalton Trumbo as the writer of Spartacus signaled the end of this extraordinary era. Witch Hunt in Hollywood is the definitive account of how political paranoia shaped cinema for a decade.