This is a highly entertaining, fast -moving, vibrant account of the life of a man who didn't always take the obvious pathways, but always made the most of the pathways he found himself along. This book offers a great deal of colorful detail about the boy's earliest days as a hardscrabble kid growing up in a big California family, through his high-spirited youth and all through his adult years, including great swaths of thrill-seeking time spent in South and Central America. We meet a great many characters from his life and are privy to the various escapades in which the lot of them engage.
Bestselling author Frank McKinney boldly enters young reader fiction in this deeply imaginative fantasy sure to race and gladden the hearts of all readers. The story was inspired by the more than one thousand walks to school the author has shared with his daughter and her friends in real life. Come along with them into the imaginative world of Dead Fred, Flying Lunchboxes, and the Good Luck Circle! Thirteen-year-old Ppeekk (pronounced 'Peekie') finds a very small, very flat, very dead fish. When he comes to life in her hand, he has an amazing story to tell. In the brilliant underwater world called High Voltage, manatees talk, starfish sing, and practical-joking clownfish encourage children to launch their lunchboxes off the bridge. Now the fiendish Megalodon, a fifty-foot prehistoric shark, has laid siege to High Voltage and dethroned King Frederick the Ninth (whom Ppeekk calls "Dead Fred"). The monster reigns amphibiously under the old drawbridge with his army of crabs and blood-red remora fish, whose suckers drain victims' joy and imagination. Ppeekk hides Dead Fred in the only safe place she can think of: the usher's coat room at church. As she grows to know Fred, she learns to trust and love him. Unlike her parents, he listens to her and counsels her. Dead Fred trusts Ppeekk, too. In fact, he has a big favor to ask. Can she help him save High Voltage from the evil Megalodon? Ppeekk and her friends use everything they've got to lure the evil beast to his demise—exploding coconut bombs, strangler fig lassos, even themselves as human bait—to vanquish Megalodon and his rogue army. In the climactic scene, they fight the battle of their lives in a Category-5 hurricane . . . Will they be able to save Dead Fred and High Voltage? Read Dead Fred, Flying Lunchboxes, and the Good Luck Circle to find out!
A crime and a six-decade cover-up: the death of a fashion designer in the cesspit of vice and violence that was 1950s London. In 1954, Jean Mary Townsend was strangled with her own scarf and stripped of her underwear but not sexually assaulted. The subsequent police investigation was bungled, leading to a six-decade cover-up, ensuring that this twenty-one-year-old fashion designer was effectively killed twice: first bodily, and then as her significance and her memory were erased. Fred Vermorel's forensic, troubling (and trouble-making) investigation digs deep into Jean Townsend's life and times, and her transgressive bohemian milieu. It disentangles the lies and bluffs that have obscured this puzzling case for over half a century and offers a compelling solution to her murder and the official secrecy surrounding it. More than just a true crime story, Vermorel's investigation deploys Townsend's death as a wild card methodology for probing the 1950s: a cesspit of vice and violence, from coprophiles to bombsite gangs and flick knives in the cinema. Densely illustrated with archival material, Dead Fashion Girl is a heavily researched, darkly curious exposé of London's 1950s society that touches on celebrity, royalty, the postwar establishment, and ultimately, tragedy.
Winner of the National Book Critics Circle Award for Autobiography, this is a brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the heart of this beautiful and confounding land into its darkest corners and brightest clearings. Farewell, Fred Voodoo is a journey into the depths of the human soul as well as a vivid portrayal of the nation’s extraordinary people and their uncanny resilience. Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.
Fred Minnick spent more than a year in Iraq as a U.S. Army public affairs photojournalist, covering the good, bad and ugly sides of the conflict. With a Nikon in one hand and an M-16 in the other, he accompanied combat troops on missions ranging from raids on suspected terrorist strongholds to public relations events including the opening of a school for girls. Some of the stories made it back home, most did not.Camera Boy offers an eye-witness account of the Iraq War from a soldier with a different POV--from behind a camera and typewriter. Unfortunately, being assigned to public affairs did not shield Staff Sergeant Minnick from the horrors of war--including the deaths of two close friends--or from the devastating effects of PTSD upon his return home.It is a story of courage, frustration (with both the military and the mainstream media), dedication and redemption. Includes more than 40 black and white photos taken by the author.
