Recueil factice d'articles de presse sur le Cinéma et l'Etat, 1917-1946
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Total Pages: 36
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DOWNLOAD EBOOKAuthor: Nic Leonhardt
Publisher: Palgrave Macmillan
Published: 2022-09-30
Total Pages: 0
ISBN-13: 9783030763572
DOWNLOAD EBOOKTheatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Author: Charles O’Brien
Publisher: Indiana University Press
Published: 2005-01-18
Total Pages: 222
ISBN-13: 9780253217202
DOWNLOAD EBOOKA groundbreaking look at the transition to sound in the French Cinema.
Author: Bernard Knox
Publisher: Yale University Press
Published: 1998-01-01
Total Pages: 304
ISBN-13: 9780300074239
DOWNLOAD EBOOKExamines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
Author: Susan Hayward
Publisher: Psychology Press
Published: 2005
Total Pages: 417
ISBN-13: 0415307821
DOWNLOAD EBOOKThis revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.
Author: Dina Sherzer
Publisher: University of Texas Press
Published: 1996
Total Pages: 278
ISBN-13: 9780292777033
DOWNLOAD EBOOKIn this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France’s colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the cohabitation of former colonial subjects with the French in France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.
Author: C. G. Crisp
Publisher: Indiana University Press
Published: 1993
Total Pages: 522
ISBN-13: 9780253315502
DOWNLOAD EBOOKColin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Author: Tino Balio
Publisher: Univ of California Press
Published: 1995
Total Pages: 500
ISBN-13: 9780520203341
DOWNLOAD EBOOKThe advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.