Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.
A leading economic historian traces the evolution of American capitalism from the colonial era to the present—and argues that we’ve reached a turning point that will define the era ahead. “A monumental achievement, sure to become a classic.”—Zachary D. Carter, author of The Price of Peace In this ambitious single-volume history of the United States, economic historian Jonathan Levy reveals how capitalism in America has evolved through four distinct ages and how the country’s economic evolution is inseparable from the nature of American life itself. The Age of Commerce spans the colonial era through the outbreak of the Civil War, and the Age of Capital traces the lasting impact of the industrial revolution. The volatility of the Age of Capital ultimately led to the Great Depression, which sparked the Age of Control, during which the government took on a more active role in the economy, and finally, in the Age of Chaos, deregulation and the growth of the finance industry created a booming economy for some but also striking inequalities and a lack of oversight that led directly to the crash of 2008. In Ages of American Capitalism, Levy proves that capitalism in the United States has never been just one thing. Instead, it has morphed through the country’s history—and it’s likely changing again right now. “A stunning accomplishment . . . an indispensable guide to understanding American history—and what’s happening in today’s economy.”—Christian Science Monitor “The best one-volume history of American capitalism.”—Sven Beckert, author of Empire of Cotton
Richter's History and Records of Base Ball, the American Nation's Chief Sport, originally published in 1914, is the most comprehensive and ambitious among the early books about baseball. "This volume," Richter writes, "is designed to supply the growing need of a concise, yet complete, record of our National Game" and "to serve this purpose in such a form as to make it valuable, possibly indispensable, as a book of special information, of ready reference, and of general interest to all love's and students of the great game." The book is divided into three parts. Part I covers the origins of baseball, the first professional league, the National and American leagues, the American Association, baseball tours, warring leagues, the World Series, and the minor leagues. Part II includes team and individual performance records through 1914, Richter's takes on the great pitchers of early baseball, and brief commentary on two classic poems inspired by the game. Part III includes the history and text of the first National Agreement, the development of baseball playing rules, and information on the pioneering players, owners, executives, and writers.
Although it concentrates on Chicano soul music in San Antonio and the Los Angeles area, this book also covers the music scene in Albuquerque, Phoenix, Dallas, El Paso, and other locations.
This volume is part of a series of annotated bibliographies on early American history, including North America and the Caribbean, from 1492 to 1815. It includes monographs, reference works, exhibition catalogues, and essay collections published between 1951 and 1960, which were reviewed in at least one of thirty-four historical journals. Each entry gives the name of the book, its author(s) or editor(s), publisher, date of publication, OCLC number(s), the Library of Congress call number, the Dewey class number, the number of times the book has been cited in the journal literature, and the number of OCLC member libraries that held the item as of August 2005. Following each detailed citation is a brief summary of the book and a list of journals in which the book has been reviewed. This volume contains chapters on general early American history, historiography and public history, geography and exploration, colonization, maritime history, Native Americans, race and slavery, gender, ethnicity, migration, labor and class, economics and business, society, families and children, rural life and agriculture, urban life, religion, the American Revolution, the War of 1812, the Constitution, politics and government, law, crime and punishment, diplomacy, military, ideas, literature, communication, education, science and medicine, visual arts and material culture, and performing arts. This volume is part of a series of annotated bibliographies on early American history, including North America and the Caribbean, from 1492 to 1815. It includes monographs, reference works, exhibition catalogues, and essay collections published between 1951 and 1960, which were reviewed in at least one of thirty-four historical journals. Each entry gives the name of the book, its author(s) or editor(s), publisher, date of publication, OCLC number(s), the Library of Congress call number, the Dewey class number, the number of times the book has been cited in the journal literature, and the number of OCLC member libraries that held the item as of August 2005. Following each detailed citation is a brief summary of the book and a list of journals in which the book has been reviewed. This volume contains chapters on general early American history, historiography and public history, geography and exploration, colonization, maritime history, Native Americans, race and slavery, gender, ethnicity, migration, labor and class, economics and business, society, families and children, rural life and agriculture, urban life, religion, the American Revolution, the War of 1812, the Constitution, politics and government, law, crime and punishment, diplomacy, military, ideas, literature, communication, education, science and medicine, visual arts and material culture, and performing arts. Through this volume, Irwin aims to make scholars, teachers, and students of early American history aware of books written in the field between 1951 and 1960. He offers descriptions and location aids for those works, and he directs users to reviews of the books. He also suggests which works in the field have had significant scholarly impact. This volume may boast extensive indexes by subject and author, thematic chapters, book summaries that cover subject matter, scope and, often, argument and approach, and OCLC accession numbers to aid in edition identification and book location.
In Recording History, Peter Martland uses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931. A work of economic and cultural history that draws on a vast range of quantitative data, it surveys the commercial and business activities of the British record industry like no other work of recording history has before. Martland's study charts the successes and failures of this industry and its impact on domestic entertainment. Showcasing its many colorful pioneers from both sides of the Atlantic, Recording History is first and foremost an account of The Gramophone Company Ltd, a precursor to today's recording giant EMI, and then the most important British record company active from the late 19th century until the end of the second decade of the twentieth century. Martland's history spans the years from the original inventors through industrial and market formation and final take-off--including the riveting battle in recording formats. Special attention is given to the impact of the First World War and the that followed in its wake. Scholars of recording history will find in Martland's study the story of the development of the recording studio, of the artists who made the first records (from which some like Italian opera tenor Enrico Caruso earned a fortune), and the change records wrought in the relationship between performer and audience, transforming the reception and appreciation of musical culture. Filling a much-needed gap in scholarship, Recording History documents the beginnings of the end of the contemporary international record industry.
This book, originally published in 1977, is a survey of European historiography from its origins in the historians of Greece and Rome, through the annalists and chroniclers of the middle ages, to the historians of the late eighteenth century. The author concentrates on those writers whose works fit into a specific category of writing, or who have inlfuence the course of later historical writing, though he does deal with some of the more specialist forms of medieval historiography such as the crusading writers, and chivalrous historians like Froissart. He maintains that ‘modern’ history did not develop until the 18th Century.
Deborah Willis has produced a work that is a celebration of African-American life, identity and history. Insightful and profound essays and photographs reveal the strength and cohesion of African-Americans and their dauntless struggles for self-expression and survival.