From the author of the acclaimed Blood Water Paint, a new contemporary YA novel in prose and verse about a girl struggling with guilt and a desire for revenge after her sister's rapist escapes with no prison time. Em Morales's older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts--a remarkable verdict that Em felt more than a little responsible for, since she was her sister's strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em's family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family's world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence makes her want to learn "how to use a sword" goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.
In text and photographs, Reinhart examines the 1988 Yellowstone fires and their aftermath: smoke-shrouded skies, flaming forests, and fireballs that have been replaced by wildflowers, aspen stands, and rare Bicknell's geraniums. Reinhart also explores what the answers are to the burning questions of 1988: Would fire kill Yellowstone's forests? Would wildlife populations recover? Would Yellowstone itself recover?
Focusing on the ninth to the fourteenth centuries, this study analyzes the ways in which relics functioned as material media for the interactions of Buddhist clerics, the imperial family, lay aristocrats, and warrior society and explores the multivocality of relics by dealing with specific historical examples. Brian Ruppert argues that relics offered means for reinforcing or subverting hierarchical relations. The author's critical literary and anthropological analyses attest to the prominence of relic veneration in government, in lay practice associated with the maintenance of the imperial line and warrior houses, and in the promotion of specific Buddhist sects in Japan.
Aside from her dad, who passed away when she was six, Cassidy Jameson has only ever trusted one man: her best friend, Tyler. So of course she follows him to Texas when he leaves for college. She just didn't expect to be so drawn to their new roommate, Gage, a gorgeous guy with a husky Southern drawl. The only problem? He's Tyler's cousin. Gage Carson was excited to share an apartment off campus with his cousin. He didn't mind that Tyler was bringing the mysterious friend he'd heard about since they were kids . . . until the most beautiful girl he's ever seen jumps out of his cousin's Jeep. There's something about Cassi that makes Gage want to give her everything. Too bad Tyler has warned him that she's strictly off-limits. Despite everything keeping them apart, Cassi and Gage dance dangerously close to the touch they've both been craving. But when disaster sends her running into Tyler's arms, Cassi will have to decide whether to face the demons of herpast . . . or to burn her chance at a future with Gage.
An account of the violence and repression that defined the murderous Guatemalan civil war of the 1980s. Manz, an anthropologist, spent over two decades studying the Mayan highlands and remote rain forests of Guatemala. In a political portrait of Santa María Tzejá, where highland Maya peasants seeking land settled in the 1970s, Manz describes these villagers' plight as their isolated, lush, but deceptive paradise became one of the centers of the war convulsing the entire country. After their village was viciously sacked in 1982, desperate survivors fled into the surrounding rain forest and eventually to Mexico, and some even further, to the United States, while others stayed behind and fell into the military's hands. Manz follows their flight and eventual return to Santa María Tzejá, where they sought to rebuild their village and their lives. From publisher description.
The world is blanketed in ash. Gaia is gone, but she left specific instructions for the Champions with each of their corresponding elements. With careful timing and placement, she has orchestrated the perfect rebirth for Earth. Her magic is set to let the planet heal at a proper pace and her faith is placed in the Champions for a graceful resurrection of humanity. Little do they realize, they are not alone and a grave opposition is buried beneath the ruins. While the Champions and their followers were the only humans meant to endure the purge, pockets of unintended survivors manage to slip beneath the radar of Gaia's rage. Buried beneath the ash, they emerge months after the fallout, confused and determined to rebuild. Their goals do not align with that of nature and their presence in the new world will be a test of the Champions' resolve. Can they unite and join forces for the greater good? Or will their opposing outlooks for the rebuild of Earth cause tragic tensions? Though the Champions evolve rapidly into their elements with the help of Gaia's magic, it may not be enough to stop the force of all those who awoke, scorned and betrayed, beneath fields of ashes.
A sweeping history of twentieth-century Europe that examines its unprecedented destruction—and abiding promise A sweeping history of twentieth-century Europe, Out of Ashes tells the story of an era of unparalleled violence and barbarity yet also of humanity, prosperity, and promise. Konrad Jarausch describes how the European nations emerged from the nineteenth century with high hopes for continued material progress and proud of their imperial command over the globe, only to become embroiled in the bloodshed of World War I, which brought an end to their optimism and gave rise to competing democratic, communist, and fascist ideologies. He shows how the 1920s witnessed renewed hope and a flourishing of modernist art and literature, but how the decade ended in economic collapse and gave rise to a second, more devastating world war and genocide on an unprecedented scale. Jarausch further explores how Western Europe surprisingly recovered due to American help and political integration. Finally, he examines how the Cold War pushed the divided continent to the brink of nuclear annihilation, and how the unforeseen triumph of liberal capitalism came to be threatened by Islamic fundamentalism, global economic crisis, and an uncertain future. A gripping narrative, Out of Ashes explores the paradox of the European encounter with modernity in the twentieth century, shedding new light on why it led to cataclysm, inhumanity, and self-destruction, but also social justice, democracy, and peace.
*After her rebirth, in order to completely avenged her past life she decide to become more and more unscrupulous. But she do not know there is a man she had taken a fancy to in her previous life become addicted to her in this life! He was the young commander of an empire that others had spoken of as being extremely powerful and aloof. Yet, he was competing against her.so as to let her fall into his trap step by step and willingly spend the rest of her life with him, he allowed her to cause trouble under his nose and behave atrociously above his head! " Young Marshal has two classic aphorisms." "First of all, everything my wife said is true." "Second, if wrong, refer to the first sentence.