Polly Price didn't think it was possible for her actress mother, Arabella Diamonte, to be any more embarrassing than on the trip to San Francisco last summer. That is until she agrees to take part in a television programme called Celebrity Home Watch and a camera crew arrives at their home to film. Her mother lacks volume control at the best of times, so this is truly a reality tv nightmare - with no escape for Polly! Dee Shulman has created a real hit for young readers with her charming full-colour illustrations and interactive concept.
Polly Price didn't think it was possible for her actress mother, Arabella Diamonte, to be any more embarrassing than on the trip to San Francisco last summer. That is until she agrees to take part in a television programme called "Celebrity Home Watch" and a camera crew arrives at their home to film. Her mother lacks volume control at the best of times, so this is truly a reality TV nightmare - with no escape for Polly!
Polly Price didn't think it was possible for her actress mother, Arabella Diamonte, to be any more embarrassing than on the trip to San Francisco last summer. That is until she agrees to take part in a television programme called "Celebrity Home Watch" and a camera crew arrives at their home to film. Her mother lacks volume control at the best of times, so this is truly a reality TV nightmare - with no escape for Polly!
How do reality television programs shape our view of the world and what we perceive as real and normal? This book explores the bizarre and highly controversial world of reality television, including its early history, wide variety of subject matter, and social implications. In recent decades, reality television shows ranging from Keeping up with the Kardashians to Duck Dynasty have become increasingly popular. Why are these "unscripted" programs irresistible to millions of viewers? And what does the nearly universal success of reality shows say about American culture? This book covers more than 100 major and influential reality programs past and present, discussing the origins and past of reality programming, the contemporary social and economic conditions that led to the rise of reality shows, and the ways in which the most successful shows achieve popularity with both male and female demographics or appeal to specific, targeted niche audiences. The text addresses reality TV within five, easy-to-identify content categories: competition shows, relationship/love-interest shows, real people or alternative lifestyle and culture shows, transformation shows, and international programming. By examining modern reality television, a topic of great interest for a wide variety of readers, this book also discusses cultural and social norms in the United States, including materialism, unrealistic beauty ideals, gender roles and stereotypes in society, dynamics of personal relationships, teenage lifestyles and issues, and the branding of people for financial gain and wider viewership.
Soon to be a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni Collette. Nightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him. And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.
Dream or Nightmare is a book of left wing strategy like no other: It proposes that, to compete with the right, progressives cannot depend on reason and hard fact. They must also deploy drama in the battle of ideas. Donald Trump’s presidency has shown how this is done, albeit to ends that are deplorable. Abandoning logic and truth, the Fabulist in Chief conjures up spectacle to energize his base. Troops are dispatched to counter a fictional threat from convoys of helpless refugees. A powerful Supreme Court nominee is reduced to tears by accusations from a woman who has been sexually assaulted. Open fascists are described as “good people,” physical attacks on journalists are lauded in front of cheering crowds. If they are to engage with this Barnum-like politics, leftists must learn how to communicate in today’s “vernacular of the spectacular,” invoking symbol and emotion themselves, as well as truth. Matching the right in this fashion does not mean adopting its values. Rather Duncombe sets out what he calls a politics of “ethical spectacle.” Of extraordinary relevance to the dark carnival of contemporary politics, this new edition of the book formerly known as Dream sets out an electrifying new vision of progressive politics that is both persuasive and provocative. Stephen Duncombe is Professor of Media and Culture at New York University and author and editor of six books on the intersection of culture and politics. Duncombe, a life-long political activist, co-founded a community-based advocacy group in the Lower East Side of Manhattan which won an award for “Creative Activism” from the Abbie Hoffman Foundation, and is currently co-director of the Center for Artistic Activism, a research and training organization that helps activists create more like artists and artists strategize more like activists.
I had been looking forward to going to France in the Easter holidays for weeks. Admittedly it meant going with Mum and her annoying, yuckily young, French boyfriend, Almond. But I knew we would be staying at Almond's parents' place: A CHATEAU! Everyone knows 'chat' means 'cat' in French - so I couldn't wait... 2 whole weeks in a houseful of cats! I love animals! "Tragically things NEVER work out as you expect. Instead of a houseful of cats it turned out to be a houseful of Almond's annoying, totally weird French family. Before I had time to squeak 'murder,' I was on the ghastly trail of a heartless criminal. Could I, Polly Price, uncover the truth? Well - not if I was the chief suspect. And not if I starved to death trying to find my way through long, murky corridors to breakfast. I knew I was in a race against time. And I didn't even have a watch.
The Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.
An analysis of the novels of Maturin, Gogol, Dostoevsky, Mann, Lovecraft and Pelevin through the prism of their interest in investigating the nature of the nightmare reveals the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.
Through American history, often in times of crisis, there have been periodic outbreaks of obsession with the paranormal. Between 2004 and 2019, over six dozen documentary-style series dealing with paranormal subject matter premiered on television in the United States. Combining the stylistic traits of horror with earnest accounts of what are claimed to be actual events, “paranormal reality” incorporates subject matter formerly characterized as occult or supernatural into the established category of reality TV. Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, including such shows as Ghost Hunters, Celebrity Ghost Stories, and Long Island Medium, author Amy Lawrence suggests these programs reveal much about Americans’ contemporary fears. Through her close readings, Lawrence asks, “What are these shows trying to tell us?” and “What do they communicate about contemporary culture if we take them seriously and watch them closely?” Ridiculed by nearly everyone, paranormal reality TV shows—with their psychics, ghost hunters, and haunted houses—provide unique insights into contemporary American culture. Half-horror, half-documentary realism, these shows expose deep-seated questions about class, race, gender, the value of technology, the failure of institutions, and what it means to be American in the twenty-first century.
