The Ready to Paint series provides six tracings for readers to pull out and transfer on to watercolour paper. There is one for each of the five step-by-step demonstrations, plus a bonus tracing of the inspirational painting in the Introduction section. Geoff Kersey is an expert draughtsman and his skilful drawings of famous Paris scenes provide the basis for five detailed and realistic paintings. The clear step-by-step photographs explain the painting process in great depth and make it easy for readers to reproduce all of the projects, which include iconic scenes such the Eiffel Tower, the Arc de Triomphe and a Montmartre Caf .
People who want to learn to paint without relying on their drawing skills have everything they need in this book. Terry Harrison shows how to paint five beautiful Irish scenes including a crofter's cottage, cliffs, mountains and a Dublin doorway, and all the outlines are provided as pull-out tracings.
This book is the perfect companion for the watercolour landscape painter. Richard Taylor looks at each element of the landscape in turn. He moves from small details, such as a quick painting of his backpack, drawn in a break from walking, to wide sweeping panoramas. Detailed annotations point to key areas of interest for each painting showing, for example, how a wash has been used to create shadows in still water, or how paper has been left blank to represent the tops of clouds. Alongside each painting you'll find the palette of colours used, with advice on combining colours for best effect. Step-by-step demonstrations show basic watercolour techniques in action and longer projects reveal how Richard develops a fully-realised painting. Packed with invaluable hints and tips and illustrated with the author's inspiring watercolours, this book is perfect for the beginner or more experienced watercolour painter.
Readers who want to learn to paint but can not rely on their drawing skills have everything they need in this book. The outlines of five paintings (plus one bonus picture) are provided to pull out from the centre of the book. Clear instructions and step-by-step photographs show how to transfer the outlines on to watercolour paper and then how to create beautiful watercolour paintings.
Entry-level and experienced artists will be delighted by the simple and striking, boats and harbors which make terrific subjects for the medium of watercolor painting. Pull-out tracings and a clear guide on how to transfer them to watercolor paper eliminate any requisite drawing skills needed to paint these wonderful pictures. Detailed, illustrated instructions are provided for five scenes- each accompanied by a full-size, initial outline of the drawing to aid novice painters or provide inspiration to practiced artists.
A gardenful of beautiful spring Irises in bloom is one of the most stunning sights of all, and Julie King shows you how to paint them in this inspiring book. Artists who want to learn how to create realistic pictures of these popular flowers without relying on their drawing skills have everything they need, and more experienced artists will find much to inspire them. The tracings make it easy for readers to reproduce all the projects and clear step-by-step photographs explain the watercolour painting process in great detail. Here you will find, Dutch, gold and rust, deep purple and white irises in a variety of compositions, and Julie's instructions will clearly guide you through every stage, illustrating in easy ways how to create wonderful paintings full of colour and light.
"People who want to learn to paint without relying on their drawing skills have everything they need in this book... Tony Cowlishaw's detailed explanations are accompanied by step-by-step photographs."-- Publisher description.
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Brimming over with exciting and innovative techniques, bestselling author Jane Betteridge's new book pushes watercolour to new heights, introducing vibrancy, texture and dynamism to this subtle medium.Following on from her bestselling book Watercolours Unleashed, Jane has taken her techniques even further. She introduces you to a huge range of new and exciting ways of working using crackle paste, modelling pastes, metallic leaf, gilding flakes, print and much more.This book will excite and inspire watercolour artists of all abilities to experiment and take a more dynamic approach to their painting.More than 35 techniques explained and illustrated.4 step-by-step projects show you how to combine the techniques.75 inspirational finished paintings.
Abstract This study describes an antique watercolor box from Reeves with 24 colors in cakes, dating around 1800. A second box from T. Reeves & Son dating between 1790-1799 is added and described. A concise chronological overview shows which family members of the Reeves’ family and their associates lead the firm during the Regency period. Old city maps of London indicate the various shop locations and a brief look is taken at early 18th century shops of color men and the production of watercolor paint in cakes. The dating of the watercolor box and its contents raise a number of questions. To position the box with contents in the correct period, an overview of available trade cards is consulted. Stamps on cakes are linked to the various family members, who led the Reeves firm in the Regency period.Based on the contents of comparable watercolor boxes relationships are established with user groups, quality criteria of the paint and color theories in the 17th and 18th century. An attempt has been made the 17th and 18th century color theories, in which light refraction, the distinguishing of colors and physical laws are important, to connect with pigments, tinctures, and mixing paint colors to make visual art works possible. Overviews of pigments and paint tincture by a number of authoritative authors in the 17th and 18th centuries are highlighted. The hidden selection rules of the colors and their conscious positioning in the box are discussed. Instructional illustrated is the visually completing of the missing paint cakes. Also included are some overviews of the selection of watercolor paint cakes in comparable boxes. The restored boxes and their contents are illustrated in a number of images. Finally, each of the 24 color cakes in the box of 1799-1800 is treated by their description in the 18th century literature. An extensive overview, with mainly 17th and 18th century sources on pigments, dyes, paint preparation, color theories, etc., is affixed. Added are contemporary authors who have written about the Reeves firm. Finally, nine attachments are available about a scheme of painting substances by Robert Dossie, the management structure of the Reeves firm till the 20th century, a pricelist of Robert Ackermann's paints in 1818, a text fragment in Ackermann’s Repository of Arts (1813), a reconstructed advertisment text in the Derby Mercury of April 10, 1794, a recepy for a binding mixture to make watercolor cakes, an article about an other way of making watercolor cakes of dough, text from W.T. Whitley about ‘Artists and their Friends in England’ during the Regency period and a list of authorities in the 18th-century literature on colors in the form of tinctures, based on natural resources and natural solvents and binders. (Last update August 15, 2023)
