Re-Writing Jesus: Christ in 20th-Century Fiction and Film

Re-Writing Jesus: Christ in 20th-Century Fiction and Film

Author: Graham Holderness

Publisher: Bloomsbury Publishing

Published: 2014-11-20

Total Pages: 265

ISBN-13: 1472573331

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At the heart of Christian theology lies a paradox unintelligible to other religions and to secular humanism: that in the person of Jesus, God became man, and suffered on the cross to effect humanity's salvation. In his dual nature as mortal and divinity, and unlike the impassable God of other monotheisms, Christ thus became accessible to artistic representation. Hence the figure of Jesus has haunted and compelled the imagination of artists and writers for 2,000 years. This was never more so than in the 20th Century, in a supposedly secular age, when the Jesus of popular fiction and film became perhaps more familiar than the Christ of the New Testament. In Re-Writing Jesus: Christ in 20th Century Fiction and Film Graham Holderness explores how writers and film-makers have sought to recreate Christ in work as diverse as Anthony Burgess's Man of Nazareth and Jim Crace's Quarantine, to Martin Scorsese's The Last Temptation of Christ and Mel Gibson's Passion of the Christ. These works are set within a longer and broader history of 'Jesus novels' and 'Jesus films', a lineage traced back to Ernest Renan and George Moore, and explored both for their reflections of contemporary Christological debates, and their positive contributions to Christian theology. In its final chapter, the book draws on the insights of this tradition of Christological representation to creatively construct a new life of Christ, an original work of theological fiction that both subsumes the history of the form, and offers a startlingly new perspective on the biography of Christ.


Sacramental Life Volume 29.4

Sacramental Life Volume 29.4

Author: Connie Cruze Bull

Publisher: OSL Publications

Published: 2018-12-02

Total Pages: 44

ISBN-13:

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Sacramental Life Volume 29.4 (Advent 2018) Founded in 1988, Sacramental Life is one of two journals published by the Order of Saint Luke (OSL Publications). It focuses on the emerging and historical practices of Christian worship. Print distribution is to the members of the Order globally, as well as to a number of theology departments and seminary libraries in the United States.


Jesus, the Gospels, and Cinematic Imagination

Jesus, the Gospels, and Cinematic Imagination

Author: Richard Walsh

Publisher: Bloomsbury Publishing

Published: 2021-08-12

Total Pages: 400

ISBN-13: 0567693856

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Jesus films arose with cinema itself. Richard Walsh and Jeffrey L. Staley introduce students to these films with a general overview of the Jesus film tradition and with specific analyses of 22 of its most influential exemplars, stretching from La vie du Christ (1906) to Mary Magdalene (2018). The introduction to each film includes discussion of plot, characters, visuals, appeal to authority, and cultural location as well as consideration of the director's (and/or other filmmakers') achievements and style. Several film chapters end with reflections on problematic issues bedeviling the tradition, such as cultural imperialism and patriarchy. To assist teachers and researchers, each chapter includes a listing of DVD chapters and the approximate “time” (for both DVDs and streaming platforms) at which key film moments occur. The book also includes a Gospels Harmony cataloging the time at which key gospel incidents appear in these films. Extensive endnotes point readers to other important work on the tradition and specific films. While the authors strive to set the Jesus film tradition within cinema and its interpretation, the DVD/streaming listing and the Gospels Harmony facilitate the comparison of these films to gospel interpretation and the Jesus tradition.


The Wisdom and Power of the Cross

The Wisdom and Power of the Cross

Author: Richard Viladesau

Publisher:

Published: 2020

Total Pages: 433

ISBN-13: 0197516521

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"This volume is the fifth in a series dealing with the passion and death of Christ - symbolized by "the cross" -- in Christian theology and the arts. It examines the way the passion of Christ has been thought about by theologians and portrayed by artists and musicians in the modern and contemporary world. It examines the traditional approaches to soteriology in contrast to revisionist theologies that take up the challenge of understanding the meaning of the cross in the light of critical historical studies and modern science"--


The British Jesus, 1850-1970

The British Jesus, 1850-1970

Author: Meredith Veldman

Publisher: Routledge

Published: 2022-04-05

Total Pages: 441

ISBN-13: 1000565955

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The British Jesus focuses on the Jesus of the religious culture dominant in Britain from the 1850s through the 1950s, the popular Christian culture shared by not only church, kirk, and chapel goers, but also the growing numbers of Britons who rarely or only episodically entered a house of worship. An essay in intellectual as well as cultural history, this book illumines the interplay between and among British New Testament scholarship, institutional Christianity, and the wider Protestant culture. The scholars who mapped and led the uniquely British quest for the historical Jesus in the first half of the twentieth century were active participants in efforts to replace the popular image of “Jesus in a white nightie” with a stronger figure, and so, they hoped, to preserve Britain’s Christian identity. They failed. By exploring that failure, and more broadly, by examining the relations and exchanges between popular, artistic, and scholarly portrayals of Jesus, this book highlights the continuity and the conservatism of Britain’s popular Christianity through a century of religious and cultural transformation. Exploring depictions of Jesus from over more than one hundred years, this book is a crucial resource for scholars of British Christianity in the nineteenth and twentieth centuries.


The Theological Turn in Contemporary Gothic Fiction

The Theological Turn in Contemporary Gothic Fiction

Author: Simon Marsden

Publisher: Springer

Published: 2018-09-21

Total Pages: 211

ISBN-13: 3319965719

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This study examines theological themes and resonances in post-1970 Gothic fiction. It argues that contemporary Gothic is not simply a secularised genre, but rather one that engages creatively – and often subversively – with theological texts and traditions. This creative engagement is reflected in Gothic fiction’s exploration of theological concepts including sin and evil, Christology and the messianic, resurrection, eschatology and apocalypse. Through readings of fiction by Gothic and horror writers including Stephen King, Joyce Carol Oates, Peter Straub, William Peter Blatty and others, this book demonstrates that Christianity continues to haunt the Gothic imagination and that the genre’s openness to the mysterious, numinous and non-rational opens space in which to explore religious beliefs and experiences less easily accessible to more overtly realist forms of representation. The book offers a new perspective on contemporary Gothic fiction that will be of interest to students and scholars of contemporary Gothic and of the relationship between literature and religion more generally.


T&T Clark Companion to the Bible and Film

T&T Clark Companion to the Bible and Film

Author: Richard Walsh

Publisher: Bloomsbury Publishing

Published: 2018-06-28

Total Pages: 517

ISBN-13: 0567666220

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The first decades of the twenty-first century saw a resurgence of the biblical epic film, such as Noah and Exodus: Gods and Kings, which was in turn accompanied by a growth of biblical film criticism. This companion surveys that field of study by framing it in light of significant and recent biblical films as well as the voices of key biblical film critics. Non-Hollywood and seemingly “non-biblical” films also come under investigation. The contributors concentrate on three points: “context”, focusing on the 'Bible in' specific film genres and cultural situations; “theory”, applying theory from both religion and film studies, with an eye to their possible intersections; and “recent and significant texts”, reflecting on which texts and themes have been most important in 'biblical film' and which are currently at the fore. Exploring cinema across the globe, and accompanied by extended introductory essays for each of the three sections, this companion is an important resource for scholars in both film and biblical reception.


The Figure of Christ in the Long Nineteenth Century

The Figure of Christ in the Long Nineteenth Century

Author: Elizabeth Ludlow

Publisher: Springer Nature

Published: 2020-07-17

Total Pages: 275

ISBN-13: 3030400824

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This book is an interdisciplinary collection of essays that explores the variety of ways in which the interface between understanding the figure of Christ, the place of the cross, and the contours of lived experience, was articulated through the long nineteenth century. Collectively, the chapters respond to the theological turn in postmodern thought by asking vital questions about the way in which representations of Christ shape understandings of personhood and of the divine.


Religious Narratives in Contemporary Culture

Religious Narratives in Contemporary Culture

Author:

Publisher: BRILL

Published: 2021-04-26

Total Pages: 229

ISBN-13: 9004453822

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Religious Narratives in Contemporary Culture: Between Cultural Memory and Transmediality analyzes the presence and function of traces of religious narratives in contemporary western culture, from the perspective of cultural memory studies and the transmedial study of narrative and art.


Shakespeare / Not Shakespeare

Shakespeare / Not Shakespeare

Author: Christy Desmet

Publisher: Springer

Published: 2017-11-09

Total Pages: 316

ISBN-13: 3319633007

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This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.