The Work Was Originalls Composed In 16Th Century By Pandit Jagannath Who Also Enjoyed Recording, Reviewing And Reappraising Various Theories On Poetics. The Work Is Praised For His Preciseness And Accuracy In The Presentation Of Theories. The Present Book Presents An English Translation For The First Print Dealing With Theories. Divided In 2 Parts. 4 Parts In Al. Loves Of Sanskrit Poetics Will Find It Useful.
The present volume contains a collection of 10 articles read to the audience of a topic-related panel at the 13th World Sanskrit Conference, held in Edinburgh in July 2006. The papers focus on a variety of aspects of prolegomena composed in Sanskrit by examining them in their different systemic and systematic contexts. Extending beyond sastra in its narrower sense as bodies of (philosophical) knowledge, some of the investigations assembled here concern themselves with preambles to different categories such as Vedic exegesis, poetics, poetry and historiography. From the table of contents: (10 contributions) Edwin Gerow, En archei en ho logos - "In the Beginning was the Word". Chr. Minkowski, Why should we read the Mangala-Verses? P. Balcerowicz, Some Remarks on the Opening Sections in Buddhist and Jaina Epistemological Treatises. Jan E. M. Houben, Doxographic Introductions to the Philosophical Systems: Mallavadin and the Grammarians. Ph. Maas, "Descent with Modification": The Opening of the Patanjalayogasastra. Silvia D'Intino, Meaningful Mantras. The Introductory Portion of the Rgvedabhasya by Skandasvamin.
Intended Chiefly For Students Of Poetry As It Deals With The Best Work Of Pandit Jagannath. Divided Into 4 Vilasas-Prastavika Vilas-Srangara Vilasa, Karuna Vilasa And Santa Vilasa. Has 4 Chapters On Each Relating To The Above Vilasas. 2 Appendices. The Last Chapter`S Tone Is One Of Dedication And Surender To Lord Krishna.
This innovative study develops a unified theory of literature by critically evaluating the categories of sanskrit poetics from a single theoretical standpoint that of rasa the theory that holds that poety is essentially emotive discourse. Literature Chariargues is defined not by the use of any formal linguistic devices but rather by the emotive meaning embodied is therefore the proper aim and the common denominator of all literary works.
