Launched in 1987 and published biannually, the Rare Record Price Guide 2022 is the SIXTEENTH edition of the World's most comprehensive guide to prices of UK releases from 1950 to the current day. Compiled by the expert staff and contributors of Record Collector the World's leading magazine in the field, The Guidespans every musical genre from Rock, Pop, Soul, Punk, Blues, Jazz, Disco, Acid House, Techno, Hip-Hop, Reggae, Dance, Rock n' Roll, Metal, Progressive, Psych, Indie, Country, Folk, Exotica, Soundtracks, and M.O.R. With over 100,000 entries, the 1400+ page publication provides an A to Z guide to rare and collectable UK releases with catalogue numbers, B-sides, and current mint values for every UK single worth over £5, EP and 12 single over £10, LP over £15, as well as other collectable formats like 10 LPs, flexi, and picture discs. Rest assured that no matter how obscure your taste you'll find the most sought after items here, whether your particular obsession is Progressive rock, Dance, 70's Jazz Funk, Soul, 80's Post Punk, Hip-Hop, Reggae, NWOBHM, Northern Soul, British Jazz, and collectable bands and artists from the 1950s to the present day.
Whether you're cleaning out a closet, basement or attic full of records, or you're searching for hidden gems to build your collection, you can depend on Goldmine Record Album Price Guide to help you accurately identify and appraise your records in order to get the best price. • Knowledge is power, so power-up with Goldmine! • 70,000 vinyl LPs from 1948 to present • Hundreds of new artists • Detailed listings with current values • Various artist collections and original cast recordings from movies, televisions and Broadway • 400 photos • Updated state-of-the-market reports • New feature articles • Advice on buying and selling Goldmine Grading Guide - the industry standard
Covering every genre of music, this guide is indexed by artist and organized by label, format, and date of record issue. This fully updated edition includes prices for over one million records, listings for 45,000 artists, a color eight-page insert of record cover art, and a buyer-seller directory.
“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).
Not too far away from the flea markets, dusty attics, cluttered used record stores and Ebay is the world of the vinyl junkies. Brett Milano dives deep into the piles of old vinyl to uncover the subculture of record collecting. A vinyl junkie is not the person who has a few old 45s shoved in the cuboard from their days in high school. Vinyl Junkies are the people who will travel over 3,000 miles to hear a rare b-side by a German band that has only recorded two songs since 1962, vinyl junkies are the people who own every copy of every record produced by the favorite artist from every pressing and printing in existance, vinyl junkies are the people who may just love that black plastic more than anything else in their lives. Brett Milano traveled the U.S. seeking out the most die-hard and fanatical collectors to capture all that it means to be a vinyl junkie. Includes interviews with Thurston Moore of Sonic Youth, Peter Buck from R.E.M and Robert Crumb, creator of Fritz the cat and many more underground comics.
When considering the tapestry of popular-music history that has emerged in the last 40 or so years - a chronicle that shows no signs of abating - there have been critical and enthusiastic studies of not just performers, or the cities in which they arose in any number, but also of the recorded legacy of such cities, i.e. its record labels. Cincinnati, for all its decades of accomplishment in the recorded-music arena, has been heretofore perhaps underserved. Apart from real-time newspaper articles of the 1940s-'70s, a number of fine books have appeared, each of which provides a further tantalizing look at the vast offerings of the Queen City and the Ohio River Valley. This book is the complete document of the subject at hand, and is intended as a bedrock upon which to construct a (hopefully ongoing) library of Cincinnati's record companies, a library that encompasses the aforementioned volumes as well as encourages new efforts from fresh pens. The subject, owing to the stunning breadth and depth of the city's industry and drive, is probably inexhaustible. The book - its targeted collectors and enthusiasts aside - also seeks to advance understanding two specific communities who were substantial parts of the cultural, political and musical milieu of Cincinnati (and indeed, great swaths of the Midwest): African-Americans and Appalachians. The contributions and excitement consistently delivered by these populations greatly enriched the styles and ever-shifting forms of American popular music, especially in the fecund Postwar era, and here the book intends to shed some new light on their conditions, treatment and influence both then and now. Finally, the book is a fond meditation upon a city with strengths and flaws, successes and failures, all of which can be found writ small in the record business of the 20th century. In our accelerating, fraying culture, the analog world of this story is not a lesser place - far from it. That world was one of grit, risk and often-sweet rewards. As it recedes ever further into the past, hopefully the story of its many and varied musical lights will remain engaging and inspiring.
Wise men say this incomparable sourcebook offers a total guide, featuring prices on CDs and records, bubble-gum cards, lunch boxes, key chains, movie posters, jewelry, and an entire repertoire of other collectibles and memorabilia. 8-page color photo insert.