A stunning full-colour record of half a century of inspired theatre work marking the 80th birthday of one of the UK's most distinguished stage designers. The book contains models and production shots of over 30 of Koltai's shows interlaced with essays by and interviews with Koltai, his collaborators and fellow designers. Ralph Koltai CBE is possibly the most wide-ranging and consistently prolific British stage designer. Still at work today, his first designs were for the English Opera Group, Covent Garden and Ballet Rambert in the 1950s. These were followed by regular commissions from the RSC (where he was Associate Designer) and National Theatre in the 60s and 70s, work in the West End in the 80s and on the world's stages from the 90s to the present day.
Theatre Design involves everything seen on stage: not only scenery but costumes, wigs, makeup, properties, lighting, sound, even the shape and material of the stage itself. Designers’ Shakespeare presents and analyses the work of a half-dozen leading practitioners of this specialist art. By focusing specifically on their Shakespearean work, it also offers a fresh, exciting perspective on some of the best-known drama of all time. Shakespeare’s plays offer an unusual range of opportunities to designers. As they were written for a theatre which gave no opportunity for scenic support or embellishment, designers are freed from any compulsion to imitate original practices. This has resulted in the extraordinarily diverse range of works presented in this volume, which considers among others the work of Josef Svoboda, Karl-Ernst Herrmann, Ming Cho Lee, Alison Chitty, Robert Wilson, Societas Raffaello Sanzio, Filter Theatre, Catherine Zuber, John Bury , Christopher Morley, Ralph Koltai and Sean Kenny. Designers’ Shakespeare joins Actors’ Shakespeare and Directors’ Shakespeare as essential reading for lovers of Shakespeare from theatre-goers and students to directors and theatre designers.
This long-awaited bibliography of recent books about theatre architecture, scenography and costume, published with the support of Belgian Ministry of Culture and the «Théâtre & Publics» Association, has been prepared in collaboration with experts in five languages: English, French, German, Italian and Russian. This extensive bibliography, which meets the demands of the International Theatre Institute organizations and the International Organization of Scenographers, Theatre Architects and Technicians, will prove useful to theatre practitioners as well as to confirmed or young theatre scholars. Cette bibliographie rassemble un choix d'ouvrages sur le théâtre et l'architecture, la scénographie, le costume. Elle a bénéficié de la collaboration d'experts internationaux (anglais, français, allemands, italiens et russes). Répondant à la demande de l'IIT (Institut international du théâtre) et de l'OISTAT (Organisation internationale des scénographes, techniciens et architectes de théâtre), cette bibliographie en cinq langues est un précieux outil pour tout praticien et théoricien du théâtre.
Includes Historical Highlights by Hochhuth and the essays "Hochhuth" and "Lessing" by Walter Muschg and "The Deputy " by Hannah Arendt. The Representative is Hochhuth's highly controversial epic about the Vatican's alleged complicity in the murder of the Jews by the Nazis.
(Vocal Selections). "This show has guts!" proclaimed Richard Zoglin of Time magazine about this 2012 revival, which won the Off-Broadway Alliance Award for Best Musical Revival. It features music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D. Cohen (based on the novel by Stephen King). Our folio features vocal selections for 18 songs from that revival, including: Alma Mater * And Eve Was Weak * Carrie * Carrie (Reprise) * Do Me a Favor * Dreamer in Disguise * Epilogue * Evening Prayers * I Remember How Those Boys Could Dance * In * A Night We'll Never Forget * Once You See * Open Your Heart * Unsuspecting Hearts * When There's No One * Why Not Me? * The World According to Chris * You Shine.
First staged at London's National Theatre in 1980, having been commissioned by Peter Hall, The Romans in Britain contrasts Julius Caesar's Roman invasion of Celtic Britain with the Saxon invasion of Romano-Celtic Britain, and finally Britain's involvement in Northern Ireland during The Troubles of the late twentieth century. As these scenes bleed into one another, Brenton suggests what it might have been like for these people to meet. Three Roman soldiers sexually assault a young druid priest. A lone, wounded Saxon soldier stumbles into a field, a nightmare made real. An army intelligence officer begins to lose his mind in the Irish fields. Brenton's sinewy vernaculars summon a lost history of cultural collision and oppression, of fear and sorrow. This edition features an introduction by Philip Roberts, Emeritus Professor of Drama & Theatre Studies at the University of Leeds, and a foreword by director Sam West.
What prompts a well-renowned scientist in molecular biology to write memoirs about a part of his life? In the case of Gunther Stent, it was not to reflect on his career as a scientist, but to come to an understanding of his own soul. In his seventies, he had come to see that he had been, throughout his life, an emotional sleepwalker, especially as regards women and, in addition, that he had been troubled by Jewish self-hatred. His story may have more to do with St. Augustine's Confessions than with a scientist's memoirs. Stent provides insight into the power of political correctness, and the ability of a government to establish a perverse vision of reality. For readers interested in bioethics, Stent's memoirs help to explain how Germany could have been the first country to enact an all-encompassing protection for human research subjects while it was also the country that produced the medical experiments of the Nazis and the greatest perversion of medical morality in history. Stent is a person of intelligence and subtlety, an accomplished writer, a deep and wise man, and a loyal friend. His narrative is centered emotionally on a youth spent in Berlin in the Nazi period. As a boy of fourteen he was an eyewitness of the horrors of the Kristallnacht pogrom.On New Year's Eve 1938 he escaped from Germany across the "green frontier." He came to America in his teens, only to return to Berlin at the end of World War II as a scientific consultant for the U.S. Military. On his return to the States, Stent participated in the exciting early scientific breakthroughs of molecular biology that transformed the twentieth-century life sciences. His Nazis, Women and Molecular Biology is a piercing self-examination, and as its review in Science Newsletter says, "an act of self-exposure, abnegation, contrition, and expiation." It will be of keen interest to those who have inhabited Stent's worlds or shared his experiences, as well as those who wish to learn more about them. Gunther S. Stent is professor emeritus of neurobiology at the University of California, Berkeley. He is the author of such classic texts as Molecular Biology of Bacterial Viruses and Molecular Genetics, as well as philosophical books, such as The Coming of the Golden Age, Paradoxes of Progress, and, most recently (2002), Paradoxes of Free Will.
'A delight to read' Philip Pullman 'Essential reading ... a genuine landmark publication' Tom Service A BBC Radio 4 'Book of the Week' The music of the British composer Michael Tippett - including the oratorio A Child of Our Time, five operas, and four symphonies - is among the most visionary of the twentieth century. But little has been written about his extraordinary life. In this long-awaited first biography, Oliver Soden weaves a century-spanning narrative of epic scope and penetrating insight. His achievement is to have enriched our understanding not only of Tippett but of the twentieth century. Figures such as T.S. Eliot, E.M. Forster, Barbara Hepworth, and W.H. Auden jostle in the cast list. An Edwardian world of gaslight and empire cedes to turmoil and warfare and his operas' game-changing attitudes to gay and civil rights, against a backdrop of the Cold War and the Space Race. The result is a landmark in the study of twentieth-century culture, simultaneously an astonishing feat of scholarship and a story as enthralling as in any great novel.
This book traces the evolution of John Barton, one of this century's most important directors, from his days as a Cambridge student and scholar through his career with the prestigious Royal Shakespeare Company. Two lengthy interviews with Barton are included, as well as a number of rare pictures of his Cambridge work and representative pictures from his Royal Shakespeare Company productions.
This introduction to theatre design explains the theories, strategies, and tools of practical design work for the undergraduate student. Through its numerous illustrated case studies and analysis of key terms, students will build an understanding of the design process and be able to: identify the fundamentals of theatre design and scenography recognize the role of individual design areas such as scenery, costume, lighting and sound develop both conceptual and analytical thinking Communicate their own understanding of complex design work trace the traditions of stage design, from Sebastiano Serlio to Julie Taymor. Demonstrating the dynamics of good design through the work of influential designers, Stephen Di Benedetto also looks in depth at script analysis, stylistic considerations and the importance of collaboration to the designer’s craft. This is an essential guide for students and teachers of theatre design. Readers will form not only a strong ability to explain and understand the process of design, but also the basic skills required to conceive and realise designs of their own.
