Labour and The Multiracial Project in the Caribbean covers major twentieth-century political developments in Trinidad and Tobago and Guyana. It pays particular attention to social movements, class formation, and new emancipatory ideas on liberation from colonial legacies in political structure and racial division.
An ABC of Queen Victoria's Empire offers a provocative rewriting of Mrs. Ernest Ames' ABCs for Baby Patriots (1899). Whimsically illustrated for the nursery or primary school child, Ames' book demonstrates how deeply imperialism reached into popular culture during Victoria's reign. This book presents a rather darker view of Victoria's empire, beginning with the wars in Afghanistan and ending with Zam-Zammeh, the large-bore cannon that Kipling's hero sat astride at the opening of his 1901 novel, Kim. It signposts some of the key events, concepts, places and people that shaped the turbulent ground of empire across the long 19th century, providing a serious counterweight to the notion of imperial conquest as child's play. With each letter accompanied by a crisp yet historically nuanced account of its subject, this unique account is the perfect primer for students taking courses on global, imperial and British history.
"The varied experience of the Caribbean diaspora in Britain, with its difficult and fractured history, is reflected in this distinctive and lively collection. The contributors to Inside Babylon show how employers and police, psychiatrists and welfare services, help to channel black people into residential and occupational ghettoes. Clive Harris, Bob Carter and Shirley Joshi analyse the economic destiny of Afro-Caribbeans in Britain. Going beyond the familiar prisms of race relations and reductionist class analysis they illuminate the radicalizing dynamic of British capitalism in the postwar period. Errol Francis provides a shocking account of the experience of black people at the hands of psychiatrists in Britain. Cecil Gutzmore finds the Notting Hill carnival to be a litmus test of racist formations in both the media and the state, as well as evidence of the resilience of the black community. Amina Mama and Claudette Williams explore the position of women in black communities while Gail Lewis focuses on their characteristic patterns of employment. In a powerful concluding essay Winston James charts the unfolding of a new Afro-Caribbean identity in Britain and debunks the notion that racist structures by themselves create a homogeneous black community."--Publisher.
First Published in 1991. Over the past decade there has been a notable growth of interest in the study of sport in the contexts of race and ethnicity. A number of developments have contributed to stimulate this interest, but three sets of considerations appear to have been of decisive importance. First, black sportsmen and sportswomen have experienced remarkable successes in international sport. Second, such a disproportionately high level of athletic participation by various ethnic minority cultures has often been used by liberal-minded sports enthusiasts to presume that sport enjoys a certain degree of democratisation and equality. Third, that in certain areas of the world sport itself has been central to struggles of popular resistance against dominant groups. The papers in this volume not only consider the racisms experienced by various ethnic minority sportsmen and sportswomen in Britain, but also the way in which various racisms have been articulated in South Africa, the Caribbean, Canada and the United States. The following are indicative of the key issues addressed by this text: the extent to which cricket has stimulated the role of nationalist and racial self-consciousness in the Caribbean; the extent to which young black Afro-Caribbean sports-people are agents of racialised social control in Britain; the contribution of sport to popular struggles in South Africa; the experience of young children of South Asian origin of sport in Britain; and the extent to which Native American women are accommodated in sport in Canada. This book sets out to challenge many of the voluntarist racist cherished beliefs surrounding sport.
The chapters presented in this volume represent a wide variety of Indian diasporic experiences. From indenture labour to the present day immigrations, Indian diasporic narrative is one that offers opportunities to evaluate afresh notions of ethnicity, race, caste, gender and religious diversity. From victim discourse to narratives of optimism and complexities of identity issues, the Indian diaspora has exhibited characteristics that enable us as scholars to construct theoretical views on the diaspora and migration. The cases included in this volume will illumine such theoretical ideas. The readers will certainly be able to appreciate the diversity and the depth of these narratives and gain insight into the social and cultural and religious world of the diaspora. Contributors are: Archana Kumar, Ram Narayan Tiwari, Ashutosh Kumar, Brij Vilash Lal, Inês Lourenço, Prea Persaud, Nalini Moodley, Carolyn V. Prorok, Thembisa Waetjen, Kalpana Hiralal, Sultan Khan, Shanta B Singh, Abdalla Khair Gabralla, Abul Fadl Mohsin Ebrahim, Sharmina Mawani, Anjoom Mukadam, Goolam Vahed, and P. Pratap Kumar.
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Reading novels by contemporary women in the Caribbean dyaspora alongside and against law, history and anthropology, the book argues that Caribbean women's sexuality has been mobilized for various imperialist and nationalist projects from the nineteenth century to present.
This book argues that the rising tide of anti-colonialism after the 1930s should be considered a turning point not just in harnessing a new mood or feeling of unity, but primarily as one that viewed empire, racism, and economic degradation as part of a system that fundamentally required the application of strategy to their destruction.