The Robe was the author's most successful book, going through multiple printings and remaining in the number one slot on the New York Times best seller list for almost a year. It was made into a film in which Richard Burton was the lead actor and which was nominated for a number of Academy awards. The book is a fictional telling of the story of the aftermath of the crucifixion of Jesus through the experiences of the Roman tribune Marcellus Gallio, who carried out the crucifixion, and his Greek slave Demetrius. Gallio wins the Robe through a toss of the dice and it comes to have an impact on his thinking and his life. Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the screen in 1953 and starred Richard Burton.
Whither Quo Vadis? offers an engaging account of how theRoman world and its history are represented in film and the way inwhich the different adaptations reflect the shifting historicalsituations and ideological concerns of their own times. Explores five surviving film adaptations – Guazzoni's of1912; D’Annunzio/Jacoby of 1925; Mervyn LeRoy's of 1951; theItalian TV mini-series of 1985 by Franco Rossi; andKawalerowicz’s 2001 Polish version Examines how these different versions interpret, select from,and modify the novel and the ancient sources on which it isbased Offers an exceptionally clear view of how films have presentedancient Rome and how modern conditions determine itsreception Looks at rare and archival material which has not previouslyreceived close scholarly attention
When a fire engulfs ancient Rome, Nero Augustus is targeted with suspicion about his complicity, forcing him to navigate a web of false friends and spies to save the empire
The New York Times bestselling and legendary author of Helen of Troy and Elizabeth I now turns her gaze on Emperor Nero, one of the most notorious and misunderstood figures in history. Built on the backs of those who fell before it, Julius Caesar’s imperial dynasty is only as strong as the next person who seeks to control it. In the Roman Empire no one is safe from the sting of betrayal: man, woman—or child. As a boy, Nero’s royal heritage becomes a threat to his very life, first when the mad emperor Caligula tries to drown him, then when his great aunt attempts to secure her own son’s inheritance. Faced with shocking acts of treachery, young Nero is dealt a harsh lesson: it is better to be cruel than dead. While Nero idealizes the artistic and athletic principles of Greece, his very survival rests on his ability to navigate the sea of vipers that is Rome. The most lethal of all is his own mother, a cold-blooded woman whose singular goal is to control the empire. With cunning and poison, the obstacles fall one by one. But as Agrippina’s machinations earn her son a title he is both tempted and terrified to assume, Nero’s determination to escape her thrall will shape him into the man he was fated to become—an Emperor who became legendary. With impeccable research and captivating prose, The Confessions of Young Nero is the story of a boy’s ruthless ascension to the throne. Detailing his journey from innocent youth to infamous ruler, it is an epic tale of the lengths to which man will go in the ultimate quest for power and survival.
"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--
Roman Emperor Nero, is a singer of beautiful songs, his first love, he himself composes, if you don't like them, better keep your opinions unsaid, you'll live a longer life. Nero has killed his mother, wife, brother, all his family, and many former friends. Only unlimited praise, the mighty Caesar enjoys ( but that he is terrible, his voice and music, is a small sacrifice for his friendship and the vast benefits, he showers) ... Petronius, the "Arbiter of Elegance", and close friend of the vicious ruler, has much influence in the court. A well educated and secret writer of The Satyricon, the first novel, with poetry. He doesn't take credit as the author, Petronius likes to live in Rome, not exiled, as others have been. The book ridicules certain Roman patricians, their society, both he is part of ! In the arts, nobody knows more than he. Marcus Vinicius, a military tribune, his nephew, back from a war in Asia Minor, informs his uncle in the opulent steamy Roman Baths, that he has fallen madly in love, with a pretty maiden. While recovering from an injury in the house of Aulus Plautius, a retired, and honored general, who helped in conquering Britain. The girl is the daughter of a foreign king, a Roman hostage, now living in the home, of the General's and Pomponia Graecina, the wife of Aulus, she , becomes very fond of her, treated like a daughter. Since all her relatives perished, Lygia, now considers them her new family. The young patrician soldier must have her as his concubine, but Lygia, is a secret Christian, who though she loves him, will not accept that. Marcus seeks his uncle's influence to get the girl, away from her loved ones. Nero has Lygia, come to his palace to be examined, the Emperor likes attractive women, but the noble, clever, arbiter of elegance, tells him, she is too narrow in the hips, not true, and a compliment today, but it saves the lady. Poppaea, the Emperor's cruel new wife, hates the maiden, naturally, Tigellinus, ambitious head of the Praetorian Guard, he likes to kill, hates Petronius, his arch- rival. Given to Marcus, but with the help of Ursus, Lygia's devoted servant, as big as a giant and as strong as an ox, escapes easily, before reaching the tribune's house . Which so angers the lovesick Marcus, that nothing else matters, but to recover his prize, greatly effecting his health. With the assistance of Christians, including St. Peter and Paul, she is well hidden. Fires break out soon after, in the vast city, countless building are incinerated, the great capital of the world, is tumbling down. People are perishing in its flames, shooting high , into the night sky, bright now as daylight, crowds are streaming out of the infernal, the thick smoke , chokes, the heat and flames, killing thousands, winds spreading the insatiable fires. Everyone but Marcus, the soldier, flee, in a desperate effort to rescue his beloved, enters the doomed town, staggering, in the hopeless search, hardly able to breath, falling but getting up, he must continue the quest, or die trying ... The frightened Nero, afraid of the people's wrath, blames the obscure Christians, for the disaster, many will bravely die in the bloody arena. The Roman masses, must be appeased
This volume explores the historical novel Quo vadis written by the Polish author Henryk Sienkiewicz, examining how Sienkiewicz recreated Neronian Rome so vividly and the reasons why his novel was so avidly consumed and reproduced in new editions, translations, visual illustrations, and adaptations to the stage and screen.
This book examines different affinities between major classical authors and great filmmakers alongside representations of ancient myth and history in popular cinema.
