Shakespeare's Hamlet contains a profound spiritual message for mankind that has been largely unrecognized for centuries. The meaning of Hamlet so perplexed critics over the last four hundred years that many finally concluded, after immense struggle, that the play lacks a binding philosophy. Nothing, in fact, is more wrong. Quintessence of Dust now explains how Shakespeare meticulously crafted every scene to convey, through our emotional involvement in the drama, a central spiritual message. The book also explains by a single coherent theme practically every aspect of the play that has puzzled critics for centuries. It demonstrates that Hamlet is nothing short of an artistic miracle, reflected both in its poetic brilliance and in its profound meaning.
Quintessence of Dust by Harry Redner argues for a science of matter and a philosophy of mind based on emergence. Mind emerges from matter through five essential stages – “quintessence” (Hamlet). Human mind is differentiated from animal mind primarily by reference to art (Homo ludens). This approach draws support from Donald, Edelman and other palaeoanthropologists, psychologists and neurologists. The emergent relation between two entities is defined as an indissoluble non-identity. The “mind as machine” thesis, artificial intelligence and cognitivism are criticised. The alternative emergentist approach comes close to Spinoza. The book attempts a synthesis of the natural sciences, social sciences and humanities based on philosophic premises.
Imagine an Age of Exploration full of alchemy, human dissection, sea monsters, betrayal, torture, religious controversy, and magic. In Europe, the magic is thin, but at the edge of the world, where the stars reach down close to the Earth, wonders abound. This drives the bravest explorers to the alluring Western Ocean. Christopher Sinclair is an alchemist who cares only about one thing: quintessence, a substance he believes will grant magical powers and immortality. And he has a ship.
This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
Through the first half of the twentieth century, analytic philosophy was dominated by Russell, Wittgenstein, and Carnap. Influenced by Russell and especially by Carnap, another towering figure, Willard Van Orman Quine (1908Ð2000) emerged as the most important proponent of analytic philosophy during the second half of the century. Yet with twenty-three books and countless articles to his creditÑincluding, most famously, Word and Object and "Two Dogmas of Empiricism"ÑQuine remained a philosopher's philosopher, largely unknown to the general public. Quintessence for the first time collects Quine's classic essays (such as "Two Dogmas" and "On What There Is") in one volumeÑand thus offers readers a much-needed introduction to his general philosophy. Divided into six parts, the thirty-five selections take up analyticity and reductionism; the indeterminacy of translation of theoretical sentences and the inscrutability of reference; ontology; naturalized epistemology; philosophy of mind; and extensionalism. Representative of Quine at his best, these readings are fundamental not only to an appreciation of the philosopher and his work, but also to an understanding of the philosophical tradition that he so materially advanced.
The Swan Diptych A diptych is a painting or carving (often an altarpiece) on two panels, hinged like a book. The two stories in The Swan Diptych are likewise hinged, sometimes obviously, sometimes more subtly. Both depict the consequences of the folly and overweening pride of those who are clothed in 'a little brief authority'. In the year 1387, King Richard II visits the thriving cathedral city of Lincoln and presents a ceremonial sword to the Mayor. There is a local legend that if the swans ever leave the pool at the foot of the steep hill where the cathedral stands, the building will fall. During the celebrations the Dean believes himself to be insulted by one of the swans and vows to avenge himself. How the Dean Angered the Swans is a fable which exposes the arrogance of man and his refusal to recognise his proper place in a world which is in his custody. The Patronal Feast is set in St Stephen's College, Cambridge, in Tudor times. During the annual feast in honour of the saint's name, members of the college are permitted to eat roast swan by an edict of Richard II called the King's Writ, which is read out as the dish is served. Before the night is over, a macabre ritual murder is discovered, the Writ has disappeared, and a kitchen boy has been abducted. Paolo Giovio, internationally renowned scholar, and friend of Erasmus, is sent for. He uncovers a dark train of events, involving men of power and high station. This is a tale of ambition and betrayal over three turbulent decades. Ian Thomson is the author of The Mouse Triptych. He was educated at Downing College, Cambridge and lives in Lincoln.
This collection of essays reassesses the importance of verse as a medium in the long eighteenth century, and as an invitation for readers to explore many of the less familiar figures dealt with, alongside the received names of the standard criticism of the period.
The most uplifting book you’ll read this year! 'Judy’s done it again. Every woman over a certain age should read this wonderful book.' Jennifer Bohnet It has been a long and lonely year for neighbours Vivienne, Mary and Gwen. All ladies of a ‘certain age’, their lockdown experience has left them feeling isolated and alone. They are in desperate need of a change. Things start to look up however, when Gwen comes up with a plan to get them out of London by borrowing a motor home. In no time at all the ladies are on the road – away from the city, away from their own four walls, and away from their worries. The British countryside has never looked more beautiful. As they travel from Stonehenge to Dartmoor, from the Devon and Cornish coasts to the Yorkshire moors, gradually the years fall back, and the three friends start to imagine new futures with no limitations. And as their journey continues and their friendships deepen, and while the seaside views turn into glorious mountains and moors, Mary, Vivienne and Gwen learn to smile again, to laugh again, and maybe even to love again. Now they can believe that the best is still to come... Funny, joyful and with a spring in its step that reminds you to live every day like it’s your last. Judy Leigh has once again written the perfect feel-good novel for all fans of Dawn French and Cathy Hopkins. Readers love Judy Leigh: ‘Loved this from cover to cover, pity I can only give this 5 stars as it deserves far more.’ ‘The story’s simply wonderful, the theme of second chances will resonate whatever your age, there’s something for everyone among the characters, and I do defy anyone not to have a tear in their eye at the perfect ending.’ ‘With brilliant characters and hilarious antics, this is definitely a cosy read you'll not want to miss.’ ‘This is just one of those books that makes you feel good about being alive!’ ‘A lovely read of how life doesn't just end because your getting old.’ ‘A great feel-good and fun story that made me laugh and root for the characters.’ Praise for Judy Leigh: ‘Brilliantly funny, emotional and uplifting’ Miranda Dickinson 'Lovely . . . a book that assures that life is far from over at seventy' Cathy Hopkins bestselling author of The Kicking the Bucket List 'Brimming with warmth, humour and a love of life... a wonderful escapade’ Fiona Gibson,
Anthropocentrism is a charge of human chauvinism and an acknowledgement of human ontological boundaries. Anthropocentrism has provided order and structure to humans’ understanding of the world, while unavoidably expressing the limits of that understanding. This collection explores the assumptions behind the label ‘anthropocentrism’, critically enquiring into the meaning of ‘human’. It addresses the epistemological and ontological problems of charges of anthropocentrism, questioning whether all human views are inherently anthropocentric. In addition, it examines the potential scope for objective, empathetic, relational, or ‘other’ views that trump anthropocentrism. With a principal focus on ethical questions concerning animals, the environment and the social, the essays ultimately cohere around the question of the non-human, be it animal, ecosystem, god, or machine.
