All modern music recordings use digital audio technology. Now everyone with a computer can produce CD-quality recordings and this book shows you how. Written in a clear and straight-forward style, it explains what digital audio recording is, how to use it, the equipment you need, what sort of software is available, and how to achieve professional results. It explains: What computer system you need. Sound and digital audio essentials What to look for in a sound card Recording techniques How to use virtual instruments How to edit and create loops What effects to use The art of mixing Computer-based recording is the future of music and this book shows how you can join the revolution now.
Electronic music and sound recording was truly reborn with the emergence of personal computing. Now, making music on a computer is getting easier and less expensive. New and improved compression algorithms allow for bandwidth-friendly transfer of audio over the Internet. "The Complete Guide to Digital Audio" covers all aspects of digital audio: hardware and software, sampling and recording, mixing and mastering, MIDI and sequencing, and much more. You'll learn: * Jargon busters on all the digital audio terms you need to know * Production tips and secrets from some of the world's top sound engineers * A tour of the major software package and tools * Insider views on audio in computer games * Full-color detailed illustrations * Advice from some of the leading authorities
When it comes to audio in our videos, most of us just plug in a microphone and hit the record button. There is more to digital audio than squiggly lines on the timeline. A better understanding of the process will help you record and edit better sound with each project. It's time to dig in and crack the digital audio code. This book is a plain English exploration of the digital audio signal path, its structure, and its features. By examining and deconstructing digital audio's standard terms, processes, and functions, the author brings each concept to light with clarity and simplification for new and experienced engineers alike. In the booklet, the digital audio environment has been reduced down to three key areas: Input, Processing, and Output. Each is explored thoroughly and complemented with diagrams, allowing comprehension of even the most complex digital principles with minimal technical language.
Making great audio recordings requires striking the right balance between technical know-how and practical understanding of recording sessions. Even in the digital age, some of the most important aspects of creating and recording music are non-technical and, as a result, are often overlooked by traditional recording manuals. The Art of Digital Audio Recording teaches readers what they really need to know in order to make great sound recordings with computers - both the practical and the technical information, including: DT What to look and listen for in a recording environment DT Straightforward advice on recording almost any instrument DT Essentials of digital audio workstations DT Essentials of recording gear: microphones, mixers, and speakers DT Fundamentals of understanding and applying EQ, compression, delay, and reverb DT Secrets to running creative recording sessions DT Practical application of digital editing, mixing, and masteringA special section identifies solutions to the most common challenges in the recording studio, and the book also features an addendum with essential tips and reference information including: DT How to walk into a commercial studio and be the engineer DT Researching and buying gear: Internet vs. brick and mortar DT Digital formats: A handy referenceAs a whole, The Art of Digital Audio Recording is an essential resource that gives recordists the tools they need to let technical understanding serve greater musical goals.
Alan Kefauver's "Audio Recording Handbook" is a comprehensive guide which covers every aspect of the recording process. Following a discussion of sound, Kefauver explores loudspeakers and microphones and also current audio signal processing devices. Hecovers at length issues of reverberation, equalizers, compressors, noise reduction, and other processes for recording and editing sound. "The Audio Recording Handbook" includes sections devoted to analog and digital audio systems, digital editing workstations, tape recorder alignment, and synchronization systems. In addition, Kefauver discusses the features of both analog and digital recording consoles, as well as various console automation systems. Throughout the book, applications to surround sound formats are addressed. On of the most useful parts of The Audio Recording Handbook is the discussion of the recording, mixdown, and editing sessions, which brings together everything covered in the text clearly and effectively.
In this thorough introduction to the technology behind audio workstations, Dr Francis Rumsey explains not only how digital audio works but also how to make best use of its capabilities. A combined revision of his two successful titles, MIDI Systems and Control and The Audio Workstation Handbook, this new book covers recent developments such as surround sound formats, direct stream digital, new audio project formats, new interfaces and alternatives to MIDI. Desktop Audio Technology begins by setting out principles of digital audio and how these are applied in recording, replay and editing within workstations. MIDI and synthetic audio control is then covered, looking at the means by which artificial sounds can be controlled and manipulated. This is followed by explanations of hardware, including storage devices, buses, computer interfaces and audio processing options. Dr Rumsey then focuses on transferring audio between systems, including coverage of audio interfaces, networking and file formats. The next section examines audio software, providing working examples of different commercial packages that exemplify some of the concepts previously described. The final chapter considers operational issues such as recent spatial reproduction formats, consumer format mastering and quality control issues, as well as troubleshooting and systems issues. If you are a student, lecturer or practitioner in the field of audio and are looking for an authoritative technical guide to the underlying principles of digital audio and MIDI, this book is for you. Dr Francis Rumsey is a Reader in Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in Piteå (Sweden). He is a Fellow of the Audio Engineering Society and a regular contributor to the AES Journal. Dr Rumsey is also author of Spatial Audio and co-author of Sound and Recording (with Tim McCormick) and The Digital Interface Handbook (with John Watkinson), all published by Focal Press.
Master the basics from first principles: the physics of sound, principles of hearing etc, then progress onward to fundamental digital principles, conversion, compression and coding and then onto transmission, digital audio workstations, DAT and optical disks. Get up to speed with how digital audio is used within DVD, Digital Audio Broadcasting, networked audio and MPEG transport streams. All of the key technologies are here: compression, DAT, DAB, DVD, SACD, oversampling, noise shaping and error correction theories are treated in a simple yet accurate form. Thoroughly researched, totally up-to-date and technically accurate this is the only book you need on the subject.
We live in exciting times. The Internet is arguably the fastest growing cultural phenomenon in the world. Right now we are in the middle of a communications revolution. Look again at your business's web presence. Whether you are a farmer's wife or a fundraiser, an artist or an artisan, a musician or a manufacturer, a shop or a service, a global corporation or a neighbourhood charity, podcasting can enhance your website. No matter what kind of business you are in you will find A Quick Start Guide to Podcasting is useful. It will help you to give your brand more than an internet presence: it will give it a voice. It will help you to establish an identity, corporate, commercial or individual, reach a different demographic than you have previously been able to tap into and crucially, entice potential customers or clients to your website. All you need to start is a little imagination - and even if you're stumped for ideas, the examples in A Quick Start Guide to Podcasts should help to set your imagination free.
