The forty-eight preludes and fugues of John Sebastian Bach analysed for the use of students
Author: Frederick Iliffe
Publisher: Рипол Классик
Published:
Total Pages: 203
ISBN-13: 1176607413
DOWNLOAD EBOOKRead and Download eBook Full
Author: Frederick Iliffe
Publisher: Рипол Классик
Published:
Total Pages: 203
ISBN-13: 1176607413
DOWNLOAD EBOOKAuthor: Novello, Ewer and Co., firm, music publishers, London & New York
Publisher:
Published: 1890
Total Pages: 302
ISBN-13:
DOWNLOAD EBOOKAuthor: John Denison Champlin
Publisher:
Published: 1890
Total Pages: 720
ISBN-13:
DOWNLOAD EBOOKAuthor: Alberto Bachmann
Publisher:
Published: 1925
Total Pages: 508
ISBN-13:
DOWNLOAD EBOOKAuthor: Champlin (jr.)
Publisher:
Published: 1890
Total Pages: 650
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Kennedy
Publisher: Cambridge University Press
Published: 2006-11-02
Total Pages: 469
ISBN-13: 0521027748
DOWNLOAD EBOOKThis book re-evaluates a figure whom the author considers to be the greatest composer of the twentieth century. Kennedy deals fully with Strauss's life as leading composer and national figure in the Third Reich, during which he was both fêted and cold-shouldered by the authorities. In putting this period into perspective he draws heavily on hitherto ignored material, including Strauss's own letters and diaries. In addition he reveals much about Strauss's long, happy but tempestuous marriage to the soprano Pauline de Ahna as well as tracing the important relationships to his librettists Hugo von Hofmannsthal, Stefan Zweig, Joseph Gregor and Clemens Krauss. Kennedy reassesses the man and the music, revealing a picture of a level-headed, practical and extremely versatile musician - a great conductor as well as a great composer.
Author: Richard Strauss
Publisher:
Published: 1902
Total Pages: 48
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephen Hefling
Publisher: Routledge
Published: 2004-03-01
Total Pages: 404
ISBN-13: 1135887624
DOWNLOAD EBOOKNineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.