"Putois" by Anatole France. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
A few Frenchmen, united in friendship, who were spending the spring in Rome, were wont to meet amid the ruins of the disinterred Forum. They were JosŽphin Leclerc, an Embassy AttachŽ on leave; M. Goubin, licenciŽ �s lettres, an annotator; Nicole Langelier, of the old Parisian family of the Langeliers, printers and classical scholars; Jean Boilly, a civil engineer, and Hippolyte Dufresne, a man of leisure, and a lover of the fine arts. Towards five oÕclock of the afternoon of the first day of May, they wended their way, as was their custom, through the northern door, closed to the public, where Commendatore Boni, who superintended the excavations, welcomed them with quiet amenity, and led them to the threshold of his house of wood nestling in the shadow of laurel bushes, privet hedges and cytisus, and rising above the vast trench, dug down to the depth of the ancient Forum, in the cattle market of pontifical Rome. Here, they pause awhile, and look about them. Facing them rise the truncated shafts of the Column¾ Honorari¾, and where stood the Basilica of Julia, the eye rested on what bore the semblance of a huge draughts-board and its draughts. Further south, the three columns of the Temple of the Dioscuri cleave the azure of the skies with their blue-tinted volutes. On their right, surmounting the dilapidated Arch of Septimus Severus, the tall columns of the Temple of Saturn, the dwellings of Christian Rome, and the WomenÕs Hospital display in tiers, their facings yellower and muddier than the waters of the Tiber. To their left stands the Palatine flanked by huge red arches and crowned with evergreen oaks. At their feet, from hill to hill, among the flagstones of the Via Sacra, narrow as a village street, spring from the earth an agglomeration of brick walls and marble foundations, the remains of buildings which dotted the Forum in the days of RomeÕs strength. Trefoil, oats, and the grasses of the field which the wind has sown on their lowered tops, have covered them with a rustic roof illumined by the crimson poppies. A mass of dŽbris, of crumbling entablatures, a multitude of pillars and altars, an entanglement of steps and enclosing walls: all this indeed not stunted but of a serried vastness and within limits.
This is an exciting collection of the most beloved stories by Anatole France, a French poet, journalist, and novelist who won the Nobel Prize for literature in 1921. Filled with amusing characters and absorbing plots, this work will hold the readers' attention till the end.
The genesis of the University Library lies in a compilation of "Little Masterpieces," the first of which were published more than twenty-five years ago. The material included in these volumes was selected by able editors and writers whose experience was great and whose taste was excellent. Out of the "Little Masterpieces" grew a course in liberal education which was known as the Pocket University, and out of the Pocket University grew, finally, the University Library. The publishers most gratefully acknowledge their debt to the editors who compiled the original volumes: Bliss Perry, Henry van Dyke, Hardin Craig, Thomas L. Masson, Asa Don Dickinson, the late Hamilton W. Mabie, George Iles, the late Dr. Lyman Abbott, and others. Some of the most important material contained in the Pocket University is, of course, included in the University Library but the sequence has been entirely changed and the scope of the work greatly broadened. Fully two thirds of the material is new and the literature of the world has been ransacked to find appropriate text to fit the basic educational needs of the modern public. - Publisher' s note
