Putnam's monthly magazine of American literature, science, and art
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Published: 1854
Total Pages: 714
ISBN-13:
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Published: 1854
Total Pages: 714
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DOWNLOAD EBOOKAuthor: Mark Spitzer
Publisher: University of Arkansas Press
Published: 2010-04-01
Total Pages: 188
ISBN-13: 1557289298
DOWNLOAD EBOOKSeason of the Gar is a fang-infested, monster-headed, armor-plated romp through the prehistoric swamps and murky rivers of America’s most feared and demonized fish. Follow Mark Spitzer on his lengthy and often frustrating quest from Texas and Louisiana, Missouri, and Arkansas to catch his own gar. Read about his sometimes bizarre angling adventures in search of this air-breathing freshwater giant (up to ten feet in length and well over three hundred pounds) as he separates fact from fiction. Spitzer draws on folklore, science, history, his own pet gar, and even gar recipes to tell this unique and exciting literary eco-tale about a fish that has inspired imaginations for centuries, a fish many have hated, a fish many have thrown on the shore to die.
Author: New York State Library
Publisher:
Published: 1861
Total Pages: 1112
ISBN-13:
DOWNLOAD EBOOKAuthor: William Greene Binney
Publisher:
Published: 1869
Total Pages: 930
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DOWNLOAD EBOOKAuthor: Ron Tyler
Publisher: University of Oklahoma Press
Published: 2019-03-07
Total Pages: 313
ISBN-13: 0806164425
DOWNLOAD EBOOKFor nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.
Author: New York state, libr
Publisher:
Published: 1856
Total Pages: 1020
ISBN-13:
DOWNLOAD EBOOKAuthor: New York State Library
Publisher:
Published: 1861
Total Pages: 1108
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DOWNLOAD EBOOKAuthor: Sacvan Bercovitch
Publisher: Cambridge University Press
Published: 1994
Total Pages: 930
ISBN-13: 9780521301060
DOWNLOAD EBOOKThis is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.
Author: New York State Library
Publisher:
Published: 1856
Total Pages: 1014
ISBN-13:
DOWNLOAD EBOOKAuthor: Dorinda Evans
Publisher: Routledge
Published: 2017-07-05
Total Pages: 239
ISBN-13: 1351565575
DOWNLOAD EBOOKEarly American painter Gilbert Stuart has long been mistakenly represented as a hard-drinking rogue, habitual liar, and inexplicable financial failure. To explain his stylistic unevenness as an artist, he is assumed to have had an inferior assistant, but the documentary evidence for an assistant who painted on his portraits is non-existent-in fact, there is evidence to the contrary. This ground-breaking study demonstrates that Stuart suffered from a hereditary form of manic depression, leading him to create pictures that contain peculiar lapses characteristic of a manic-depressive, or bipolar, artist. Using documentary and empirical evidence-from diaries and letters to x-radiographs of paintings-this book fills important gaps in our knowledge of Stuart, and connects the strange visual effects in some of Stuart's paintings with cognitive deficits attendant with the disorder. In addition to Stuart, other bipolar artists, including George Romney, Raphaelle Peale, Gilbert Stuart Newton, and William Rimmer, are discussed in relation to these deficits, revealing patterns which carry broader implications for all manic-depressive artists. This volume is a significant contribution not only to studies of Stuart and the four other painters but also to our understanding of the mind of a manic-depressive artist. It bridges the broad disciplines of art history and psychopathology.