The Twenties and Thirties were a golden age of adventure as two-fisted heroes and daring explorers came to life in the pages of pulp magazines. Now you can create roleplaying games and characters set in this thrilling era!
Here is an affectionate look back at the outsized heroes who once occupied the imagination of millions of loyal readers-The Shadow, Tarzan, Doc Savage, Captain Future, The Spider, Zorro. They were the original super guys, godfathers and inspiration to the likes of Superman, Batman and James Bond. Fascinating and informative, THE GREAT PULP HEROES is a lively and entertaining history of those fabulous characters, of the gaudy, glorious magazines that spawned them, and of the amazing wordsmiths who churned out their monthly adventures
A deep dive into mid-century African American newspapers, exploring how Black pulp fiction reassembled genre formulas in the service of racial justice In recent years, Jordan Peele’s Get Out, Marvel’s Black Panther, and HBO’s Watchmen have been lauded for the innovative ways they repurpose genre conventions to criticize white supremacy, celebrate Black resistance, and imagine a more racially just world—important progressive messages widely spread precisely because they are packaged in popular genres. But it turns out, such generic retooling for antiracist purposes is nothing new. As Brooks E. Hefner’s Black Pulp shows, this tradition of antiracist genre revision begins even earlier than recent studies of Black superhero comics of the 1960s have revealed. Hefner traces it back to a phenomenon that began in the 1920s, to serialized (and sometimes syndicated) genre stories written by Black authors in Black newspapers with large circulations among middle- and working-class Black readers. From the pages of the Pittsburgh Courier and the Baltimore Afro-American, Hefner recovers a rich archive of African American genre fiction from the 1920s through the mid-1950s—spanning everything from romance, hero-adventure, and crime stories to westerns and science fiction. Reading these stories, Hefner explores how their authors deployed, critiqued, and reassembled genre formulas—and the pleasures they offer to readers—in the service of racial justice: to criticize Jim Crow segregation, racial capitalism, and the sexual exploitation of Black women; to imagine successful interracial romance and collective sociopolitical progress; and to cheer Black agency, even retributive violence in the face of white supremacy. These popular stories differ significantly from contemporaneous, now-canonized African American protest novels that tend to represent Jim Crow America as a deterministic machine and its Black inhabitants as doomed victims. Widely consumed but since forgotten, these genre stories—and Hefner’s incisive analysis of them—offer a more vibrant understanding of African American literary history.
Weird Heroes is a collective effort to do something new: to approach three popular heroic fantasy forms—science fiction, the pulps and the comics—from different and exciting directions. Each story in this book is experimental. There are revitalizations of classic fantasy themes such as time travel and jungle adventure. There is innovative use of some of the most dynamic graphic story talent in the world, from Philippino illustrator Alex Nino to American cartoonist Ralph Reese. There is a strong and conscious effort to encourage storytelling which does not rely on violence as a primary source of drama. Weird Heroes is a collective effort to give back to heroic fiction its thrilling sense of adventure and entertainment—the heartbeat of the old pulps. The pulps used heroes to bring fiction to a grand level of excitement—a level which incorporated the reader into the experience. Weird Heroes refreshes that concept of fiction as an adventure in itself, without relating to the new wave of violence and pornography in the production of exciting stories. Weird Heroes is a collection of memorable firsts. It represents the first major publication of prose stories by both science fiction and graphic story writers. Within volumes 1 and 2 you will find the first published appearances of famous pulp biographer Philip Jose Farmer’s epic pulp character, “Greatheart Silver.” You’ll be witness to the first major book publication of an interview with award-winning science fiction and fantasy writer, Fritz Leiber. You’ll experience the insanity of Superman author Elliot S. Maggin’s “Gonzo Storytelling” and discover the new hero by a literary descendant to Dashiell Hammett on Secret Agent X-9, Archie Goodwin. Weird Heroes contains the first American book illustration work by award-winning Spanish artist Esteban Maroto. Jim Steranko and Neal Adams, two titans of the modern graphic story field, appear for the first time under the same cover in Volume 2. Tom Sutton, an unsung hero of the comics with a comedic style that blends Kurtzman, Elder, and Eisner, also makes his book debut with five plates for “Showdown at Shootout.”
A popular and enthusiastic guide to the major continuing western hero characters of the American pulp magazine era, complete with bibliography, index, and illustrations of pulp covers, and with a new introduction by well-known Western writer, Ryerson Johnson.
This enormous volume is the first comprehensive encyclopedia of fantastic literature of the nineteenth century. From detective fiction to historical novels, from well-known authors like Jules Verne and H.G. Wells, to Russian newspaper serials and Chinese martial arts novels, THE ENCYCLOPEDIA OF FANTASTIC VICTORIANA is a truly exhaustive look at every aspect of fantastic literature in the days of Queen Victoria. Readers of science fiction and fantasy will be surprised to find here the roots of genres thought to be strictly contemporary, and students of literature will be amazed at the breadth and scope of writings produced in the Victoriana era. This is an invaluable reference, and truly one-of-a-kind.
Victor Renquist, centuries-old nosferatu leader, is called to England. Some archaeologists are excavating a burial mound, but what they will uncover is no Saxon warrior but the being once known as the Merlin. And he's not the kindly old duffer of The Sword in the Stone. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Detective, sci-fi, Western, supernatural, jungle, pirate, aviation, war, sports, horror, super hero, love, sex - these and more are the fantastic array of categories for the wonderful stories, features, articles, poems collected here from 50 years of pulp magazines ... the cradle and school of sensationalism for American pop culture.
“The Walt Whitman of Los Angeles.”—Joyce Carol Oates, bestselling author “He brought everybody down to earth, even the angels.”—Leonard Cohen, songwriter Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Charles Bukowski's own brand of humor and realism, opening up a landscape of seamy Los Angeles. Pulp is essential fiction from Buk himself.